Atelje — Besplatna dostava širom sveta — Rok isporuke: 2–6 nedelja

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      Strips

      дин 28188

      Ručno rađena uljana reprodukcija

      Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

      Veličina

      ·
      Standardne dimenzije
      po meri
      CM
      INCH

      Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

      širina
      visina

      Unesite potrebnu širinu i visinu kako bi se slika uklopila u vaš ram ili zid. Pošto je ovo ručno oslikano delo, umetnik može za dimenzije drugačijeg oblika naslikati malo više prostora oko slike ili malo skratiti ivice — izbor je na vama. Pre početka rada, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja konačan rezultat — samo digitalni prikaz pokazuje stvarnu sliku.

      Završetak

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      Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
      Beli rub дин1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on masivno drvo bars
      zamrljene ivice дин1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on masivno drvo bars
      Prošireno дин1
      Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118B дин10
      Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118H дин10
      Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118W дин10
      Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
      P438Z дин10
      Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P508JH дин12
      Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P508YH дин12
      Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
      P805H дин10
      Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
      P805Z дин10
      Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919BZ дин10
      Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919G дин10
      Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919XJ дин10
      Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P959ZH дин10
      Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
      P968JZ дин12
      Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W106C дин8
      Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218G дин10
      Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218JH дин8
      Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218Y дин10
      Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W307PJ дин10
      Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316G дин10
      Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316PJ дин8
      Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316Y дин10
      Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W398PJ дин8
      Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
      W4111J дин10
      Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500HY дин15
      Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500JH дин15
      Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
      W692G дин12
      Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W849H дин8
      Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
      W940BG дин15
      Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
      W953PJ дин8
      Corner sample of the H24-GOLD picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
      H24-GOLD дин30
      Corner sample of the H24-SILVER picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
      H24-SILVER дин30
      Corner sample of the H36-GOLD picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
      H36-GOLD дин45
      Corner sample of the H36-SILVER picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
      H36-SILVER дин45

      Isporućuje se u zaštitnoj tubi, spremno za ugradnju u vaš ram.

      Za dimenzije iznad 105 cm, ram se šalje u obliku seta za profesionalnog uokvirivača — pročitajte detalje.

      Dodatne usluge

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      Zaštitni lak

      Kratki opis natpisa

      Detalji gravirane bronze ploče

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detalji prozirne akrilne pločice

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detalji crne akrilne pločice

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Ukupna cena дин 28188

      Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm

      • Besplatna ekspresna dostava širom sveta
      • Visokokvalitetno laneno platno
      • Potpuno osiguranje transporta
      • Garancija povraćaja carine i uvoznih dažbina
      • Garancija vernosti boja
      • Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
      • Garancija povrata 100% novca
      • Popust na više proizvoda

      Opis predmeta

      Experience 'Strips' by Gordon Bennett AO – a powerful quilt reflecting Gee’s Bend heritage & resilience. Explore vibrant colors, geometric patterns, & Indigenous artistry. Hand-painted reproduction.

      Biografija umetnika

      Istražite moćnu umetnost Gordona Beneta Ao – australijskog umetnika koji spaja autohtono i anglo-keltsko nasleđe. Njegova dela izazivaju misao.

      O slici
      I was born December 29, 1960, in Gee’s Bend, Alabama. As a young child living in Gee’s Bend, I grew up on a farm and had to work in the fields. Because of my young age, I was only allowed to carry water to those who were big enough to chop cotton and the other things that we grew in our fields. Our field was located in an area called Carson, although my grandfather had two fields, one in Carson and the other one located in a place called Hotel (some people called it Long Bottom). Hotel was the area where the old cemetery was located. There, my family grew cotton, corn, peanuts, and sweet potatoes, just to name a few of our crops.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.Roman Pettway, the community entrepreneur, introduced Gee’s Bend to a new mode of farming. Cucumbers were the “new cotton,” but thank God, the season for cucumber picking was very short, from late May to the first week in July. We knew when the month of July came it would not be long before we could finally have a summer break. Growing cucumbers lasted for nearly a decade, and many families planted a second crop because this was a quicker and faster way to earn income. My family and others planted their own gardens and grew almost all the vegetables needed to survive the winter months. I learned to can vegetables and to make plum and blackberry jelly and jams. My mother Qunnie Pettway’s first paying job was working at the Freedom Quilting Bee. Her paycheck was not a whole lot, and sometimes she would have to work several weeks before getting any pay. During her absence, my oldest brother and I had to do most of the household chores. We didn’t have a water pump of our own, so we carried water from my aunt Lucy T. Pettway’s house. We also carried water from a natural spring, a spring called Cross Spring. Some of the men in the community tailored the spring into a well by damming it up with barrels; this made it much easier to obtain the water. The water was used to cook and wash our clothes. We also heated our bathwater in the same wash pot we used to wash our clothes. By the time I turned about fifteen, we got running water and paved roads. Now that the roads were paved and we had running water, washing, cleaning, riding the school bus, and walking got a lot better. I can recall that I was about five or six years old when I was first introduced to sewing. At that age we were only allowed to thread the needles for the quilters in my grandmother’s and my mother’s quilting group. The leftover scraps are what we got to sew and piece together, practicing on how to make a real quilt. We never actually made a quilt, because the leftover pieces were so small in size, so I looked for something else more interesting to do than sticking my fingers with a needle. During grade school the bulk of my school clothes were homemade by my mother, Qunnie Pettway; she has always had a passion for sewing. Since quilting and making quilts were such a big part of my grandmother’s, my mother’s, and my aunt’s life, I believe the seed of quiltmaking was planted into my genes. Whenever we would go to either aunt Lucy T. Pettway’s or aunt Ruth Mosely’s houses to play during the summer months, t../..

