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      Expulsion, Moon and Firelight

      Dimenzije
      91.0 x 122.0 cm
      дин 28033

      Ručno rađena uljana reprodukcija

      Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

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      Finish

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      Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
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      Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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      Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
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      Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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      Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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      Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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      Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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      Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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      Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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      Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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      Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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      Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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      Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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      Corner sample of the H24-GOLD picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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      Corner sample of the H24-SILVER picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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      Corner sample of the H36-GOLD picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
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      Corner sample of the H36-SILVER picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
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      Shipped in a protective tube, ready for your own framer.

      Above 105 cm the frame is shipped as a kit for a professional framer — read the details.

      Extras

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      Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
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      Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (31 октобар). Bez kompromisa po pitanju kvaliteta.

      Zaštitni lak

      Kratki opis natpisa

      Detalji gravirane bronze ploče

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detalji prozirne akrilne pločice

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detalji crne akrilne pločice

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Ukupna cena дин 28033

      Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm

      • Besplatna ekspresna dostava širom sveta
      • Visokokvalitetno laneno platno
      • Potpuno osiguranje transporta
      • Garancija povraćaja carine i uvoznih dažbina
      • Garancija vernosti boja
      • Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
      • Garancija povrata 100% novca
      • Popust na više proizvoda

      Opis predmeta

      Experience 'Expulsion, Moon and Firelight' by Thomas Cole – a breathtaking Hudson River School landscape capturing American wilderness with spiritual depth. A stunning 1828 painting of mountains, waterfalls & fire.

      Biografija umetnika

      Thomas Cole je srpski umetnik koji je osnovao školu Hudson River, poznatu po svojim romantičkim pejzažima i dubokom filozofskom kontekstu. Najpoznatiji su njegovi monumentalni ciklus "Kraj Imperije", koji prikazuje istorijski razvoj društva kroz perspektivu prirode i duhovnosti. Cole je bio jedan od prvih umetnika koji su oblikovali srpsku umetničku estetiku i inspirisali buduće generacije slikara

      About the painting

      Thomas Cole’s “Expulsion, Moon and Firelight”: A Vision of American Identity

      “Expulsion, Moon and Firelight,” painted in 1828 by the visionary Thomas Cole, is more than just a landscape; it's a profound meditation on the nascent identity of America itself. This monumental work, measuring an impressive 91 x 122 cm, captures a dramatic scene within a rugged mountain range – a bridge spanning a cascading waterfall connecting two distinct valleys, populated by figures caught in a moment of poignant departure. The painting’s power lies not simply in its technical mastery but in the layered symbolism and the palpable sense of both loss and hope that permeates the composition.

      A Pioneer of the Hudson River School

      Thomas Cole, born in Bolton le Moors, England, in 1801, arrived in America with his family as a young man. He quickly established himself as a portrait painter before dedicating his artistic energies to capturing the spirit of the American wilderness – a movement that would come to be known as the Hudson River School. Unlike its European counterparts, which often favored historical or mythological subjects, Cole’s landscapes were deeply rooted in observation and imbued with a distinctly American sensibility. He sought to depict not just the physical beauty of nature but also its spiritual resonance, reflecting the burgeoning sense of national identity taking shape during this period.

      The Narrative of Departure and Resilience

      The scene depicted in “Expulsion, Moon and Firelight” is rich with narrative. The figures scattered across the valley are clearly engaged in a forced departure – an expulsion, as the title suggests. While the precise circumstances remain open to interpretation, it’s widely believed that this painting reflects the displacement of Native American tribes from their ancestral lands by European settlers. The moon, a prominent feature in the composition, often symbolizes transition and change, while the firelight hints at both warmth and danger – a reminder of the past and an uncertain future. The bridge itself represents a tenuous connection between two worlds, highlighting the complex relationship between the newcomers and the indigenous population.

      Technique and Symbolism: A Masterclass in Romantic Landscape

      Cole’s masterful technique is evident in his skillful use of light and shadow to create a dramatic and atmospheric effect. He employs a dark, brooding palette dominated by blues, grays, and browns, punctuated by the warm glow of the firelight and the silvery sheen of the moon. The brushwork is loose and expressive, conveying a sense of movement and dynamism within the landscape. The composition itself is carefully constructed to draw the viewer’s eye through the scene, guiding them from the foreground figures to the distant mountains. Notice the subtle details – the texture of the rocks, the flow of the water, the expressions on the faces of the departing figures – all contribute to the painting's immersive quality.

