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      Егон Шиле, 1890 – 1918

      100 najpoznatijih dela umetnika Егон Шиле

      Portret Valli (1912) je slika po kojoj je Егон Шиле najpoznatiji; nalazi se u muzeju Leopold Museum, Beč. Smrt i Devica (1915) i Самовидци II (Смрт и човек) (1911) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 649 dela umetnika Егон Шиле. Evo 100 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.

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      Portret Егон Шиле
      Егон Шиле · 1890 – 1918
      Rođen · umro
      1890 – 1918, Тулин на Дунаву
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      Portret Valli (1912)
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      Deset najomiljenijih slika umetnika Егон Шиле

      Portret Valli (1912) čiji je Егон Шиле
      1

      Portret Valli

      1912 · Ulje na platnu · Leopold Museum, Beč

      „Portret Vale Neuzil“ Egona Šijela, nastao 1912. godine, nije samo slika žene; to je produbljeno istraživanje ljudske pshe i uznemirenosti vremena koja se menja. Ovaj remek-delo austrijskog ekspresionizma, izložen u Leopoldovom muzeju u Beču, ostavlja neizbrisiv utisak na svakoga ko ga pogleda. Valburga „Vali“ Neuzil, Šijelova ljubavnica i često muza, predstavljena je ovde ne kao idealizovana lepota, već kao figura koja se direktno suočava sa posmatračem – izazov konvencijama portreture…

      Smrt i Devica (1915) čiji je Егон Шиле
      2

      Smrt i Devica

      1915 · Akril na platnu · Austrian Gallery Belvedere, Beč

      Egon Schiele i "Smrt i Devica": Utisak Apokalipse na Paleti Emocija Egon Schieleova “Smrt i Devica” nije samo slika; ona je iskripljenje duše, izraz najdubljih ljudskih strahova i želja. Kreirana 1915. godine u epicentru ekspresionizma, ova radostička scena, na prvi pogled, otkriva sloj kompleksnosti koji se širi kao mračna mreža oko gledalca. Schiele, mlad i talentiran, ali trpjeli bol od bolesti i gubitka, usudio se da oslika ono što drugi…

      Самовидци II (Смрт и човек) (1911) čiji je Егон Шиле
      3

      Самовидци II (Смрт и човек)

      1911 · Ulje na platnu · Leopold Museum, Beč

      U mračnom i prodornom svetu umetnosti Egona Schiela, "Samoprikazivači II (Smrt i Čovek)," nastao 1911. godine, zauzima posebno mesto. Ovo nije samo portret; to je visceralna eksplozija unutrašnje borbe, duboko psihološka studija o životu, smrti i ljudskom stanju, smeštena u vrtlog ekspresionističke vizije. Delo odiše neizrecenom tugom i osećajem neodoljive sudbine, pozivajući nas da se suočimo sa sopstvenim smrtnošću.

      Majka sa Dvema Decima (1917) čiji je Егон Шиле
      4

      Majka sa Dvema Decima

      1917 · Ulje na platnu · Austrian Gallery Belvedere, Beč

      Egon Schieleova *Majka sa Dve Deče­sti* (1917) nije samo portret; to je duboko emotivno iskušenje, izraz umetnickog genijuśa ovog pesimisticnog i inovativnog umetnika. Umetnicki rad se nalazi u Österreichische Galerie Belvedere u Beču i predstavlja ključni primer ekspresionizma, perioda u kome Schiele je razvio svoj jedinstveni stil, prepoznatljiv po izrazitoj emociji i psiholoskoj dubini. Ova slika, sa svojim mračnim tonovima i složenim kompozicijom, govori o bolima i strahovanjima koje su…

      Porodica (1917) čiji je Егон Шиле
      5

      Porodica

      1917 · Akril na platnu · Austrian Gallery Belvedere, Beč

      Egon Šilejev "Porodični" portret, nastao 1917. godine, predstavlja duboko resonujući rad koji prevazilazi jednostavnu sliku porodičnih veza. To je emotivno surovo i psihološki prodirajuća eksploracija povezanosti, ranjivosti i anđela koje prate ljudski odnosi – dokaz Šilejevog umeha u ekspresionizmu. Ovo nije samo portret; to je vizuelna priča o strahu, nadi i kompleksnosti ljudskog iskustva.

