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      English The Ferry

      • Datum ustvaritve1910
      • Dimenzije115.0 x 152.0 cm

      An Australian Impressionist master known for capturing light and atmosphere in iconic works like Nasturtiums and The Ferry, Emanuel Phillips Fox invites you to discover the serene beauty of his luminous oil paintings.

      Giclée tisk / Umetniški tisk

      Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Kupite ročno slikano delo Preklop na digitalno sliko)

      Standardna velikost
      po meri
      CM
      INCH

      Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

      širina
      višina

      Vnesite širino in višino, ki jih potrebujete za svoj okvir ali steno. Tiskanje se lahko le odreže, vendar ga ni mogoče narediti večjega od slike, zato format z drugačno obliko pomeni izgubo dela slike. Pred tiskanjem vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ne prikazuje dejanskega izrezka — le predogled to omogoča.

      Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (28 oktober)

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      Skupna cena

      € 61

      English The Ferry

      Giclée tisk / Umetniški tisk

      Velikost reprodukcije

      -

      Skupna cena

      € 61

      The painting English The Ferry by Emanuel Phillips Fox is a beautiful scene of people on a dock near the water, showcasing the artist's mastery of capturing light and atmosphere. Created in 1910, this oil on canvas piece measures 115 x 152 cm and is currently housed at the Art Gallery of New South Wales in Australia.

      A Masterpiece of Australian Art

      Emanuel Phillips Fox was a renowned Australian artist known for his impressionist style, which is evident in English The Ferry. The painting features a lively atmosphere, with people enjoying their time by the water. A boat can be seen floating on the water, with individuals either getting off or preparing to board it. The use of vibrant colors and textured paint handling adds depth and visual interest to the scene. Key Features of the Painting
      • The painting captures a sense of movement and energy, with people engaging in various activities.
      • The use of light and shadow creates a sense of depth and dimensionality.
      • The vibrant colors and textured paint handling add to the overall visual appeal of the piece.

      Artist's Background and Style

      Emanuel Phillips Fox was an influential artist in the development of Australian plein air painting. His paintings are characterized by a commitment to direct visual experience, with a focus on capturing light, atmosphere, and vibrant colors. English The Ferry is a prime example of his style, showcasing his ability to create captivating and immersive scenes. For more information on Emanuel Phillips Fox and his works, visit /art/list/?Filter=emanuel+phillips+fox,emanuel,phillips,fox. To view more paintings by the artist, including English Art students and The ferry, visit /art/list/?Filter=AQZBK6-Emanuel-Phillips-Fox-English-The-Ferry.
      The Art Gallery of New South Wales is a leading museum and art institution in Australia, featuring a diverse collection of Australian and international art. To learn more about the gallery and its collections, visit /art/list/?Filter=A@D3BA8M-The-Museum-Gallery-of-New-South-Wales-(Sydney-Australia).

      Vprašanja in odgovori

      Katera je prevladujoča barvna tonina dela "English The Ferry" avtorja Emanuel Phillips Fox?

      "English The Ferry" nagnjeno k Ochre to Sepia tonu.

      Kolikšno je intenzivno barvno dojemanje v delu "English The Ferry" avtorja Emanuel Phillips Fox?

      Barve v delu "English The Ferry" avtorja Emanuel Phillips Fox imajo Balanced intenzivnost.

      Ali lahko naročim oljno reprodukcijo dela "English The Ferry"?

      "English The Ferry" je na voljo kot ročno slikana oljna reprodukcija na lnenem platnu. Naročilo lahko oddate na njegovi strani Ročno slikana reprodukcija, kjer lahko izbirate med različnimi velikostmi.


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