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      Venus

      Dimenzije
      174.0 x 57.0 cm
      дин 28148

      Ručno rađena uljana reprodukcija

      Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

      Veličina

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      Standardne dimenzije
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      širina
      visina

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      Završetak

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      Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
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      Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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      Corner sample of the H24-GOLD picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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      Corner sample of the H24-SILVER picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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      Corner sample of the H36-GOLD picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
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      Corner sample of the H36-SILVER picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
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      Zaštitni lak

      Kratki opis natpisa

      Detalji gravirane bronze ploče

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detalji prozirne akrilne pločice

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detalji crne akrilne pločice

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Ukupna cena дин 28148

      Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm

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      Opis predmeta

      Admire Aristide Maillol's 'Venus,' a stunning bronze sculpture embodying classical beauty and timeless grace. Explore its elegant form, serene expression, and the story behind its iconic necklace.

      Biografija umetnika

      Otkrijte Aristida Maillola (1861-1944), francuskog vajara čuvenog po svojim spokojnim, monumentalnim ženskim aktovima i klasičnim oblicima. Istražite njegovo nasleđe i umetnička dela!

      O slici

      The Serene Majesty of Aristide Maillol’s Venus

      Aristide Maillol's "Venus," sculpted in 1928, isn’t merely a depiction of the Roman goddess; it’s an embodiment of timeless beauty and a profound meditation on form and stillness. Emerging from the post-World War I artistic landscape—a period marked by both disillusionment and a fervent return to classical ideals—Maillol sought to distill the essence of the female nude, stripping away extraneous detail in favor of a powerfully reductive aesthetic. This particular iteration, often referred to as “Venus sans collier” (Venus without necklace), exemplifies his signature style: a deliberate embrace of geometric simplicity coupled with an undeniable sense of grace and dignity.

      The sculpture’s genesis lies within Maillol's deep fascination with Antiquity. He wasn’t interested in replicating ancient statues with photographic accuracy, but rather in understanding the underlying principles of their design—the balanced contrapposto stance, the carefully considered proportions, and the subtle articulation of musculature. This study informed his approach to creating a modern Venus, one that felt both familiar and utterly new. The smooth, polished bronze surface reflects light subtly, enhancing the figure’s sculptural presence and lending it an almost luminous quality. Maillol's meticulous attention to detail is evident in the precise rendering of her torso, the delicate curve of her hips, and the relaxed tension of her limbs—elements that contribute to a remarkable sense of realism despite the sculpture’s simplified form.

      A Return to Order: Maillol and the Post-War Aesthetic

      Following the turbulent years of World War I, many artists felt compelled to seek refuge in the stability and order offered by classical antiquity. Maillol was a key figure in this movement, aligning himself with the philosophy articulated by Jean Cocteau’s “Le Rappel à l’ordre,” which championed a return to the values of ancient Greece and Rome as a counterpoint to the perceived excesses of modernism. This wasn't simply a nostalgic yearning for the past; it was a deliberate attempt to establish a new artistic language rooted in enduring principles of beauty and harmony. Maillol’s Venus, therefore, represents a conscious rejection of the fragmented, emotionally charged styles that dominated much of the early 20th century—a resolute assertion of clarity, balance, and restraint.

      Interestingly, Maillol initially conceived of the sculpture with a pearl necklace adorning her neck. However, he ultimately decided to remove this embellishment, believing it detracted from the figure’s inherent simplicity and elegance. This decision highlights Maillol's commitment to reducing his subjects to their essential forms—to stripping away anything that might distract from the core beauty of the human body. The absence of the necklace allows the viewer to focus entirely on the sculpture’s monumental presence, its powerful stillness, and its profound sense of timelessness.

      Symbolism and Emotional Resonance

      While Maillol avoided overt symbolism in his work, "Venus" undeniably evokes a range of emotions. The figure's serene expression, her relaxed posture, and the gentle curve of her body all contribute to a feeling of profound tranquility and contemplation. She isn’t presented as a passionate lover or a seductive temptress; rather, she embodies an idealized state of grace and composure—a symbol of feminine beauty in its purest form. The sculpture invites viewers to engage with their own understanding of beauty, desire, and the enduring power of the human spirit.

      The deliberate lack of facial expression is particularly significant. Maillol believed that a face could be overly expressive, distracting from the overall composition. By omitting details of the face, he forces the viewer to engage with the sculpture on a purely visual level, focusing on its form and its relationship to space. This approach creates a sense of mystery and invites viewers to project their own emotions and interpretations onto the figure—making "Venus" a profoundly personal experience.