      Lovers: Man and Woman I (1914) čiji je Егон Шиле
      6

      Lovers: Man and Woman I

      1914 · Oil On Canvas

      Egon Schiele's 1914 painting, *Lovers: Man and Woman I*, isn’t merely a depiction of two figures; it’s a visceral exploration of human connection, vulnerability, and the unsettling beauty of mortality. Created during a period of intense personal struggle for the artist – marked by illness, loss, and a profound awareness of his own precarious existence – this work embodies the core tenets of Expressionism, translating raw emotion directly onto the…

      Self Portrait with Hands on Chest (1910) čiji je Егон Шиле
      7

      Self Portrait with Hands on Chest

      1910 · Akril na platnu

      A Window into the Soul: Egon Schiele’s ‘Self Portrait with Hands on Chest’ (1910) This striking self-portrait by Austrian Expressionist master Egon Schiele is more than just a likeness; it's a raw and unflinching exploration of inner turmoil, vulnerability, and the search for identity. Created in 1910, at a pivotal moment in both his artistic development and personal life, this work embodies the core tenets of Expressionism while establishing Schiele’s…

      Zagrljaj (Seos-II) - - , (1917) čiji je Егон Шиле
      8

      Zagrljaj (Seos-II) - - ,

      1917 · Akril na platnu

      Zasnočen zagrljaj: Dekodiranje Šileovog „Zagrljaja II” Egon Šileov „Zagrljaj (Seos-II)” (1917) nije samo prikaz intimnosti; to je visceralno istraživanje čovekovog stanja, izraženo sirovom emocionalnošću koja definiše ekspresionizam. Ovo moćno delo, dimenzija 100 x 170 cm, prevazilazi puku reprezentaciju kako bi postalo simbolički pejzaž ranjivosti, želje, a možda čak i anksioznosti.Subjekat i kompozicija: Proučavanje isprepletenih formi Ova slika prikazuje ogoljeno par u čvrstom zagrljaju. Muška figura dominira kompozicijom, smeštena iznad žene,…

      Žena u žalosti (1912) čiji je Егон Шиле
      9

      Žena u žalosti

      1912 · Leopold Museum, Beč

      Zakoračite bliže i možda ćete se naći zarobljeni u teškim, suznim očima ove žene. Ovde vlada duboka tišina, mada ona nipošto nije mirna. Lice je bledo, gotovo skeletno, sa tamnim senkama koje se skupljaju oko očne duplje, sugerišući duboko, fizičko iscrpljenost. Glava joj je prekrivena tamnom tkaninom, detaljem koji posmatrača uvlači u njenu privatnu tugu. Iza nje, iz mutne pozadine, izranja drugo, još spektralnije lice – muškarac čije prisustvo deluje…

      Autoportret kao Sveti Sebastian (poster) (1914) čiji je Егон Шиле
      10

      Autoportret kao Sveti Sebastian (poster)

      1914 · Grafika

      Ovo umetničko delo je nedvosmisleno ukorenjeno u pokretu ekspresionizma. Karakterišan izobličenim oblicima, živopisnim, ali uznemirujućim bojama i odvažnim linijama, Šileov stil daje prednost subjektivnom emocionalnom iskustvu u odnosu na realističku reprezentaciju. Izdužena figura, prikazana sa nervoznom energijom, dominira kompozicijom. Obratite pažnju kako crveno odelo—svesno odabran detalj—pojačava osećaj drame i predosećaja nesreće. Ovde nije reč o anatomskoj preciznosti; reč je o prenošenju unutrašnjeg stanja.

      Егон Шиле: platna od 11 do 100 na rang listi

      Moa (1911) čiji je Егон Шиле
      #12

      Moa

      1911 · Leopold Museum

      Portret Moa: Egon Schiele i Duh Ekspresionizma U srcima umetnosti, retki momenti se iskovanjem pretvaraju u ikone – slike koje ne samo da nas impresioniraju, već i prodorom…

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      Agony (1912) čiji je Егон Шиле
      #13

      Agony

      1912

      Egon Schiele, an Austrian Expressionist painter, is renowned for his intense and emotionally charged works. One such painting that exemplifies his unique style and thematic focus is "Agony",…

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      Kompozicija sa tri muške nage (1910) čiji je Егон Шиле
      #14

      Kompozicija sa tri muške nage

      1910 · Leopold Museum

      Krtki ples forme: Istraživanje Šileovog dela „Kompozicija sa tri muške nage” Egon Šileova „Kompozicija sa tri muške nage” iz 1910. godine predstavlja ključno delo koje sažima radikalni odmak…

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      Портрет са тракама (1910) čiji je Егон Шиле
      #15

      Портрет са тракама

      1910 · Leopold Museum

      Self-Portrait with Striped Shirt: A Window Into Schiele’s Soul Egon Schiele-ов "Селф-портрет са траканим џакетом", насликан 1910. године, превазилази једноставну представу; он садржи страхове и унутрашњу потраку које…

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      Mother and Child (Madonna) (1908) čiji je Егон Шиле
      #17

