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      Loquebantur Omnes

      Experience 'Loquebantur Omnes' by Cornelis Troost – a witty pastel depicting a lively evening of Amsterdam gentlemen. Explore this Rococo masterpiece and its captivating story.

      Odkrij Cornelisa Troosta (1696-1750), nizozemskega rokokanskega namalovnika znanega po elegantnih žanrnih prizivah amsterdamske višje družbe in teatralnih motivih. Raziskuj njegove inteligentne portrete, pastelne delo kot je 'NELRI' in dediščino 18. stoletja.

      Ročno izdelana oljna reprodukcija

      Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. ( Preklop na tiskanine Preklop na digitalno sliko)

      Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118B 10
      Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118H 10
      Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118W 10
      Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
      P438Z 10
      Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508JH 12
      Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508YH 12
      Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805H 10
      Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805Z 10
      Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919BZ 10
      Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919XJ 10
      Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P959ZH 10
      Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
      P968JZ 12
      Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
      W106C 8
      Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
      W218G 10
      Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
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      Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
      W218Y 10
      Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W307PJ 10
      Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
      W316G 10
      Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
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      Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
      W316Y 10
      Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
      W398PJ 8
      Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
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      Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
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      Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
      W500JH 15
      Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
      W692G 12
      Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
      W940BG 15
      Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
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      Loquebantur Omnes

      Tehnika reprodukcije

      Velikost reprodukcije

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      Skupna cena

      € 232

      Hitri podatki

      • Artist: Cornelis Troost
      • Notable elements: Humorous scene
      • Artistic style: Genre painting
      • Year: 1740
      • Dimensions: 565 x 725 mm
      • Location: Mauritshuis, The Hague
      • Influences:
        • Watteau
        • Boucher

      Kviz o umetnosti

      Pri vsakem vprašanju je na voljo le eden pravilen odgovor.

      Vprašanje 1:
      What is the primary subject depicted in Cornelis Troost’s ‘Loquebantur Omnes’?
      Vprašanje 2:
      The pastel technique used by Troost in ‘Loquebantur Omnes’ is most closely associated with which period?
      Vprašanje 3:
      What material did Troost primarily use to create ‘Loquebantur Omnes’?
      Vprašanje 4:
      The series of five pastels, ‘NELRI’, is named after the initials of what?
      Vprašanje 5:
      According to the description, what is the overall atmosphere conveyed by the painting ‘Loquebantur Omnes’?

      Loquebantur Omnes: A Window into Amsterdam’s Golden Age

      Cornelis Troost's "Loquebantur Omnes" (Everyone Was Speaking), painted in 1740, isn’t merely a depiction of a convivial evening; it’s a meticulously crafted snapshot of Amsterdam’s vibrant social scene during the height of its Golden Age. This pastel masterpiece, now housed within the Mauritshuis museum in The Hague, offers a captivating glimpse into the lives and leisure activities of the city's elite – a world of refined conversation, spirited debate, and, ultimately, unrestrained indulgence. Troost, transitioning from his theatrical beginnings as an actor to a celebrated painter, masterfully captures the atmosphere of a gathering where propriety gradually yields to boisterous revelry.

      The scene unfolds within a richly appointed room, dominated by opulent chandeliers that cast a warm, inviting glow upon the assembled gentlemen. Their attire – elaborate coats, silk waistcoats, and powdered wigs – speaks volumes about their status and wealth. The composition is carefully balanced; figures are arranged around a table laden with wine glasses and plates of food, while others mingle in conversation or observe the unfolding merriment. Notice the subtle details: the expressions on the faces, the gestures of animated discussion, the overflowing goblets—all contribute to a palpable sense of lively interaction.

      Technique and Materials: A Masterful Blend

      Troost’s choice of medium – pastel and gouache on paper – is particularly noteworthy. Pastel, with its delicate pigment and ability to create subtle gradations of tone, lends itself beautifully to capturing the nuances of light and shadow, as well as the fleeting expressions on the faces of his subjects. The addition of gouache, an opaque watercolor, provides depth and richness to the colors, anchoring the scene within a believable space. This combination creates a luminous quality that is both delicate and remarkably detailed. The layering of these techniques demonstrates Troost’s technical skill and his understanding of how to achieve a harmonious visual effect.

