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StatistikaDivination
- 76.0 x 61.0cm
A solitary figure performs a ritual in a dimly lit tipi, captured in monochromatic tones with dramatic light casting deep shadows.
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American painter and illustrator who depicted Native American life and sacred customs through detailed scenes of Sioux and Crow peoples.
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Technique and Artistic Style
In Divination, De Cost Smith employs an illustrative yet painterly approach to capture a moment of quiet ritual. The medium, likely oil or gouache on a flat surface, relies on a monochromatic palette of gray, black, and white to establish its somber atmosphere. Visible brushstrokes provide a tactile quality, adding texture to the skin, the fur, and the heavy folds of the cloth. Every line serves a purpose, defining the intricate details of the headdress and the specific textures of the figure's clothing.
The composition is built upon a foundation of organic shapes. The rounded form of the drum sits in contrast to the sharp, angular patterns decorating the leggings. Light enters the scene from a single source, striking the face and upper body to pull the subject from the darkness. This dramatic lighting casts deep shadows that create a sense of profound depth and mystery within the dim interior. The perspective remains at eye-level, placing the viewer directly into the intimate, shadowed space of the ritual.
Where to See This Work Today
The Museum of Fine Arts, Boston, holds this specific painting, Divination. It rests within their vast, encyclopedic collection, a single point of light among thousands of others. The canvas remains a quiet presence in the halls of the museum.
Beyond this single work, the physical remnants of a life spent documenting the American West are scattered across several significant institutions. His personal collection of artifacts, gathered through years of travel and study, has found a permanent home within the American Museum of Natural History and the Smithsonian collection. These objects remain as tangible traces of the cultures he observed. His personal papers are kept at Cornell University, preserved in the quiet archives of academic study.
The traces of his presence are held in these various repositories. A shadow of his life remains in the archives.
Pitanja i odgovori
Mogu li videti „Divination”, autor De Cost Smith pod različitim svetlima?
X-Ray prikaz dela „Divination”, autor De Cost Smith možete videti na stranici Rentgensko posmatranje: to je interaktivno istraživanje slike kroz jedanaest optičkih slojeva.
Mogu li da vidim „Divination”, autor De Cost Smith na svom zidu pre kupovine?
Delo „Divination”, autor De Cost Smith možete isprobati na svom zidu putem stranice AR prikaz, koristeći proširenu stvarnost na kompatibilnom uređaju.
Kakvo se raspoloženje i emocija prepliću u "Divination"?
Zabeleženo raspoloženje dela „Divination”, autor De Cost Smith je Mystical, a njegov emocionalni ton je Spiritual.
Biografija umetnika
Early Life, Family and Training
De Cost Smith was born in 1864 in Skaneateles, New York. He was the son of E. Reuel Smith and Elizabeth DeCost. His family home was located near the Onondaga reservation, a detail that would later influence the direction of his creative life. Growing up in this part of Western New York, he was surrounded by the landscapes and people that would eventually become the primary subjects of his sketches and paintings.
In 1884, Smith traveled west alongside his brother, Leslie Smith. This movement toward the western territories was a significant shift from his life in New York. Following this period of travel, he sought formal instruction in Europe. He spent time studying in Paris in 1885, where he worked to refine his technical skills as a painter and illustrator. These years of training provided him with the foundational tools he would use throughout his career as a writer and artist.
Artistic Focus and Subject Matter
De Cost Smith possessed a deep, lived understanding of Native American life that defined his entire body of work. Rather than relying on mere observation, he sought a direct connection to the people he painted, often traveling to witness their customs firsthand. His commitment to accuracy was fueled by his personal collection of artifacts from the Sioux, Crow, and Onondaga Indians. These objects were not just curiosities to him; they were essential tools that helped him chronicle the daily activities and sacred customs of the tribes. He spent time in their company, meeting figures such as Sitting Bull, Tendoi, and Rain-in-the-Face.
His paintings often focused on the quiet, significant moments of indigenous existence. He had a particular talent for depicting the spiritual and social nuances of these communities, moving beyond simple portraiture to capture the essence of their way of life. This dedication to authenticity meant his canvases often functioned as visual records of a culture in transition. His ability to translate these observations onto canvas allowed him to document scenes that might otherwise have been lost to history.
- Divination (1906)
- Driven Back (1892)
Where to See the Works Today
The physical remnants of a life spent documenting the customs and people of the American West are held in several significant institutions. His personal collection of artifacts, gathered through his travels and studies, found a permanent home within the American Museum of Natural History and the Smithsonian collection. These objects offer a tangible connection to the cultures he spent so much of his time observing and illustrating.
For those interested in his visual legacy, several specific paintings are held in public galleries. The Museum of Fine Arts, Boston, holds his work titled Divination. In the Birmingham Museum of Art, one can find Driven Back. His 1887 oil on canvas, Sioux Lovers, also remains part of the public record of his artistic output.
Beyond his paintings and collected objects, his intellectual life is preserved through his written words and personal papers. These materials, which provide a deeper look into his perspective and his time spent with various tribes, are kept at Cornell University. Through these diverse collections, his presence remains felt in both the halls of natural history and the quiet archives of academic study.
De Cost Smith
1864 - 1939
Brzi pregled
- Artists Who Influenced This Artist:
- Edwin Deming
- Frederic Remington
- Full Name: De Cost Smith
- Nationality: American
- Notable Artworks:
- Driven Back
- Divination
- Sioux Lovers
- Place Of Birth: Skaneateles, United States
- Date Of Birth: 1864
- Date Of Death: 1939