      A Timeless Masterpiece for Art & Design

      Aristide Maillol’s “Venus” remains a captivating work of art, admired for its elegant simplicity, its masterful execution, and its enduring appeal. Its influence can be seen in the works of numerous sculptors who followed in his footsteps—artists who sought to recapture the spirit of classical antiquity while forging their own unique artistic voices. Today, reproductions of this iconic sculpture continue to grace homes and galleries worldwide, offering a timeless reminder of the beauty and serenity that can be found in the pursuit of form and stillness. Its clean lines and balanced composition also make it an ideal choice for interior design, adding a touch of sophisticated elegance to any space.

      Pitanja i odgovori

      Koliko su intenzivne boje dela "Venus"?

      Boje dela „Venus”, autor Аристид Мајол odlikuju se Muted zasićenosti i Monochromatic intenzitetom.

      Kolika je percepcija osvetljenosti dela „Venus”, autor Аристид Мајол?

      U pogledu percepcije osvetljenosti, „Venus”, autor Аристид Мајол je brilliant.

      O kojoj vrsti umetničkog dela je reč kod „Venus”, autor Аристид Мајол?

      "Venus" je delo u tehnici Sculpture.

      Brze činjenice i kviz o umetnosti

      Osnovne informacije

      • Year: 1928
      • Artistic style: Classical, Nude
      • Dimensions: 174 x 57 cm
      • Title: Venus
      • Medium: Bronze
      • Artist: Aristide Maillol

      Kviz o umetnosti

      Svako pitanje ima samo jedan tačan odgovor.

      Pitanje 1:
      What is the primary subject depicted in Aristide Maillol’s sculpture, ‘Venus’?
      Pitanje 2:
      In which artistic movement is Aristide Maillol primarily associated?
      Pitanje 3:
      The sculpture ‘Venus’ was created in which year?
      Pitanje 4:
      What is a notable characteristic of Maillol’s approach to the female nude, as reflected in ‘Venus’?
      Pitanje 5:
      The Bremen version of ‘Venus’ is unique because it lacks which element?
      O Аристид Мајол
      Аристид Мајол

      Аристид Мајол

      1861 - 1944, Француска

      Biografija umetnika

      Život isklesan u kamenu: Svet Aristida Maillola

      Aristide Joseph Bonaventure Maillol, ime koje je postalo sinonim za spokojnu snagu i klasičnu lepotu skulpture ranog 20. veka, proistekao je iz skromnih početaka u malom ribarskom selu Banyuls-sur-Mer u Francuskoj. Rođen 1861. godine, njegov umetnički put nije bio obeležen trenutnim priznanjem, već postepenim odmotavanjem, svesnim pročišćenjem vizije koje ga je na kraju pozicioniralo kao ključnu figuru koja povezuje simbolizam i uzbudljivi svet moderne skulpture. Iako je prvobitno bio privučen slikarstvu, Maillolova rana studija u École des Beaux-Arts u Parizu izložila ga je tadašnjim akademskim stilovima, ali su uticaji savremenika poput Pierre-a Puvis de Chavannesa i, presudno, Paul Gauguina, zaista zapalili njegov umetnički duh. Gauguin je podsticao odmak od strogog realizma, negujući poštovanje prema dekorativnim umetnostima i potragu za dubljim, simboličkim izrazom—semenom koje će procvetati u Maillolovim kasnijim delima. Ovo ohrabrenje dovelo ga je do osnivanja radionice tapiserija u Banyulsu 1893. godine, što je bilo period intenzivnog tehničkog učenja i estetske eksploracije koja je izbrusila njegove veštine i postavila temelje za njegovo konačno majstorstvo u oblikovanju forme.

