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      Passport No.2

      A striking blend of bureaucratic imagery and pop art elements defines Wang Guangyi's Passport No.2, a powerful critique of state control and identity that invites you to explore this iconic contemporary masterpiece.

      Istražite Political Pop umetnost Wang Guangyija, vodećeg kineskog savremenog umetnika. Poznat po seriji 'Great Criticism' koja spaja propagandu Kulturne revolucije i zapadne logotipe, on preispituje percepciju moći i konzumerizma.

      Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

      Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

      Giclee štampa / Umetnički otisak

      Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Naručite ručno oslikano reprodukciju Pređi na prodaju digitalnih slika)

      Corner sample of the P118B picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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      Corner sample of the P118H picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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      Corner sample of the P118W picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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      Corner sample of the P438Z picture frame: kaljeni polistiren, 5.5 cm wide and 3.5 cm thick
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      Corner sample of the P508JH picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P508YH picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P805H picture frame: kaljeni polistiren, 5 cm wide and 3.5 cm thick
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      Corner sample of the P805Z picture frame: kaljeni polistiren, 5 cm wide and 3.5 cm thick
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      Corner sample of the P919BZ picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919G picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919XJ picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P959ZH picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
      P959ZH дин10
      Corner sample of the P968JZ picture frame: kaljeni polistiren, 6 cm wide and 4 cm thick
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      Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W106C дин8
      Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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      Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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      Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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      Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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      Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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      Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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      Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W398PJ дин8
      Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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      Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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      Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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      Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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      Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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      Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
      W953PJ дин8

      Standardne dimenzije
      po meri
      CM
      INCH

      Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

      širina
      visina

      Unesite širinu i visinu koja vam je potrebna, kako bi se uklopili u vaš ram ili na vaš zid. Štampa se može samo iseći, nikada ne može biti veća od originalne slike, stoga format sa drugačijim proporcijama gubi deo slike. Poslaćemo vam digitalni prikaz radi potvrde pre nego što započnemo štampu. Slika prikazana na ovoj stranici ne pokazuje stvarni rez — to pokazuje samo digitalni prikaz.

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      Passport No.2

      Giclee štampa / Umetnički otisak

      Veličina reprodukcije

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      Ukupna cena

      дин 7129

      Brzi pregled

      • Notable elements or techniques: Text overlays, bureaucratic information
      • Title: Passport No.2
      • Artistic style: Political Pop

      The Intersection of Identity and Bureaucracy

      In the profound and intellectually stimulating work Passport No.2, the renowned Chinese contemporary artist Wang Guangyi invites viewers into a complex dialogue between the individual and the state. At first glance, the painting presents a striking portrait of a man, poised in a suit and tie, his gaze directed thoughtfully away from the viewer. Yet, this is no traditional portrait; it is a layered exploration of how human identity is codified, categorized, and ultimately reduced to data. The presence of text—words such as "passport," "names," "sex," "male," and "date of birth"—intertwines with the figure, creating a visual tension between the living, breathing subject and the cold, clinical labels used by bureaucratic institutions to define existence.

      The composition is masterfully executed, utilizing a style that bridges the gap between classical oil painting techniques and the bold, graphic language of modern propaganda. Wang Guangyi, a pivotal figure in the Great Criticism movement, utilizes his background in socialist realism to manipulate imagery that feels both familiar and unsettling. The man’s attire—the formal suit and glasses—suggests a sense of professional or civic order, yet the scattered red and black typography acts as a disruptive force, much like the intrusive nature of modern surveillance and globalized movement. This interplay of text and image forces the eye to oscillate between the human face and the administrative script, mirroring the way we navigate our lives through the lens of official documentation.

      A Masterpiece of Symbolic Critique

      To understand Passport No.2 is to understand the historical weight of Wang Guangyi’s era. Emerging from the transformative period of the Cultural Revolution in China, Wang developed a unique visual vocabulary that critiques the collision between political ideology and the rising tide of global consumerism. In this specific piece, the symbolism of the "visa" and "passport" serves as a poignant metaphor for the boundaries—both physical and psychological—that define our place in the world. The inclusion of specific identifiers like "China" and "birth place" grounds the work in a geopolitical reality, reminding us that our identities are often constructed by the borders we inhabit and the documents we carry.

      For the discerning collector or interior designer, this artwork offers more than just visual prestige; it provides a profound intellectual anchor for any sophisticated space. The large-scale 150 x 120 cm format allows the intricate details of the brushwork and the sharp clarity of the typography to command attention, making it an ideal centerpiece for galleries, executive offices, or modern living environments that value thought-provoking contemporary art. The muted tones, punctuated by the authoritative red lettering, create a palette that is both somber and commanding, ensuring that the piece resonates with an emotional depth that lingers long after the initial viewing.

