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      Прелазак

      Прелазак: Картина која приказује графити на текстурализованој зиди у Египту после револуције 2011. године, представља израз политичке културе и диференцијација египатског друштва.

      Explore the evocative photography of Myriam Abdel Aziz. Capturing Arab women's stories & transitions, her work examines identity, change, & resilience through a unique artistic lens.

      Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

      Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

      Giclee štampa / Umetnički otisak

      Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

      Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118B дин10
      Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118H дин10
      Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P118W дин10
      Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
      P438Z дин10
      Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P508JH дин12
      Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P508YH дин12
      Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
      P805H дин10
      Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
      P805Z дин10
      Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919BZ дин10
      Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919G дин10
      Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
      P919XJ дин10
      Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
      P959ZH дин10
      Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
      P968JZ дин12
      Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W106C дин8
      Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218G дин10
      Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218JH дин8
      Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218Y дин10
      Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W307PJ дин10
      Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316G дин10
      Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316PJ дин8
      Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316Y дин10
      Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W398PJ дин8
      Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
      W4111J дин10
      Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500HY дин15
      Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500JH дин15
      Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
      W692G дин12
      Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W849H дин8
      Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
      W940BG дин15
      Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
      W953PJ дин8

      Standardne dimenzije
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      INCH

      Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

      širina
      visina

      Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.

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      Ukupna cena

      дин 7147

      Прелазак

      Giclee štampa / Umetnički otisak

      Dimenzije reprodukcije

      -

      Ukupna cena

      дин 7147

      Osnovne informacije

      • Notable elements or techniques: Spray Paint, Textured Wall
      • Dimensions: 40 x 40 cm
      • Medium: Digital Archival Art
      • Artistic style: Urban Expressionism
      • Influences: Cinematic Artistry
      • Artist: Myriam Abdel Aziz

      Transition: A Reflection of Egyptian Identity Amidst Revolution

      “Transition” by Myriam Abdel Aziz stands as a poignant testament to the transformative moment that gripped Egypt in February 2011 – the ousting of President Mubarak and the subsequent eruption of civil unrest. More than just a depiction of graffiti art on a textured wall, this piece delves into the profound societal fissures exposed during this pivotal period, capturing the volatile dialogue between factions vying for influence.

      Abdel Aziz’s artistic vision is rooted in her membership with Rawiya Collective, an initiative dedicated to amplifying Arab women's voices through visual storytelling. This formative experience instilled within her a deep understanding of vulnerability and resilience—elements that consistently permeate her photographic oeuvre and now find expression in “Transition.” Her initial inspiration stemmed from the stylistic approach championed by Pakistani film posters like “Aandhi Shakar,” meticulously recreated as a painting, demonstrating a commitment to dramatic compositions and stylized map designs.

      Composition & Technique: Layers of Texture and Color

      The artwork’s central focus is a portrait of a man wearing a red hat—a figure embodying authority and arguably representing the military element at play during the revolution. Surrounding him are layers upon layers of graffiti, rendered in Arabic script and punctuated by bold markings. These additions create a deliberately chaotic scene, mirroring the turbulent atmosphere of Cairo during those tumultuous days.

      Abdel Aziz skillfully employs spray paint—a technique synonymous with urban expressionism—to achieve remarkable textural depth. The wall itself is heavily textured, providing an ideal canvas for capturing the ephemeral nature of street art. Subtle variations in tone contribute to a sense of immediacy and authenticity, emphasizing the artwork’s raw aesthetic.

      Symbolism & Context: Echoes of Resistance

      The dominant color palette—primarily monochromatic shades of grey, black, and white—underscores the solemnity of the subject matter. However, the striking red hue of the man's hat serves as a powerful visual anchor, symbolizing perhaps affiliation with a particular group or representing defiance against established power.

      The Arabic script interwoven throughout the graffiti adds cultural context, conveying messages that are undoubtedly politically charged. These symbols resonate with the broader narrative of Egyptian society grappling with its identity amidst upheaval—a theme central to Abdel Aziz’s artistic exploration.

      Ephemeral Beauty: The Significance of Repetition

      Notably, “Transition” reflects the recurring motif of graffiti being systematically painted over by SCAF (Supreme Council of the Armed Forces), highlighting the artwork's inherent temporality. This deliberate erasure underscores its essence as a fleeting snapshot of history—a reminder that artistic expression can capture moments of profound change and ultimately vanish into the continuum of time.

