A woman lies on her back, her form partially revealed from the waist down. A crown rests upon her head, while a mask obscures her facial features. This 1992 work utilizes the artist's own body to explore the boundaries of identity and the performance of the self.
The composition relies on the tension between what is hidden and what is exposed. By masking the face, the figure becomes an archetype rather than a specific individual. The presence of the crown introduces a layer of artifice, suggesting a staged or theatrical reality.
Created during a period when the artist was deeply engaged with deconstructing societal roles, this piece functions through the manipulation of visual cues. It belongs to a broader investigation into how media and expectation shape the perception of gender and personhood.
The work is held at The Feminist Institute in New York, United States. Through the use of costume and physical positioning, it challenges the viewer to look past the surface of the image to find the mechanisms of its own creation.
U okviru celokupnog stvaralaštva umetnika Sindi Šerman, delo "Untitled #264" pripada stilu Contemporary Art, uz prisustvo tema kao što su identity construction, gender role deconstruction, media representation critique, exploration of the gaze, performance and artifice.
Da biste naručili print dela „Untitled #264”, Sindi Šerman, jednostavno ga poručite na njegovoj stranici Umetski print: umetnička štampa na pamučnom platnu ili arhivskom kanvas papiru.
Analiza boja dela „Untitled #264”, Sindi Šerman beleži Gentle kontrast i Balanced Harmony harmoniju.
Istražite transformativne autoportrete Sindija Šerman, ključne američke fotografkinje. Dekonstruišući identitet i rod kroz kultne serije poput 'Untitled Film Stills', ona izaziva predstavljanje u umetnosti i medijima.
Otkrijte Feminist Institute u NYC: vitalni arhiv koji čuva feminističku umetnost i istoriju kroz digitalizaciju i izložbe. Istražite dela Judy Chicago, Miriam Schapiro, pisma Gloria Steinem i Sylvia Sleigh i podržite rodnu ravnopravnost.