Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu
Pređi na digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite potrebnu širinu i visinu kako bi se slika uklopila u vaš ram ili zid. Pošto je ovo ručno oslikano delo, umetnik može za dimenzije drugačijeg oblika naslikati malo više prostora oko slike ili malo skratiti ivice — izbor je na vama. Pre početka rada, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja konačan rezultat — samo digitalni prikaz pokazuje stvarnu sliku.
Shipped in a protective tube, ready for your own framer.
Above 105 cm the frame is shipped as a kit for a professional framer — read the details.
Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (31 октобар). Bez kompromisa po pitanju kvaliteta.
This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
Explore Giuseppe Abbati's poignant depiction of human repose and labor amidst Tuscan landscapes—a masterpiece reflecting the Risorgimento spirit and echoing French Impressionist innovations.
Giuseppe Abbati (1836-1868): Italian Macchiaioli painter famed for luminous landscapes, plein air scenes & bold light effects. A key figure in 19thC realism.
In the quietude of 1865, Giuseppe Abbati captured more than just a figure in repose; he bottled a fleeting fragment of human existence. "A Man Seated and Asleep" serves as a profound window into the heart of the Macchiaioli movement, an Italian avant-garde that sought to strip away the artifice of academic tradition in favor of raw, unadorned truth. The painting presents us with a solitary figure, his head resting heavily upon his hand, lost in the deep, rhythmic pull of slumber. There is an intimate vulnerability in his posture, a sense of complete surrender to exhaustion that resonates with anyone who has ever sought refuge in a moment of stillness amidst a chaotic world. As the viewer gazes upon this sleeping man, the boundaries between the observer and the observed begin to blur, inviting a shared experience of peace and introspection.
The composition is masterfully anchored by the weight of the subject, whose seated form dominates the lower foreground, creating a sense of grounded stability. Behind him, the subtle presence of other figures—one standing, one sitting—adds a layer of narrative depth, suggesting a communal space, perhaps a tavern or a quiet corner of a workshop, where life continues in its slow, unhurried cadence. The backdrop of a deep blue wall provides a cool, atmospheric contrast to the warmth of the man's skin and the textured elements of his clothing, lending the scene a structural elegance that prevents the composition from feeling stagnant. This interplay of light and shadow is not merely a technical feat but the very heartbeat of the work.
To understand this masterpiece, one must understand the concept of macchia—the "spot" or "stain." Abbati, a leading exponent of this technique, rejected the polished, invisible brushwork of his predecessors. Instead, he employed bold, deliberate patches of color and light to build form. In "A Man Seated and Asleep," the texture is palpable; the paint itself seems to vibrate with the energy of the Tuscan landscape and the grit of everyday life. By juxtaposing sun-drenched passages against pools of profound shadow, Abbati creates a sense of three-dimensionality that feels remarkably modern. This approach mirrors the burgeoning innovations of French Impressionism, yet it retains a uniquely Italian character—a rugged, honest realism that finds beauty in the humble and the overlooked.
The technical execution is particularly striking in how it handles light. The way the illumination catches the edge of the man's hat and the subtle folds of his shirt creates a tactile sensation, as if one could reach out and feel the grain of the wood panel or the heavy fabric of his attire. For the collector or interior designer, this painting offers an extraordinary sensory experience. It is a work that does not merely sit upon a wall; it commands the atmosphere of a room, bringing with it a sense of historical weight and a sophisticated, textured elegance that complements both classical and contemporary settings.
Beyond its technical brilliance, the painting carries a heavy emotional resonance, shaped by the turbulent era of the Risorgimento. Having lived through the violence of Italian unification and suffered personal physical loss during the Battle of Capua, Abbati possessed an acute sensitivity to the fragility of life. This piece, therefore, acts as a silent protest against the noise of history, celebrating the sanctity of the private moment. It is a tribute to the quiet dignity found in rest, a reminder that even amidst political and social upheaval, there remains a profound beauty in the simple act of breathing, dreaming, and being.
For those looking to adorn their spaces with art that tells a story, this reproduction offers an unparalleled opportunity. It is more than a decorative element; it is an invitation to slow down. Whether placed in a sunlit study or a moody, dimly lit library, "A Man Seated and Asleep" serves as a focal point for contemplation, bringing the soulful, textured legacy of the Macchiaioli into the modern home. It is a piece that inspires not just admiration for its historical significance, but a deep, emotional connection to the universal human experience.
Delo "A Man Seated and Asleep" nastalo je 1865. godine, u okviru pokreta Contemporary Realism.
Format dela "A Man Seated and Asleep" je Tall, a originalne dimenzije iznose 26 x 12 cm. Obe informacije su korisne prilikom planiranja reprodukcije.
S obzirom na datum nastanka iz 1865. godine, delo "A Man Seated and Asleep" pripada Mature Period periodu umetnika Giuseppe Abbati.
1836 - 1868, Italy
Giuseppe Abbati was born in Naples, Italy, on January 13, 1836. He received his initial artistic training from his father, Vincenzo Abbati, who specialized in paintings of architectural interiors. This early influence is evident in Giuseppe’s first works, which also focused on interior scenes.
Abbati's life took a dramatic turn when he participated in Garibaldi’s 1860 campaign for Italian unification. During the Battle of Capua, he tragically lost his right eye. Following this experience, he moved to Florence, a pivotal moment that shaped his artistic trajectory. In Florence, at the famed Caffè Michelangiolo, he connected with key figures who would become known as the Macchiaioli – Giovanni Fattori, Silvestro Lega, and others.
Initially recognized for his interior views—for which he even received a medal at the National Exposition in Florence in 1861 (which he refused as protest against the jury)—Abbati soon embraced plein air painting, influenced by his new circle of artists. His style became characterized by a bold treatment of light and shadow, focusing on capturing luminous effects in landscapes. He often depicted scenes viewed through doorways or windows, creating a sense of depth and atmosphere.
Abbati’s artistic pursuits were again interrupted in 1866 when he enlisted in the army for the Third Independence War. He was captured by Austrian forces in Croatia before returning to civilian life at the end of the year. He spent his final year painting in the countryside near Castelnuovo della Misericordia. Tragically, Abbati died on February 21, 1868, in Florence, after being bitten by his own dog and contracting rabies.
Abbati was significantly influenced by the ideals of the Macchiaioli movement, which sought to break away from academic traditions and embrace a more realistic depiction of Italian life. He contributed to the Risorgimento artistic expression through his depictions of landscapes and everyday scenes. While his career was cut short, Abbati’s work remains important for its innovative use of light, its connection to the Macchiaioli aesthetic, and its reflection of a pivotal period in Italian history.
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