      This piece exemplifies Abdel Aziz’s ability to convey emotion through visual storytelling, mirroring the spirit of her artistic endeavors. It's a compelling artwork for collectors who appreciate both stylistic innovation and historical resonance—a celebration of resilience expressed through the vibrant yet transient medium of graffiti art.

      Pitanja i odgovori

      Kako se opisuje paleta dela „Прелазак”, autor Myriam Abdel Aziz?

      Paleta dela „Прелазак”, autor Myriam Abdel Aziz opisana je kao Neutralne boje, što predstavlja sažet prikaz boja ovog umetničkog dela.

      Mogu li da gledam "Прелазак" kao prezentaciju preko celog ekrana?

      Delo „Прелазак”, autor Myriam Abdel Aziz možete pogledati u obliku prezentacije na stranici Galerija slika za ovo umetničko delo.

      Postoji li vodič za „Прелазак”, autor Myriam Abdel Aziz?

      Dostupna je Vodič za učenike stranica za „Прелазак”, autor Myriam Abdel Aziz: štampani informativni list o umetničkom delu, dizajniran za učenike i upotrebu u učionici.


      Biografija umetnika

      Myriam Abdel Aziz: A Voice of Resilience Through Photographic Narrative

      Myriam Abdel Aziz, born in Cairo, Egypt in 1976, stands as a compelling figure within the burgeoning landscape of documentary photography originating from the Middle East. Her artistic journey began amidst the transformative fervor of the Egyptian Revolution of 2011, propelling her into membership with Rawiya Collective—a collective dedicated to showcasing the narratives of Arab women through powerful visual storytelling. This formative experience profoundly shaped her artistic vision and cemented her commitment to capturing the complexities of identity and societal change.
      • Early Influences: Abdel Aziz’s fascination with photography stemmed from a desire to document human experiences authentically, fueled by an appreciation for cinematic artistry—particularly Pakistani film posters like “Aandhi Shakar,” which she meticulously recreated as a painting. This initial inspiration instilled in her a stylistic approach characterized by dramatic compositions and stylized map designs.
      • Rawiya Collective & Artistic Focus: Joining Rawiya Collective solidified Abdel Aziz’s dedication to portraying Arab women's stories with sensitivity and nuance. The collective’s ethos encouraged exploration of themes like vulnerability, resilience, and the subtle shifts occurring within communities—elements that consistently permeate her photographic oeuvre.
      Abdel Aziz’s artistic style is distinguished by a deliberate use of paper as her medium – a choice reflecting both its inherent fragility and its capacity to convey profound emotional resonance. Her photographs aren't merely representations; they are invitations into dialogues about human connection and the enduring spirit of individuals confronting challenging circumstances. The meticulous detail with which she captures fleeting expressions and subtle gestures speaks volumes about her commitment to capturing the essence of lived experience.

      Notable Works & Exhibitions

      Among Abdel Aziz’s most celebrated pieces is “Master and Student,” a striking painting inspired by Pakistani film posters, housed at Fukuoka Asian Art Museum in Japan. This artwork exemplifies her ability to distill complex narratives into visually arresting images—a testament to her artistic prowess. Furthermore, her photograph "Transition" powerfully documents the pivotal moment of Egypt's government change in 2011, capturing the palpable tension and anticipation surrounding this historical juncture. Her work has garnered recognition for its insightful portrayal of Arab women’s perspectives and its contribution to documenting significant cultural shifts.
      • "Transition" exemplifies Abdel Aziz’s skill in conveying emotion through visual storytelling, mirroring the spirit of her artistic endeavors.
      Myriam Abdel Aziz's contributions to contemporary Arab art extend beyond individual artworks; she represents a vital voice advocating for representation and fostering understanding across cultures. Her unwavering dedication to documenting human stories—particularly those marginalized voices—solidifies her legacy as an artist committed to illuminating the complexities of identity and resilience in the 21st century.
      Myriam Abdel Aziz

      Myriam Abdel Aziz

      1976 - , Egypt

      Osnovne informacije

      • Full Name: Myriam Abdel Aziz
      • Nationality: Egyptian
      • Date Of Birth: 1976
      • Place Of Birth: Cairo, Egypt
      • Notable Artworks:
        • Master and Student
        • Transition
      • Artistic Movement Or Style: Documentary Photography
      Istražite umetnička dela organizovana prema temama, stilovima i karakteristikama.
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