      Mother and Child (Madonna)

      1908

      In the realm of early twentieth-century modernism, few works capture the raw, psychological intimacy of human connection as poignantly as Egon Schiele’s “Mother and Child (Madonna).” Created in…

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      Two Women Embracing (1915) čiji je Егон Шиле
      #18

      Two Women Embracing

      1915 · Szépművészeti Múzeum

      In the hauntingly beautiful realm of Austrian Expressionism, few works capture the raw, pulsating essence of human intimacy quite like Egon Schiele’s Two Women Embracing. This masterpiece serves…

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      Селфипортрет (1912) čiji je Егон Шиле
      #20

      Селфипортрет

      1912

      Егон Шиле (1890-1918), аустријски експресиониста, заступа јединствен глас у турбулентном ландшафуре рано 20. века. Његово дело карактерише се виталним емоцијама и узнемирујућим сликазаним – теме које наједнознанше изражавају…

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      Couple Embracing čiji je Егон Шиле
      #21

      Couple Embracing

      In the quiet, trembling lines of “Couple Embracing,” we encounter more than just a depiction of human intimacy; we witness a profound psychological excavation. Created in 1911, this…

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      Žrtva i trudnoća (1911) čiji je Егон Шиле
      #26

      Žrtva i trudnoća

      1911 · Nacionalna galerija u Pragu

      Egon Schiele’s “Pregnant Woman and Death,” painted in 1911, is a profoundly unsettling yet captivating work that exemplifies the core tenets of Expressionism. Housed within the National Gallery…

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      Шиле Гертi Шиле čiji je Егон Шиле
      #29

      Шиле Гертi Шиле

      Portret Egona Šieleja njegove sestre, Gerte Šileje, nije samo slika; to je zagonetan i lepi istraživački mladosti, ranjivosti i rastućih briga u ubrzano menjajućem dobu. Naslikan oko 1909.…

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      Planinski torrent (1918) čiji je Егон Шиле
      #31

      Planinski torrent

      1918

      Slika Egona Šilea iz 1918. godine, Planinski torrent, nije samo puki prikaz brze reke; to je visceralni izliv duboko proživljenih umetnikovih anksioznosti i njegovog snažnog susreta sa smrtnošću.…

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      Autumn Trees (1911) čiji je Егон Шиле
      #32

      Autumn Trees

      1911

      Egon Schiele's "Autumn Trees," created in 1911, is a striking example of Austrian Expressionism, showcasing the artist’s unique ability to convey intense emotion through distorted forms and vibrant…

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      Portret izdavača Edvarda Kosmaka (1910) čiji je Егон Шиле
      #33

      Portret izdavača Edvarda Kosmaka

      1910 · Austrian Gallery Belvedere

      U svetim holovima galerije Belvedere u Beču postoji prozor u turbulentnu psihu početka dvadesetog veka. Egon Šilejev „Portret izdavača Edvarda Kosmaka”, naslikan 1910. godine, mnogo je više od…

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      untitled (938) čiji je Егон Шиле
      #34

      untitled (938)

      Egon Schiele's "Untitled (938)," a captivating oil on canvas, isn’t merely a depiction of two figures embracing; it’s an intensely personal exploration of vulnerability, desire, and the precariousness…

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      Schiele's Room in Neulengbach (1911) čiji je Егон Шиле
      #35

      Schiele's Room in Neulengbach

      1911 · Kunsthistorisches Museum

      Egon Schiele, a prominent figure in the Expressionist movement, is renowned for his intense and emotionally charged works. One of his notable pieces, Schiele's Room in Neulengbach, offers…

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      Street in Krumau (1917) čiji je Егон Шиле
      #45

      Street in Krumau

      1917

      The narrow street of this Austrian provincial town functions as a distillation of internal tension. Painted in 1917, the work moves beyond mere topography to map a sense…

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      self-portrait (1913) čiji je Егон Шиле
      #49

      self-portrait

      1913

      Egon Schiele’s 1913 self-portrait is not a comfortable image. It’s a visceral, almost brutal depiction of an interior world grappling with uncertainty and perhaps even despair. Rendered in…

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      Portret Viktora Ritera fon Bauera (1918) čiji je Егон Шиле
      #50

      Portret Viktora Ritera fon Bauera

      1918 · Austrian Gallery Belvedere

      Egon Šileov „Portret Viktora Ritera von Bauera“, nasuđen 1918. godine, nije samo ličnost; to je pažljivo konstruisana destilacija anksioznosti i tihe kontemplacije koja mrmi ispod površine Viladžina početka…