      Investing in a high-quality reproduction of this work allows one to bring the heavy, contemplative atmosphere of Wang Guangyi’s vision into their own collection. It is a piece that invites conversation, challenging guests and residents alike to reflect on the nature of freedom, identity, and the invisible structures that govern our modern lives. Through its masterful blend of portraiture and graphic design, Passport No.2 remains a timeless testament to the power of art to interrogate the very essence of what it means to be human in an increasingly regulated world.

      Pitanja i odgovori

      Šta "Passport No.2" deli sa ostatkom stvaralaštva umetnika Vang Guangji?

      U okviru celokupnog stvaralaštva umetnika Vang Guangji, delo "Passport No.2" pripada stilu Contemporary Art, uz prisustvo tema kao što su socialist imagery, western consumerism, state control critique, political vs commercial conflict, identity and bureaucracy.

      Za koju prostoriju se preporučuje „Passport No.2”, Vang Guangji?

      Reprodukcija dela "Passport No.2" odlično se uklapa u Coworking.

      Ka kojoj nijansi teži "Passport No.2"?

      Dominantna nijansa dela „Passport No.2”, Vang Guangji je Ochre to Sepia. Ova nijansa predstavlja osnovni ton palete.


      Biografija umetnika

      Wang Guangyi: Biografija

      Rani život i obrazovanje

      • Rođen: Harbin, Kina (1957)
      • Proživljava turbulentne godine Kulturne revolucije i radi u ruralnom selu pre nego što se posvetio umetnosti.
      • Studirao na Akademiji lepih umetnosti u Žetijangu, diplomiravši na odseku za slikarstvo na uljanim bojama 1984. godine.

      Umetnički razvoj i ključna dela

      • Rani radovi (1980-te): Istraživao je zapadnu filozofiju kroz serije kao što su „Severni pol” i „Postklasična”, često koristeći sive tonove i referenisao na kultna zapadna umetnička dela kako bi se udaljio od klasičnih stilova.
      • Serija Velika kritika (1990–2007): Ovo je najpoznatiji ciklus radova Wang Guangyija, koji spaja socijalističku ikonografiju iz perioda Kulturne revolucije sa logotipima zapadnih potrošačkih brendova. Serija kritikuje sukob između političke ideologije i komercijalizma. Primeri uključuju „Velika kritika: Coca-Cola”.
      • Serije VISA, Pasoš i Prenosioci virusa (1990-te): Ove instalacije prikazuju slike pojedinaca praćene birokratskim informacijama, komentarišući državnu kontrolu i individualni identitet.
      • Materijalistička serija (2001–2005): Istraživao je transcendentne teme koristeći skulpture izvedene iz propagandnih slika, odražavajući interesovanje za dijalektički materijalizam.

      Uticaji i umetnički stil

      • Ernst Gombrich: Wang navodi Gombrichovu teoriju nasleđenih „šema” kao uticajnu u njegovom umetničkom pristupu kulturnoj reviziji i kontinuitetu.
      • Andy Warhol & Joseph Beuys: Pod uticajem ovih umetnika, Wang je razvio stil „Političkog popa” koji spaja socijalističku sliku sa referencama na potrošačku kulturu.
      • Politički pop: Wang se smatra vodećom figurom pokreta Političkog popa, koristeći umetnost kao alat za kritiku političkih i komercijalnih struktura moći.

      Istorijski značaj i nasleđe

      • Vođa novog umetničkog pokreta (posle 1989): Wang Guangyi je odigrao značajnu ulogu u oblikovanju savremene kineske umetnosti nakon 1989. godine.
      • Kritika propagande: Njegov rad izaziva gledaoce da kritički ispitaju propagandu kako socijalističkih, tako i kapitalističkih sistema.
      • Globalno priznanje: Izlagao je širom sveta, a njegova dela su deo velikih svetskih muzejskih kolekcija, što potvrđuje njegovo mesto značajne figure u savremenoj umetnosti.

      Brzi pregled

      • Artistic Movement Or Style: Politički pop
      • Artists Who Influenced This Artist:
        • Endi Vorhol
        • Josif Bojs
        • Ernst Gombrih
      • Date Of Birth: 1957
      • Full Name: Wang Guangyi
      • Nationality: Kineska
      • Notable Artworks:
        • Serija Severni pol
        • Postklasična serija
        • Serija Velika kritika
        • VISA serija
        • Passport serija
      • Place Of Birth: Harbin, Kina
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