Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.
Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitenga umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Kupite ročno slikano delo
Preklop na digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Vnesite širino in višino, ki jih potrebujete za svoj okvir ali steno. Tiskanje se lahko le odreže, vendar ga ni mogoče narediti večjega od slike, zato format z drugačno obliko pomeni izgubo dela slike. Pred tiskanjem vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ne prikazuje dejanskega izrezka — le predogled to omogoča.
Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (28 oktober)
Podoba
Velikost reprodukcije
Čebelova dela so posebna zaradi njihove kompleksnosti in inovativnega pristopa k umetnosti. Umetnik je ustvarjal umetniške projekte, ki so bili zelo kritično ocenjeni znanstveniki ter umetniki. Čebelovo umetnost je možno gledati kot zgodovinski dokument, ki nam govori o času življenja umetnika ter spremembah okolja.
Čebelova kolažji so izjemno prilagodljivi različnim dekorativnim stilom – od minimalističnih do ekspresivnih. Čebelove slike lahko uporabimo za ustvarjanje zanimive atmosfere v domu ali pisarni ter za osvojenje estetike umetnosti.
Čebelova umetnost je vredna pozornosti ljubiteljev umetnosti ter kolekcionerjev, ki iščejo umetniške projekti z veliko simbolično vrednostjo ter inovativnim pristopom k umetnosti. Čebelovo umetnost lahko uporabimo za ustvarjanje estetike umetnosti v prostoru doma ali pisarne.
"Podoba" avtorja Roberto "Bobby" Rodríguez Chabet prikazuje Močna barvna enotnost barvno harmonijo.
V zvezi z avtorskimi pravicami je "Podoba" v še vedno pod avtorsko zaščito.
Za ogled predogleda reprodukcije dela "Podoba" avtorja Roberto "Bobby" Rodríguez Chabet odprite stran Predogled dela za to umetniško delo.
Widely acknowledged as the father of Philippine conceptual art, Roberto “Bobby” Rodríguez Chabet was a visionary whose practice transcended the boundaries of traditional medium and form. His journey began with a foundation in architecture, having studied at the University of Santo Tomas, where he graduated in 1961. This architectural training profoundly informed his later artistic endeavors, instilling in him a unique sensitivity to space, structure, and the physical presence of objects. From his very first solo exhibition at the Luz Gallery in 1961, Chabet began to signal a departure from established norms, moving toward an art practice that prioritized the underlying concept over the finished aesthetic object.
Chabet’s career was marked by a relentless pursuit of the new, leading him to spearhead movements that challenged the status quo. As the founding museum director and curator of the Cultural Center of the Philippines, he played a pivotal role in shaping the nation's cultural landscape. He was instrumental in initiating the first 13 Artists Awards, an initiative designed to recognize young creators whose work embodied a sense of recentness and a deliberate turning away from familiar, traditional modes of art-making. Through his leadership of the 1970s conceptual art group known as Shop 6, he fostered an environment where experimentation and avant-garde exploration could flourish.
The work of Chabet is often described as a meditation on the transitory nature of existence. He viewed his pieces as "creatures of memory," acting more as a custodian of these ephemeral fragments than a mere creator. His artistic output was incredibly diverse, spanning architecture, painting, printmaking, sculpture, stage design, photography, and writing. Whether through drawings, collages, or large-scale installations, Chabet’s work frequently questioned the complexities of modernity and the collision of displaced objects within a space.
In his more tactile works, such as the China Collage series, one can observe a masterful exploration of materiality. These pieces often involve an intricate assemblage of photographic prints, paper fragments, and textured elements that invite viewers into an immersive experience. His process involved an unraveling of fixed notions regarding meaning, using disparate materials to create a unified aesthetic statement. By juxtaposing different textures and depths, he mirrored the complexities of human experience, creating a dialogue between observation and memory.
Chabet’s influence extends far beyond his own physical works, as his pedagogical contributions at the UP College of Fine Arts shaped generations of Filipino artists. His commitment to an art practice that gave precedence to idea over form left an indelible mark on the history of Philippine contemporary art. His significance is reflected in the prestigious honors he received throughout his life, including:
Today, his legacy resides in the permanent collections of esteemed institutions such as the National Museum, the Ateneo Art Gallery, and the Cultural Center of the Philippines. Through his courageous exploration of the avant-garde, Roberto Chabet remains a foundational figure whose work continues to challenge how we perceive, interpret, and interact with the visual world.
1937 - 2013 , Philippines