      Od tapiserije do vanvremenskih oblika

      Prelaz sa slikarstva i dizajna tapiserija na skulpturu nije bio trenutan, već predstavljao sporu, promišljenu evoluciju koja se odvijala oko njegove četrdesete godine. Maillol je počeo da eksperimentiše sa malim terakota figurama, postepeno povećavajući svoje ambicije kako je sticao samopouzdanje i tehničku stručnost. Ova promena se poklopila sa rastućim nezadovoljstvom tadašnjim prevladavajući umetničkim trendovima, posebno dramatičnim realizmom koji je zastupao Auguste Rodin. Iako je priznavao Rodinov genije, Maillol je tražio drugačiji put—onaj ukorenjen u klasičnim idealima lepote, ravnoteže i postojanog oblika. On je odbacio prolazni emocionalizam u korist vanvremenske, monumentalne kvalitete, naglašavajući inherentnu strukturu i stabilnost ljudskog tela. To nije bio samo estetski izbor; bio je to filozofski stav koji je odražavao veru u moć umetnosti da prevaziđe prolazno i poveže se sa univerzalnim istinama. Njegove skulpture nisu bile zamišljene kao portreti pojedinaca, već kao otelotećenja arhetipskih figura—predstavjanja same čovečnosti.

      Ženski oblik: Monument spokojstvu

      Ženska figura postala je centralna tema Maillolove umetničke eksploracije, i upravo kroz svoje prikaze žena on je stekao trajno priznanje. To nisu bile idealizovane reprezentacije u konvencionalnom smislu; naprotiv, posedovale su utemeljenu fizičnost, osećaj težine i prisustva koji ih je razlikovao od eteričnijih prikaza. Njegove figure su često prikazane u ležećem položaju ili u blagom pokretu, njihov oblik je prožet spokojnim stanjem i tihom snagom. La Méditerranée (1902-1905), možda njegovo najslavnije delo, exemplifikuje ovaj pristup—monumentalni prikaz njegove supruge, izveden sa dubokim osećajem mira i vanvremenosti. Druga značajna dela, kao što su Action enchaînée (1905-1908) i L'Ile-de-France (1925), demonstriraju Maillolovu sposobnost da prenese pokret unutar stabilnog, klasičnog okvira. Pored skulpture, istraživao je i drvoreze i grafike, kreirajući ilustracije za književna remek-dela poput Vergilijeve Ekloga i Paul Verlaineovih Chansons pour elle, čime je dodatno pokazao svoju svestranost i umetnički raspon.

      Nasleđe i trajni uticaj

      Uticaj Aristida Maillola na razvoj moderne skulpture je neosporan. Njegovo namerno odbacivanje Rodinovog dramatičnog realizma i prihvatanje klasičnih principa otvorili su put novoj generaciji skulptora, uključujući Henryja Moorea, koji su bili inspirisani njegovim naglaskom na pojednostavljenim oblicima i monumentalnoj razmeri. On je predstavljao ključnu kariku između simbolizma i bujajućih modernističkih pokreta, uspostavljajući standard klasične figuracije u evropskoj umetnosti koji je odjekivao decenijama. Njegove poznije godine obeležio je blizak odnos sa Dinom Vierny, koja nije služila samo kao njegova model, već i kao posvećeni administrator njegovog opusa, osiguravajući očuvanje i promociju njegovog rada. Čak i tokom nemira Drugog svetskog rata, Maillol je nastavio da skulpturira u relativnoj izolaciji u Banyuls-sur-Mer, ostajući posvećen svojoj umetničkoj viziji sve do svoje prerane smrti u saobraćajnoj nesreći 1944. godine. Danas, Musée Maillol u Parizu stoji kao svedočanstvo njegovog trajnog nasleđa, čuvajući sveobuhvatnu kolekciju njegovih skulptura i crteža—prostor gde se posetioci mogu uroniti u spokojnu lepotu i vanvremensku moć njegove umetnosti. Njegovo delo nastavlja da inspiriše strahopoštovanje i divljenje, podsećajući nas na duboki kapacitet skulpture da uhvati suštinu ljudskog oblika i duha.

      Kratke činjenice o umetniku Аристид Мајол

      • Artistic Movement Or Style: Klasična skulptura, Simbolizam
      • Artists Or Movements Influenced By This Artist: ['Henry Moore']
      • Artists Who Influenced This Artist:
        • Puvis de Chavannes
        • Paul Gauguin
      • Date Of Birth: 1861
      • Date Of Death: 1944
      • Full Name: Aristide Joseph Bonaventure Maillol
      • Nationality: Francuski
      • Notable Artworks:
        • La Méditerranée
        • Action enchaînée
        • L'Ile-de-France
      • Place Of Birth (City And Country): Banyuls-sur-Mer, Francuska
      Istražite umetnička dela organizovana prema temama, stilovima i karakteristikama.
      Аристид Мајол Venus () · Sa okvirom: · Ručno oslikano uljanim bojama na platnu od lana

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