      Emotional Resonance and Lasting Legacy

      “Expulsion, Moon and Firelight” is a deeply moving work that speaks to universal themes of displacement, loss, and resilience. It’s a poignant reminder of the complex history of America – its triumphs and tragedies, its beauty and its scars. Beyond its historical significance, the painting continues to resonate with viewers today due to its powerful emotional impact. Its evocative imagery and masterful technique make it a cornerstone of American art, and a compelling subject for collectors and interior designers seeking a piece that embodies both artistic excellence and profound meaning. For a deeper dive into this remarkable artwork, please refer to the resources provided.

      • Artist: Thomas Cole
      • Year: 1828
      • Size: 91 x 122 cm
      • Style: Hudson River School, Romanticism

      Learn More (Replace with a real link)

      Pitanja i odgovori

      Ko je autor dela "Expulsion, Moon and Firelight" i iz koje godine je?

      Autor dela "Expulsion, Moon and Firelight" je Томас Коле, a delo je datirano sa 1828.

      Kakva su prava na reprodukciju dela "Expulsion, Moon and Firelight" u muzeju Музеј Принђес?

      Originalno delo "Expulsion, Moon and Firelight" čuva se u muzeju Музеј Принђес, a rad je u javnom vlasništvu – autorska prava su istekla.

      Pod kojim drugim imenima ili pseudonimima je poznat/a Томас Коле?

      Томас Коле je poznat/a i pod imenom Томас Болтън Ле Морс, Томас Коул.

      Quick facts and art quiz

      Osnovne informacije

      • Title: Expulsion, Moon and Firelight
      • Notable elements: Waterfall, bridge, fire
      • Dimensions: 91 x 122 cm
      • Medium: Painting
      • Subject or theme: Landscape, wilderness

      Kviz o umetnosti

      Svako pitanje ima samo jedan tačan odgovor.

      Pitanje 1:
      What is the primary subject matter of Thomas Cole’s ‘Expulsion, Moon and Firelight’?
      Pitanje 2:
      In what year was ‘Expulsion, Moon and Firelight’ painted?
      Pitanje 3:
      Thomas Cole is considered a key figure in which artistic movement?
      Pitanje 4:
      What element contributes to the sense of warmth and life in ‘Expulsion, Moon and Firelight’?
      Pitanje 5:
      Thomas Cole was born in which country?
      About Томас Коле
      Томас Коле

      Томас Коле

      1801 - 1848, Ujedinjeno Kraljevstvo

      Biografija umetnika

      A Pioneer of American Landscape Painting

      Thomas Cole, a name synonymous with the birth of distinctly American art, stands as a pivotal figure in 19th-century painting. Born in Bolton le Moors, Lancashire, England, in 1801, his early life offered little indication of the profound impact he would have on the artistic landscape. Emigrating to the United States with his family in 1818 and settling in Ohio, Cole’s journey was one of self-discovery and artistic awakening. Initially working as an itinerant portrait painter—a common trade at the time—he soon found himself captivated by the untamed beauty of the American wilderness. This shift wasn't merely a change in subject matter; it represented a fundamental divergence from European artistic traditions, which often prioritized historical or mythological narratives. Cole’s landscapes weren’t simply depictions of scenery; they were imbued with a spiritual and allegorical depth that resonated deeply with a nation forging its own identity. His move to Catskill, New York, in 1825 proved transformative, providing him with both inspiration and a permanent base from which to explore the surrounding Hudson River Valley—a region destined to become inextricably linked with his artistic legacy.

