Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Naručite ručno oslikano reprodukciju
Pređi na prodaju digitalnih slika)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite širinu i visinu koja vam je potrebna, kako bi se uklopili u vaš ram ili na vaš zid. Štampa se može samo iseći, nikada ne može biti veća od originalne slike, stoga format sa drugačijim proporcijama gubi deo slike. Poslaćemo vam digitalni prikaz radi potvrde pre nego što započnemo štampu. Slika prikazana na ovoj stranici ne pokazuje stvarni rez — to pokazuje samo digitalni prikaz.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (24 октобар)
Daughter
Veličina reprodukcije
In the evocative photograph titled Daughter, photographer Vibhor Yadav invites us into a moment of profound simplicity and unyielding joy. Captured in 2021 as part of the Wise Wall Project, this piece serves as more than just a portrait; it is a window into the heart of the Maasai community in Arusha, Tanzania. The subject, a young girl adorned in a vibrant purple dress, stands before the textured, earthy backdrop of a brick wall, her smile radiating a warmth that transcends geographical boundaries. Holding a stuffed animal close, she embodies a universal sense of childhood innocence, yet there is an underlying strength in her gaze that speaks to the resilience of rural communities facing the modern challenges of migration and shifting social landscapes.
Yadav’s mastery lies in his ability to utilize documentary photography as a medium for storytelling, blending the raw reality of life in Tanzania with a fine-art sensibility. The composition is grounded by the natural, unrefined textures of the dirt ground and the weathered masonry, creating a tactile experience for the viewer. Through his lens, the mundane elements of a village setting are elevated to something poetic. The interplay of light and shadow on the girl's face and the saturated hue of her clothing create a focal point that draws the eye inward, demanding an emotional connection with the subject’s quiet dignity.
Beyond the immediate visual charm, Daughter carries deep symbolic weight. The stuffed toy held by the child acts as a bridge between the harsh realities of rural existence and the soft, protected world of childhood dreams. It represents the preservation of hope amidst the struggle for basic amenities like water and education. As part of an initiative aimed at documenting the wisdom of marginalized villages, Yadav’s work functions as a visual archive of cultural heritage. The photograph captures a fleeting moment of peace that stands in stark contrast to the systemic challenges faced by the Maasai people, making the image a poignant commentary on the endurance of the human spirit.
For the collector or interior designer, this piece offers a sophisticated narrative for any curated space. It is an artwork that breathes life into a room, providing a conversation piece that is both culturally significant and aesthetically captivating. The earthy tones and the striking pop of purple allow it to integrate seamlessly into contemporary, minimalist, or rustic decors, offering a sense of groundedness and global perspective. To possess a reproduction of this work is to hold a fragment of a larger story—a story of community, strength, and the enduring beauty found in the most unexpected corners of our world.
Ne – umetničko delo se čuva u inostranstvu. Delo „Daughter“ se čuva u državi World, dok je Vibhor Yadav rođen/a u državi Indija.
Učestale teme umetnika Vibhor Yadav obuhvataju tanzanian rural life, maasai community culture, documentary storytelling, social reality documentation, community resilience; delo "Daughter" fokusira se na girl, purple dress, stuffed animal, brick wall, smiling, outdoor setting.
„Daughter“ je urađeno u tehnici Photography, u stilu Contemporary Realism.
1991 - , Indija