Atelje — Besplatna dostava širom sveta — Rok isporuke: 2–6 nedelja
      Pregledaj u prostoru AR pregled Kupite ručno oslikano delo Pređi na digitalnu sliku Pošalji
      Detalji o delu Vodič Dodaj u omiljene Preuzmi Slični predmeti Rendgenski snimak Automatska prezentacija Pitanja i odgovori Statistika

      Ila, die jüngere Tochter des Künstlers

      Dimenzije
      82.0 x 72.0 cm

      Albin Egger-Lienz’s 1920 painting ‘Ila, die jüngere Tochter des Künstlers’ captures a poignant moment with a young girl in a monumental style, reflecting the artist's influence and Austrian Secession era. Discover this evocative artwork and bring its beauty into your space.

      Istražite moćna dela Albina Eggera-Lienza! Austrijski umetnik poznat po ekspresivnim tirolskim scenama, istorijskoj umetnosti i monumentalnom stilu pod uticajem Hodlera. Otkrijte njegov rad u TopImpressionists!

      Giclee štampa / Umetnički otisak

      Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

      Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118B дин10
      Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118H дин10
      Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118W дин10
      Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
      P438Z дин10
      Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P508JH дин12
      Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P508YH дин12
      Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
      P805H дин10
      Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
      P805Z дин10
      Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919BZ дин10
      Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919G дин10
      Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919XJ дин10
      Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P959ZH дин10
      Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
      P968JZ дин12
      Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W106C дин8
      Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218G дин10
      Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218JH дин8
      Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218Y дин10
      Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W307PJ дин10
      Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316G дин10
      Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316PJ дин8
      Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316Y дин10
      Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W398PJ дин8
      Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
      W4111J дин10
      Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500HY дин15
      Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500JH дин15
      Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
      W692G дин12
      Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W849H дин8
      Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
      W940BG дин15
      Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
      W953PJ дин8

      Standardne dimenzije
      po meri
      CM
      INCH

      Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

      širina
      visina

      Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.

      Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (4 новембар)

      Besplatna ekspresna dostava širom sveta
      Visokokvalitetno laneno platno
      Potpuno osiguranje transporta
      Garancija povraćaja carine i uvoznih dažbina
      Garancija vernosti boja
      Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
      Garancija povrata 100% novca
      Popust na više proizvoda

      Ukupna cena

      дин 7306

      Ila, die jüngere Tochter des Künstlers

      Giclee štampa / Umetnički otisak

      Dimenzije reprodukcije

      -

      Ukupna cena

      дин 7306

      Osnovne informacije

      • Influences: Ferdinand Hodler
      • Year: 1920
      • Artist: Albin Egger-Lienz
      • Subject or theme: Childhood, peasant life
      • Title: Ila, die jüngere Tochter

      Albin Egger-Lienz's *Ila, die jüngere Tochter des Künstlers* – A Portrait of Tyrolean Innocence

      This arresting painting, titled *Ila, die jüngere Tochter des Künstlers* (Ila, the Younger Daughter of the Artist), offers a poignant glimpse into the life and artistic sensibilities of Albin Egger-Lienz, a pivotal figure in early 20th-century Austrian art. Executed in 1920, this intimate portrait captures a young girl – Ila – seated with an almost unsettling stillness on a simple wooden chair. The scene, rendered in muted earth tones and punctuated by the vibrant red of her shirt, immediately draws the viewer into a world both familiar and subtly unnerving.

      • Subject Matter: The painting’s subject is deceptively straightforward – a young girl. However, Egger-Lienz elevates this commonplace scene through his deliberate composition and expressive handling of form.
      • Style & Technique: Egger-Lienz's style evolved significantly throughout his career, influenced by movements like the Vienna Secession. In *Ila*, we see a transitional phase, retaining elements of realism while foreshadowing the monumental expressiveness championed by Ferdinand Hodler, who profoundly impacted his approach to depicting figures within dramatic, stage-like settings. The brushwork is loose and textured, contributing to a sense of immediacy and emotional depth.

      The Artist's Roots: Tyrolean Identity and Early Influences

      Born in 1868 in Dölsach-Stribach near Lienz, Tyrol, Albin Egger-Lienz’s artistic journey was inextricably linked to his regional identity. His father, a church painter, provided the initial training that shaped his early work, which predominantly focused on scenes of peasant life and historical events – notably, the Tyrolean Rebellion of 1809. This engagement with local history and folklore is evident in the painting’s quiet dignity and the girl's direct gaze. The influence of Franz Defregger and Jean-François Millet, masters of depicting rural life with a humanist perspective, can also be discerned in Egger-Lienz’s early oeuvre.

      Symbolism and Emotional Resonance

      *Ila* transcends a simple portrait; it embodies a complex interplay of symbolism. The girl's posture – seated with crossed legs – suggests both vulnerability and quiet strength. Her gaze, direct and unwavering, invites the viewer into her world, prompting questions about innocence, memory, and perhaps even a subtle sense of foreboding. The presence of the other chairs in the background creates a spatial ambiguity, adding to the painting’s unsettling atmosphere. The muted color palette reinforces this feeling, evoking a timeless quality that resonates with viewers across generations.