      Furthermore, the painting's size – 565 x 725 mm – allows for an intimate portrayal of the scene, drawing the viewer into the heart of the gathering. The artist’s attention to detail is evident in every brushstroke, from the intricate folds of the clothing to the reflections in the wine glasses. The use of a slightly elevated perspective subtly emphasizes the social hierarchy within the group, with some figures positioned closer to the viewer and others receding into the background.

      Symbolism and Narrative

      Beyond its immediate visual appeal, “Loquebantur Omnes” is rich in symbolic meaning. The title itself – derived from a Latin phrase – suggests a narrative arc: a progression from restrained conversation to unrestrained revelry. The painting’s depiction of the gentlemen gradually becoming increasingly intoxicated and boisterous mirrors this shift. It's a commentary on the excesses of the wealthy class, a subtle critique masked within a scene of apparent merriment. The inclusion of objects like wine glasses and plates of food further reinforces the theme of indulgence and conviviality.

      The painting’s composition also subtly alludes to classical themes of social interaction and entertainment. It echoes the depictions of symposiums found in ancient Greek art, where philosophers and intellectuals gathered to discuss important matters – albeit with a distinctly Dutch twist. The scene is not simply a portrait; it's a carefully constructed tableau that invites contemplation on the nature of society, pleasure, and human behavior.

      A Legacy of Rococo Elegance

      Cornelis Troost’s “Loquebantur Omnes” stands as a quintessential example of Dutch Rococo art. His ability to capture both the elegance and the underlying humor of his subjects is a hallmark of his style. The painting's enduring appeal lies in its ability to transport the viewer back to Amsterdam’s Golden Age, offering a glimpse into a world of refined tastes, spirited conversation, and ultimately, a cautionary tale about the perils of excess. Reproductions of this captivating work continue to delight art enthusiasts and collectors alike, preserving Troost’s legacy as one of the most significant figures in Dutch painting history.

      Vprašanja in odgovori

      Kakšno paleto barv in kakšen občutek združuje "Loquebantur Omnes"?

      V delu "Loquebantur Omnes" barvna paleta Earthy spremlja Nostalgic občutek.

      Kdaj je bilo ustvarjeno "Loquebantur Omnes"?

      Ustvaritev dela "Loquebantur Omnes" avtorja Cornelis Troost datiramo v 1740.

      Kdo je ustvaril "Loquebantur Omnes"?

      Avtor dela "Loquebantur Omnes" je Cornelis Troost. Del je katalogiran pod imenom Cornelis Troost.

      Kakšno vzdušje bi v prostor prineslo "Loquebantur Omnes"?

      "Loquebantur Omnes" avtorja Cornelis Troost ima Elegant vzdušje in se priporoča za Living Room. Razpoloženje je tisto, kar delo vnese v okoliški prostor.

      Koliko je bil Cornelis Troost star ob ustvarjanju dela "Loquebantur Omnes" leta 1740?

      Cornelis Troost je bil/a star/a 44 let, ko je ustvaril/a "Loquebantur Omnes" leta 1740. Starost je izračunana na podlagi leta rojstva umetnika, 1696.

      Kakšna velikost in orientacija sta priporočeni za tiskanje dela "Loquebantur Omnes" avtorja Cornelis Troost?

      Za "Loquebantur Omnes" je priporočena nastavitev tiska velikost Medium in orientacija Landscape.

      Iz katere države izvira del Rococo Genre Painting z naslovom "Loquebantur Omnes"?

      Del v slogu Rococo Genre Painting, "Loquebantur Omnes", je ustvaril umetnik, rojen v državi Nizozemska.


      Biografija umetnika

      Okno v amsterdamsko zlato dobo

      Cornelis Troost, ime, ki je neiztrenno povezano z živahnim tkivom Amsterdama 18. stoletja, je bil več kot le umetnik; bil je ostra opažalnica in mojstrovski kronikar svoje dobe. Rojen v srcu nizozemske republike 8. oktobra 1696 v Amsterdamu, Troostova pot od ambicioznega igralca do slavnega namalovanca razkriva fascinantno spletje umetniških strasti in osebne transformacije. Začetno usposobljen kot izvajalec na sceni, je svoje pravo poklicanje našel ne med aplavom in dramo, temve v pedantni podrobnosti in subtilnih nijancah slikarstva. Trajektorija njegovega življenja je zaznamovana z zavestnim premikom – zavestno zavračanjem žarometov za tiho razmišljanje nad potebami črt, kar ga je končno vodilo do postajanja ene najpomembnejših osebnosti v nizozemski rokokanski žanrni umetnosti.

