French Rococo · 1758
Snuffbox je delo ruku Pol Robert (1851–1923). Datirano je iz 1758. Pripada pokretu French Rococo. Izrađeno je u Oil. Čuva se u muzeju Metropoliten музеј у Њујорку u mestu Њујорк, Сједињено Америчке Државе. Dimenzije su 7 × 8 cm.
Paul Robert's "Snuffbox," crafted in 1758 during the height of Louis XV’s reign, offers a captivating glimpse into the opulent world of Parisian goldsmithery and the burgeoning social ritual of snuff-taking. More than just a container for powdered tobacco, this exquisite piece is a miniature masterpiece—a testament to the skill of its maker, the artistry of the enamelist, and the prevailing aesthetic sensibilities of the mid-18th century. The box itself, executed in rich gold, immediately commands attention with its meticulously rendered reeding, a hallmark of French luxury goods at the time. But it’s the cartouches—small, framed panels—that truly elevate this object to an extraordinary level of detail and artistry.
The scenes depicted within these cartouches are charming pastoral vignettes: idyllic landscapes populated by shepherds, sheep, and flowering meadows. These aren't merely decorative elements; they speak volumes about the era’s fascination with nature and the idealized vision of rural life. The use of bright colors—a vibrant palette of blues, greens, and yellows—contrasts beautifully with the warm tones of the gold, creating a dynamic visual experience. Robert’s choice to depict these scenes within the confines of a small box highlights their importance; they are not simply background ornamentation but integral components of the overall design, contributing to a sense of harmonious balance.
The creation of this snuffbox represents a remarkable confluence of artistic skills. The goldwork itself is flawlessly executed—the reeding precise and elegant, the cartouches delicately chased with incredible attention to detail. Beyond the metalworking lies the artistry of the enamelist, who brought these pastoral scenes to life through vibrant colors and intricate patterns. Robert’s use of multiple layers of enamel – a technique known as “four-color” enameling—allowed him to achieve an astonishing level of realism and depth within such a small space. This method involved applying different colored enamels in successive layers, each fired separately to build up the final image.
The box’s markings—the fleur-de-lis, the Paris charge marks (including the harrow and eagle), and the restricted warranty marks – provide valuable clues about its provenance and production history. These stamps, applied by goldsmiths and wardens in Paris, indicate the quality of materials used, the workshop where it was made, and the period during which it was produced. The presence of these marks underscores the box’s status as a high-quality luxury item, intended for a discerning clientele.
The popularity of snuffboxes in 18th-century Europe is inextricably linked to the rise of snuff-taking itself—a social custom that swept across France and beyond. Initially associated with the aristocracy, snuff was initially considered a medicinal remedy, but quickly evolved into a fashionable pastime. Snuffboxes became status symbols, reflecting wealth, taste, and social standing. The elaborate decoration of these boxes—often featuring portraits of royalty or scenes from mythology—served as visual declarations of one’s position within society.
Robert's snuffbox is not simply an object of beauty; it’s a window into the social customs and artistic trends of its time. It reflects the aristocratic fascination with pastoral landscapes, the importance of craftsmanship, and the use of luxury goods as markers of status. The box’s diminutive size—only 3 3/16 x 2 9/16 inches—further emphasizes its exclusivity and desirability, making it a prized possession for those who could afford such a luxurious item.
Paul Robert's "Snuffbox" stands as a remarkable example of French goldsmithing artistry. Its exquisite craftsmanship, vibrant colors, and evocative imagery continue to captivate viewers today. Reproductions offer an accessible way to appreciate the beauty and detail of this historical treasure, bringing its elegance and charm into modern homes and collections. It’s a piece that speaks not only of skill and artistry but also of the social rituals and aesthetic values of a bygone era.
Њујорк, Сједињено Америчке Државе
Poreklo i istorija Metropoliten музеја у Њујорку Metropoliten музеј у Њујорку započeo je svoje postojanje vizijom koju je delila grupa poslovnika, finansijera, kao i vodećih umetnika i mislilaca. Nakon što je institucija zvanično osnovana 1870. godine, počela je potraga za trajnim domom koji bi mogao da smesti njene stalno rastuće kolekcije.
Pol Robert, Snuffbox (1758), Metropoliten музеј у Њујорку. Javno dobro.
Digitalni stručnjak usklađuje boje sa originalom i retušira datoteku, vernu svetlu i potezima četkice.
Kupite datoteku sa usklađenim bojamaOriginalno delo „Snuffbox”, autor Pol Robert čuva se u muzeju Metropoliten музеј у Њујорку, Њујорк, Сједињено Америчке Државе. Reprodukcija omogućava da se ovo umetničko delo izloži u vašem domu.
„Snuffbox“ potiče iz 1758. Ovaj datum smešta delo u okviru karijere umetnika Pol Robert i same ere.
Pol Robert je koristio/la tehniku Oil za delo "Snuffbox". Ova tehnika definiše materijalnu prirodu originalnog dela.
Dimenzije originalnog dela „Snuffbox”, autor Pol Robert su 8 x 7 cm.
Motivi dela "Snuffbox" su gold, snuffbox, miniature, paris, 1758, rococo, decorative.
Status autorskih prava za „Snuffbox”, autor Pol Robert: delo je u javnom vlasništvu – autorska prava su istekla. Ovo određuje da li se reprodukcije slike mogu slobodno izrađivati.
Autor dela "Snuffbox" je Pol Robert. Delo je katalogizovano pod imenom Pol Robert.
Umetnički pravac koji se povezuje sa delom „Snuffbox”, autor Pol Robert je French Rococo. Ova klasifikacija smešta rad među srodne umetnike i umetnička dela.
"Snuffbox" predstavlja Late Period umetnika Pol Robert.
1851–1923, Švajcarska
a swiss painter's journey through birds and wildlife paul robert, a swiss painter, left an indelible mark on the world of art with his captivating depictions of birds and wildlife. born in biel/bienne, switzerland, on march 19, 1851, paul was the son of aurèle robert, who, like his brother louis léopold robert, was a painter. early life and training paul's artistic journey began under the guidance of his father. initially, he explored allegories, then transitioned to landscapes, eventually specializing in watercolors of birds and caterpillars.
Svako Pol Robert slikarstvo, ručno oslikano po narudžbi → Život umetnika Pol Robert Najpoznatija dela Pol Robert