      Historical Context & Legacy

      Painted in 1920, *Ila* reflects a period of significant artistic and social change in Austria. Egger-Lienz’s membership in the Vienna Secession signaled his embrace of modernism and his willingness to challenge traditional artistic conventions. His work, often characterized by its raw emotional intensity and unflinching portrayal of human experience, cemented his place as one of the most important artists of the early 20th century. This reproduction offers a unique opportunity to own a piece of art history, capturing the essence of Egger-Lienz’s vision and the enduring power of his artistic legacy.

      Pitanja i odgovori

      Kakvu atmosferu donosi „Ila, die jüngere Tochter des Künstlers”, autor Albin Egger-Lienz u enterijer?

      Nostalgic atmosfera dela „Ila, die jüngere Tochter des Künstlers”, autor Albin Egger-Lienz savršeno odgovara preporučenom prostoru: Living Room.

      Koje boje dominiraju u delu „Ila, die jüngere Tochter des Künstlers”, autor Albin Egger-Lienz?

      „Ila, die jüngere Tochter des Künstlers“ karakteriše Earthy paleta u kojoj dominira Clay (#ad7342).

      Koliko su intenzivne boje u delu „Ila, die jüngere Tochter des Künstlers”, autor Albin Egger-Lienz?

      Intenzitet boja dela "Ila, die jüngere Tochter des Künstlers" je Balanced. Intenzitet opisuje koliko boje deluju snažno.


      Biografija umetnika

      Albin Egger-Lienz: Život i nasleđe

      Rano detinjstvo i obuka

      • Rođen: 29. januara 1868. godine, u Dölsach-Stribachu, blizu Lienza, Tirol, Austrija.
      • Poreklo: Bio je vanbračni sin Marije Trojer, seljanke, i Georga Eggera, crkvenog slikara. Kasnije je usvojio očevo prezime spojeno sa mestom svog rođenja.
      • Njegovo početno umetničko obrazovanje poticalo je od njegovog oca, što je postavilo temelje za njegovu buduću karijeru.
      • Svoje studije nastavio je na Akademiji u Minhenu, gde su na njega duboko utical umetnici poput Franca Defreggera i Žana-Fransoa Miléa.

      Umetnički razvoj i uticaji

      • Egger-Lienzova rana dela fokusirala su se na prizore seljačkog života i istorijske događaje, posebno na Tirolski ustanak iz 1809. godine.
      • Ključni uticaj: Umetnik Ferdinand Hodler značajno je uticao na Egger-Lienzov stil, vodeći ka monumentalnoj ekspresivnosti koju karakterišu herojske figure u prostorima nalik scenama.
      • Pridružio se Bečkoj secesiji 1909. godine, čime je dodatno učvrstio svoju poziciju u austrijskoj umetničkoj sceni.
      • Njegov umetnički jezik evoluirao je ka snažno naglašenim, masivnim formama slikanim gotovo monohromatskom paletom zemljane boje.

      Glavna dela i dostignuća

        Značajne slike: Neka od njegovih najpoznatijih dela uključuju „Der Totentanz von anno neun“ (1906-1908), „Almlandschaft im Ötztal“ (1911) i „Den Namenlosen“ (1916).
      • Učestvovao je na Univerzalnoj izložbi u Parizu 1900. godine, gde je osvojio bronzanu medalju za svoju sliku „Feldsegen“.
      • Tokom Prvog svetskog rata služio je kao ratni slikar na južnom austrijskom frontu.
      • Njegova kasnija dela često su uključivala religijske teme uporedo sa prizorima seljačkog života, kao što je „Hristovo vaskrsenje“.

      Istorijski značaj i nasleđe

      • Jedinstven stil: Egger-Lienz je spojio elemente ekspresionizma sa tradicionalnom austrijskom umetnošću, kreirajući prepoznatljiv stil koji ga je izdvajao od savremenika.
      • Njegov rad je često istraživao teme herojstva, žrtve i povezanosti između čovečanstva i prirode.
      • Odbio je više profesorskih mesta na prestižnim akademijama, želeći da zadrži umetničku nezavisnost.
      • Trajni uticaj: Njegove slike se i dalje slave zbog svoje emocionalne snage i monumentalnog obima, predstavljajući značajan doprinos istoriji austrijske umetnosti.

      Poslednje godine i smrt

      • Egger-Lienz je svoje poslednje godine proveo slikajući freske za Memorijalnu kapelu palih u ratu u Lienz-u.
      • Smrt: Preminuo je 4. novembra 1926. godine, u Svetoj Justini-Rentsch, Bozen/Bolzano, Južni Tirol/Alto Adige, Italija, ostavljajući za sobom bogato umetničko nasleđe.
      Albin Egger-Lienz

      Albin Egger-Lienz

      1868 - 1926 , Austrija

      Osnovne informacije

      • Birth Date: 29. januar 1868.
      • Birth Place: Dölsach, Austrija
      • Death Date: 4. novembar 1926.
      • Influenced By: Ferdinand Hodler, Franz Defregger, Jean-François Millet
      • Movement: Ekspresionizam
      • Name: Albin Egger-Lienz
      • Nationality: Austrijski
      • Notable Works:
        • Der Totentanz von anno neun
        • Almlandschaft im Ötztal
        • Den Namenlosen