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      Кост (прототип)

      Јорис Лаарман Кост (прототип) је модерно намештајско репродукција која комбинује природне облиће и технологију 3Д штампе, утицање из историјских стилова као што су АрТ Невро и Стримлајн. Истражите детаље о стварању и дизајну овог комада уметности!

      Joris Laarman is a Dutch designer known for blending technology, art & design through 3D printing and innovative digital fabrication methods. Explore his futuristic furniture, algorithmic designs like the Bone Chair, and groundbreaking projects pushi

      Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

      Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

      Giclee štampa / Umetnički otisak

      Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

      Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118B дин10
      Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118H дин10
      Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118W дин10
      Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
      P438Z дин10
      Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P508JH дин12
      Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P508YH дин12
      Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
      P805H дин10
      Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
      P805Z дин10
      Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919BZ дин10
      Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919G дин10
      Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919XJ дин10
      Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P959ZH дин10
      Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
      P968JZ дин12
      Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W106C дин8
      Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218G дин10
      Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218JH дин8
      Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218Y дин10
      Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W307PJ дин10
      Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316G дин10
      Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316PJ дин8
      Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316Y дин10
      Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W398PJ дин8
      Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
      W4111J дин10
      Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500HY дин15
      Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500JH дин15
      Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
      W692G дин12
      Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W849H дин8
      Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
      W940BG дин15
      Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
      W953PJ дин8

      Standardne dimenzije
      po meri
      CM
      INCH

      Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

      širina
      visina

      Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.

      Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (3 новембар)

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      Ukupna cena

      дин 7216

      Кост (прототип)

      Giclee štampa / Umetnički otisak

      Dimenzije reprodukcije

      -

      Ukupna cena

      дин 7216

      Osnovne informacije

      • Subject or theme: Biomimicry & Technology
      • Notable elements or techniques: Rapid prototyping (stereolithography)
      • Title: Bone (prototype)
      • Medium: Cast marble resin & bone china
      • Artistic style: Minimalist

      Kviz o umetnosti

      Svako pitanje ima samo jedan tačan odgovor.

      Pitanje 1:
      Kako se zove umetničko delo?
      Pitanje 2:
      За шта је познат Јорис Лаарман?
      Pitanje 3:
      Како је направљен прототип карактеристичне креседе "Кости"?
      Pitanje 4:
      Како се описује стил овог дела?
      Pitanje 5:
      Који материјал је вероватно коришћен при производњи креседе "Кости"?

      Joris Laarman’s Bone: Where Geometry Meets Organic Inspiration

      The artwork “Bone” by Dutch designer Joris Hendricus Laarman isn't merely a chair; it’s a manifesto of innovation—a testament to how scientific research can reshape artistic expression. Far from adhering to the minimalist aesthetic typically associated with contemporary design, Laarman’s creation deliberately challenges conventions, drawing inspiration from the structural growth patterns of bone and trees.

      • Conceptual Roots: Laarman's vision stems from a profound fascination with biomimicry—the practice of imitating natural designs and processes. Researchers at the European automotive industry utilized computer software based on these principles to optimize vehicle components, mirroring the efficiency found in biological structures.
      • Technological Precision: The chair’s genesis lies within rapid prototyping (stereolithography), a cutting-edge fabrication method that transforms digital models into tangible forms with remarkable accuracy. This process underscores Laarman's commitment to blending artistry and technology seamlessly.

      Form and Functionality: A Dialogue Between Nature and Engineering

      The chair’s design is strikingly skeletal, reminiscent of vertebrae—a deliberate choice that speaks volumes about its conceptual core. Its flowing curves mimic organic forms while simultaneously prioritizing structural integrity and material conservation. Unlike traditional minimalist furniture designs, “Bone” embraces complexity, reflecting the intricate interplay between open spaces and solid components.

      • Geometric Harmony: Despite its organic inspiration, Laarman’s design maintains a harmonious geometric balance—a subtle nod to Art Nouveau influences from the early 20th century.
      • Material Considerations: Constructed primarily from cast marble resin and ground bone china, the chair exemplifies Laarman's dedication to sustainable materials and innovative fabrication techniques.

      Symbolism of Resilience and Transformation

      The skeletal form evokes a powerful symbolism—representing fragility alongside unwavering strength. It embodies the transformative process of adapting to environmental pressures, mirroring the resilience found in natural organisms like bone and trees. This visual metaphor extends beyond aesthetics; it encapsulates Laarman’s broader artistic philosophy: embracing innovation while honoring the beauty of natural forms.