      The Hudson River School and Romantic Ideals

      Cole is rightfully regarded as the founder of the Hudson River School, an art movement characterized by its romantic portrayal of the American landscape. However, labeling him solely a “landscape painter” feels inadequate. His work transcended mere representation; it was profoundly philosophical, frequently delving into themes of humanity’s relationship with nature, the passage of time, and the rise and fall of civilizations. Influenced by European Romanticism—particularly the canvases of Claude Lorrain and J.M.W. Turner—Cole adapted these sensibilities to an American context. Where European Romantics often depicted dramatic, sublime landscapes as reflections of inner turmoil, Cole’s paintings frequently conveyed a sense of optimism and divine presence within the natural world. He perceived in the vastness of the American wilderness a symbol of national potential and spiritual renewal. The Oxbow (1836), arguably his most iconic work, exemplifies this perfectly—a sweeping vista that juxtaposes the wild, untamed river valley with cultivated farmlands, representing both promise and challenge during westward expansion. This masterful composition demonstrates Cole’s meticulous attention to detail and his ability to capture the essence of a particular moment in time.

      Allegory and The Course of Empire

      Beyond realistic landscape painting, Cole possessed an ambitious artistic vision extending into allegory—a technique designed to convey complex moral and philosophical ideas through symbolic imagery. This is powerfully articulated in his monumental series The Course of Empire, initiated between 1833 and 1836. Comprising five canvases—"Savage State," "Pastoral State," "Arcadian State," "Consummation," and “Destruction”—the series chronicles the cyclical history of civilization from its primal origins to inevitable decline. The paintings aren’t merely historical narratives; they serve as cautionary tales about unchecked ambition and the fragility of human achievement. Cole's masterful use of color, light, and composition—particularly in "Consummation"—creates a breathtaking spectacle that embodies grandeur and divine judgment. This series cemented Cole’s reputation as a visionary artist capable of addressing profound societal concerns through his art.

      Major Achievements and Artistic Development

      Cole’s artistic development progressed steadily throughout his life, marked by experimentation with various techniques and styles. Initially focused on portraiture—a skill honed during his itinerant years—he gradually transitioned to landscape painting, establishing Catskill as his creative home and cultivating a distinctive visual language rooted in Romantic ideals. His early works demonstrate an acute sensitivity to tonal variation and atmospheric perspective—elements he skillfully employed to convey the grandeur and sublimity of nature. As Cole matured, he embraced bolder brushstrokes and more expressive color palettes, reflecting his deepening engagement with philosophical concepts. He meticulously studied geological formations and botanical specimens, incorporating scientific observation into his artistic practice—a testament to his intellectual curiosity and commitment to accuracy.

      Legacy and Enduring Influence

      Thomas Cole’s untimely death in 1848 at the age of 47 curtailed his prolific creative output but solidified his place as a cornerstone of American art history. He directly mentored Frederic Edwin Church, who would become one of the foremost figures of the second generation of Hudson River School painters—carrying forward Cole's legacy of Romantic idealism and artistic innovation. Cole’s unwavering belief in observation from nature combined with profound philosophical reflection continues to inspire artists, scholars, and naturalists alike, ensuring that his contribution to American culture will endure for generations to come. His paintings remain treasured masterpieces, prompting viewers to contemplate their own connection to the natural world and grappling with enduring questions about humanity's role within it. Cole’s influence extends beyond painting; he championed a broader aesthetic sensibility—one prioritizing beauty, truth, and spiritual contemplation—a vision that resonates powerfully even today.
      • Cole’s works are prominently displayed in museums across the United States, including the New-York Historical Society, the National Gallery of Art in Washington D.C., and the Smithsonian American Art Museum
      • His paintings continue to captivate audiences with their evocative depictions of American wilderness and their profound exploration of philosophical themes
      • The Thomas Cole National Historic Site in Catskill, NY, preserves his home and studio—providing visitors a unique opportunity to experience the life and artistic process of this influential artist

      Quick facts about Томас Коле

      • Artistic Movement Or Style: Hudisonjska škola
      • Artists Or Movements Influenced By This Artist: ['Frederic Edwin Church']
      • Date Of Birth: Feb 1, 1801
      • Date Of Death: Feb 11, 1848
      • Full Name: Thomas Cole
      • Nationality: Američki
      • Notable Artworks:
        • Putovanje života
        • Oksbow
        • Kraj Velike države
      • Place Of Birth: Bolton, UK
      Томас Коле Expulsion, Moon and Firelight () · With its frame: · Hand-painted in oil on linen

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