      Troostova umetniška izobraževanja se je začelo pod mentorstvom Arnolda Boonena, spoštovanega portretista, ki je prepoznal v svojem učencu vroden talent. To učeništvo je zagotovilo ključno temeljno plast, vendar so ravno Troostovi zgodnji risbi razkazali njegov edinstven slog – še posebej tisti iz leta 1708, ki prikazuje kneza Evgena Savojega in prepričljivega knjižničarja ter vohivca Louisa Renarda, kako se vključujeta v prirejane dejanja v luksuznem amsterdamskem bordelu. To delo, polno duha in intrig, je nakazalo teme, ki jih bo kasneje z tako očarljivimi veščinami raziskoval: zapletenost družbenega življenja, privlačnost užitkov in skrite viharje pod površjem spodobiljanja.

      Eleganca rokoka in družbena narrativa

      Ko se je njegova kariera zrela, je Troost postal mojster zajemanja nežne ravnovesja med neobveznostjo in sofisticiranostjo. Njegovo del je nedvomno vplivalo na prevladujoče umetniške trende njegovega časa, vključno z dramatičnimi kompozicijami Williama Hogartha, znanega po svojih satiričnih prikazih londonske družbe, ter elegantno gracio francoskih mojstrov, kot so Watteau, Boucher in Lancret. Ta sinteza nizozemskega realizma in francoske rokokanske elegance mu je omogočila ustvarjanje del, ki so bila hkrati globoko zakorenjena v lokalni realnosti in izjemno prefinjena.

      Njegov repertoar je bil izjemno raznolik, od intimnih portretov do monumentalnih skupinskih kompozicij. Med njegove najbolj trajne prispevke k umetnosti sveta spadajo:

      • Portret inšpektorjev Collegium Medicum (1724): Presenetljivo rokokansko oljno sliko, ki prikazuje vrhunec nizozemske umetnosti 18. stoletja in institucionalno eleganco.
      • Portret Marie Magdelene Stavenisse (okolo 1726): Barokno mojstrovino, ki z izjemno podrobnostjo prikazuje aristokratsko bogastvo in status.
      • Regenti zavetilišča Aalmoezeniersweeshuis (1729): Monumentalen skupinski portret, ki služi kot okno v družbene strukture Amsterdama, pri čemer uporablja dramatično svetlobo in obilno okolje za posredovanje občutka državljanske pomembnosti.

      Dediščina mojstrovskega opaževalca

      Pomembnost Cornelisa Troosta leži v njegovi sposobnosti, da deluje kot vizualni zgodovinar obdobja prehodov. Čeprav je era velikih mojstrov nizozemske zlate dobe že minila, je Troost v nizozemsko tradicijo vnesel nov življenjski zavet z vključevanjem lahkotnosti in dekorativnega šarma rokokanske gibanja. Njegove slike ne prikazujejo le obrazov; one zajamejo duh obdobja – šum svilnega krina, utrip sveč in subtilne družbene hierarhije amsterdamske višje družbe.

      S svojimi duhovitimi portreti in očarljivimi žanrnimi scenami je Troost pustil dediščino, ki še vedno očarjava gledalce. Ostaja ključna figura, ki je premostila vrzel med težkimi, dramatičnimi tradicijami 17. stoletja in zračno, graciozno estetiko 18. stoletja, ter zagotovila, da bodo družbene nijance njegovega ljubljenega Amsterdama ohranjeni v pigmente za prihajajoče generacije.

      Cornelis Troost

      Cornelis Troost

      1696 - 1750 , Nizozemska

      Ključne informacije

      • Artistic Movement Or Style: Rokokni žanorski prizori
      • Artists Or Movements Influenced By This Artist: ['Sara Troost']
      • Artists Who Influenced This Artist:
        • William Hogarth
        • Watteau
        • Boucher
        • Lancret
      • Date Of Birth: 8. oktober 1696.
      • Date Of Death: 7. marec 1750.
      • Full Name: Cornelis Troost
      • Nationality: Nizozemski
      • Notable Artworks:
        • NELRI zbirka
        • Jeronimus Tonneman
        • Inspektorji Collegium
      • Place Of Birth: Amsterdam, Nizozemska
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