      A Legacy of Biomimicry and Artistic Vision

      Laarman's “Bone” chair isn’t just a piece of furniture—it’s a symbol of how scientific discovery can ignite creative imagination. Featured prominently in the High Museum of Art’s Decorative Arts Collection, it stands as an enduring testament to Laarman’s pioneering approach to design and his unwavering belief in the power of biomimicry to inspire groundbreaking artistic creations.

      Pitanja i odgovori

      Koja je preporučena veličina štampe za „Кост (прототип)”, autor Joris Hendricus Laarman?

      Za „Кост (прототип)”, autor Joris Hendricus Laarman preporučuje se reprodukcija u veličini Veliki. Veličina se može prilagoditi uz zadržavanje proporcija.

      Gde i za šta se preporučuje "Кост (прототип)"?

      „Кост (прототип)”, autor Joris Hendricus Laarman se preporučuje za Akcentni element, idealno u Dnevna soba. Upotreba i prostor zajedno ukazuju na to gde reprodukcija najbolje pristaje.

      Postoji li informativni list o delu „Кост (прототип)”, autor Joris Hendricus Laarman namenjen studentima?

      Stranica Vodič za učenike za delo „Кост (прототип)”, autor Joris Hendricus Laarman nudi štampani informativni list u dve stranice: sam rad sa tabelom identifikacije, vremensku traku koja ga smešta u period života umetnika, druga dela istog umetnika, izmerenu paletu boja i citate spremne za kopiranje u četiri stila.


      Biografija umetnika

      The Digital Alchemist of Form

      Born in the quiet Dutch landscape of Hellendoorn in 1979, Joris Laarman emerged not merely as a designer, but as a visionary architect of the digital age. His work represents a profound departure from traditional craftsmanship, seeking instead to find beauty within the logic of emerging technologies. By treating 3D printing and algorithmic computation as contemporary mediums—akin to the clay or bronze used by masters of the past—Laarman bridges the gap between historical art movements and a futuristic aesthetic. His practice is a continuous dialogue between the physical world and the intangible realm of code, where every curve and void is calculated yet deeply evocative.

      Nature’s Blueprint: The Algorithmic Soul

      At the core of Laarman's most celebrated contributions lies the concept of biomimicry. He does not simply imitate nature; he utilizes its very principles to drive the design process. This is most strikingly evident in his iconic Bone Chair, a piece that utilizes complex algorithms to replicate the way biological structures grow and adapt to environmental stresses. Through this method, known as digital matter, Laarman achieves a structural efficiency and an organic complexity that were previously impossible under traditional manufacturing constraints. His work invites the viewer to witness the marriage of mathematics and biology, creating objects that feel as though they have evolved rather than been manufactured.

      Sculpting the Urban Future

      The reach of Laarman’s innovation extends far beyond the intimate scale of furniture into the very fabric of our shared environments. His monumental 3D-printed stainless-steel bridge in Amsterdam stands as a testament to his ability to translate digital precision into large-scale, functional urban landmarks. This achievement, alongside his collaborations with prestigious institutions like the High Museum of Art, underscores his role as a pioneer of digital fabrication. As we navigate an era increasingly defined by automation, Laarman’s legacy remains anchored in his unique ability to infuse cold technology with human emotion and organic grace, ensuring that the future of design is as soulful as it is sophisticated.

      • Major Achievements:
      • The revolutionary Bone Chair series.
      • The groundbreaking 3D-printed stainless-steel bridge in Amsterdam.
      • Pioneering the integration of algorithmic design and digital fabrication.
      Joris Hendricus Laarman

      Joris Hendricus Laarman

      1979 - , Netherlands

      Osnovne informacije

      • Full Name: Joris Hendricus Laarman
      • Nationality: Dutch
      • Date Of Birth: 1979
      • Place Of Birth: Hellendoorn, Netherlands
      • Notable Artworks:
        • 3D-printed stainless-steel bridge
        • Bone series
        • Digital Matter series
      • Artistic Movement Or Style: Experimental design and digital fabrication
      Istražite umetnička dela organizovana prema temama, stilovima i karakteristikama.