      Pitanja i odgovori

      Koliko su boje dela "Strips" međusobno u harmoniji?

      Boje dela „Strips”, autor Gordon Bennett Ao odražavaju Balanced Harmony harmoniju. Harmonija opisuje međusobni odnos boja.

      Na koji način se stil dela "Strips" odnosi na epohu njegovog tvorca?

      „Strips”, autor Gordon Bennett Ao pripada Contemporary Folk Art pravcu, unutar Savremeno doba ere svog tvorca.

      Gde mogu pronaći statistiku o delu „Strips”, autor Gordon Bennett Ao?

      Statistika za „Strips”, autor Gordon Bennett Ao dostupna je na stranici Statistika ovog umetničkog dela: mesečni broj poseta delu, broj poseta radovima umetnika, kao i pregled nedavnih posetilaca prema zemljama i jezicima.

      Brze činjenice i kviz o umetnosti
      O Gordon Bennett Ao
      Gordon Bennett Ao

      Gordon Bennett Ao

      1955 - 2014, Аустралија

      Biografija umetnika

      **pionirska figura u autohtonoj australijskoj umetnosti**

      Gordon Bennett Ao, istaknuti australijski umetnik aboriginalskog i anglo-keltskog porekla, ostavio je neizbrisiv trag u savremenoj umetničkoj sceni. Rođen 9. oktobra 1955. godine u Montu, u Kvinslendu, Benetov život bio je svedočanstvo njegovog višestranog identiteta, koji je odvažno izražavao kroz svoju umetnost.

      Njegov put ka umetničkoj slavi bio je neobičan; pre nego što se potpuno posvetio umetnosti, Bennett je radio u kompaniji Telecom Australia sve do svoje 32. godine. Ova tranzicija označila je početak njegovog plodnog umetničkog putovanja.

      Poznat po svojim vibrantnim i promišljenim delima, Benetova umetnost je prkosila uobičajenim percepcijama identiteta, istorije i konstruisanja znanja. Njegov odvažan stil, human u svom pristupu, pronašao je odjek kod publike širom sveta. Kao vodeća figura savremene autohtone australijske umetnosti, njegova dela nisu samo odražavala njegovo nasleđe, već su i otvorila put budućim generacijama aboriginalskih umetnika.

      **značajna dela i izložbe**

      Iako ovde nije navedena tačna lista njegovih najznačajnijih dela, njegov doprinos svetu umetnosti detaljno je dokumentovan na stranici TopImpressionists.com. Neka od njegovih dela mogu se pronaći u sekciji art movements 1/2, pružajući uvid u njegovu umetničku evoluciju.

      **nasleđe i uticaj**

      Benetov uticaj prevazilazi njegovu sopstvenu generaciju, inspirišući nove umetnike da istražuju teme identiteta i kulturne baštine. Njegov doprinos je osigurao kontinuiranu relevantnost i priznatost autohtone australijske umetnosti na globalnom nivou.

      **sećanje na Gordona Beneta Ao**

      Bennett je preminuo 3. juna 2014. godine, ali njegovo nasleđe živi. Za one koji su zainteresovani da istraže više njegovih radova ili da zaronite u svet autohtone australijske umetnosti, prints that you can afford na TopImpressionists.com nude jedinstvenu priliku da doživite njegovu umetnost na opipljiv i pristupačan način.

      • **ključna poruka**: život i rad Gordona Beneta Ao služe kao moćni podsetnik na uticaj koji jedan umetnik može imati na širi kulturni pejzaž.
      • **budući pravci**: dok koračamo napred, neophodno je nastaviti da slavimo i podržavamo umetnike koji, poput Beneta, izazivaju naše percepcije i šire naše razumevanje sveta.**

      **zaključak**

      Izuzetan put Gordon Bennett Ao, iako prerano prekinut, ostavio je neizbrisiv pečat u svetu umetnosti. Njegovo nasleđe služi kao svetionik za buduće generacije, inspirišući nove glasove i vizije u neprestano evoluirajućem pejzažu savremene autohtone australijske umetnosti.

      Kratke činjenice o umetniku Gordon Bennett Ao

      • Artistic Movement Or Style: Narativni realizam
      • Artists Or Movements Influenced By This Artist: ['Socijalni realizam']
      • Artists Who Influenced This Artist: ['Charles White']
      • Date Of Birth: 1955
      • Date Of Death: 2014
      • Full Name: Kerry James Marshall
      • Nationality: Amerikanc
      • Notable Artworks:
        • Bez naslova (Figura)
        • Mali lukovi
        • Zabave
      • Place Of Birth: Mount Ommanoo, Australija
      Gordon Bennett Ao Strips () · Sa okvirom: · Ručno oslikano uljanim bojama na platnu od lana

      Ukupno