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      schiele agonia 1912 čiji je Егон Шиле
      #51

      schiele agonia 1912

      In the hauntingly intimate masterpiece Agonia, painted in 1912, Egon Schiele invites the viewer into a psychological landscape where the boundaries between physical struggle and existential dread dissolve.…

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      pregnant woman death čiji je Егон Шиле
      #54

      pregnant woman death

      In the visceral landscape of early twentieth-century Expressionism, few works possess the unsettling psychological depth found in Egon Schiele’s “Pregnant Woman and Death.” Painted in 1911, this masterpiece…

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      Sunflowers (1911) čiji je Егон Шиле
      #56

      Sunflowers

      1911

      The painting Sunflowers is a watercolor by Egon Schiele created in 1911. The composition features a variety of sunflowers depicted in different stages of bloom, with some flowers…

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      untitled (2447) čiji je Егон Шиле
      #59

      untitled (2447)

      Egon Schiele's "Untitled (2447)" is not merely a depiction of two figures; it’s a raw, intensely personal exploration of vulnerability, connection, and the unsettling beauty of human emotion.…

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      Self Portrait (1911) čiji je Егон Шиле
      #61

      Self Portrait

      1911

      The artwork is a watercolor painting titled Self Portrait, created in 1911. It depicts a nude figure positioned centrally against a muted background. The figure's arms are outstretched…

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      Study of hands (1913) čiji je Егон Шиле
      #65

      Study of hands

      1913

      Two hands emerge from a vast, pale void, locked in a grip that feels both desperate and tender. The skin appears thin, almost translucent, revealing the delicate architecture…

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      Reclining Female Nude (1917) čiji je Егон Шиле
      #68

      Reclining Female Nude

      1917

      Egon Schiele's “Reclining Female Nude,” painted in 1917, stands as a poignant emblem of Expressionism—a movement characterized by raw emotion and unflinching honesty. More than just a depiction…

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      Autumn Sun (1912) čiji je Егон Шиле
      #69

      Autumn Sun

      1912

      Egon Schiele, an Austrian artist known for his bold and emotive works, created the captivating painting "Autumn Sun" in 1912. This piece is a quintessential representation of the…

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      Conversion (1912) čiji je Егон Шиле
      #70

      Conversion

      1912

      In the realm of early 20th-century art, few works capture the essence of human intimacy and emotional depth as profoundly as Egon Schiele's "Conversion." Painted in 1912, this…

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      Prostitute (Dirne) čiji je Егон Шиле
      #72

      Prostitute (Dirne)

      Egon Schiele’s “Prostitute (Dirne)” stands as a haunting testament to the artist’s unflinching exploration of human psychology and sexuality, firmly rooted in the Expressionist movement that gripped Vienna…

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      Levitation (1915) čiji je Егон Шиле
      #74

      Levitation

      1915

      Egon Schiele’s ‘Levitation,’ painted in 1915 during the height of Expressionism, isn't merely a depiction of two figures; it’s an invitation into a realm where rationality yields to…

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      Two young girls čiji je Егон Шиле
      #75

      Two young girls

      An Intimate Embrace: Exploring Egon Schiele’s ‘Two Young Girls’ This captivating watercolor painting by Austrian Expressionist master, Egon Schiele, offers a profoundly intimate and emotionally charged depiction of…

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      Woman Undressing (1914) čiji je Егон Шиле
      #76

      Woman Undressing

      1914

      In 1914, the artist Egon Schiele captured a singular moment of transition in Vienna, Austria. The work, titled Woman Undressing, presents a female nude in a state of…

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      Lovemaking (1915) čiji je Егон Шиле
      #78

      Lovemaking

      1915 · Leopold Museum

      Egon Schiele's "Lovemaking," painted in 1915, is not a celebration of romantic bliss; rather, it’s a brutally honest and profoundly unsettling exploration of human connection – a moment…

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      Reclining Female Nude (1908) čiji je Егон Шиле
      #79

      Reclining Female Nude

      1908

      is a watercolor and paper work created by the Austrian Expressionist Egon Schiele in 1908. This nude painting (nu) reflects the artist's departure from academic traditions toward a…

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      Moa (1911) čiji je Егон Шиле
      #81

      Moa

      1911

      Egon Schiele’s “Moa”: A Study in Vulnerability and Expressionist Boldness The painting "Moa" by Egon Schiele, created in 1911, stands as a haunting testament to the artist's preoccupation…

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      untitled (5287) čiji je Егон Шиле
      #82

      untitled (5287)

      In the quiet, unsettling depths of Egon Schiele’s Untitled (5287), one encounters more than just a figure study; one enters a profound psychological landscape. This work, a hauntingly…

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      The Bridge (1913) čiji je Егон Шиле
      #83

      The Bridge

      1913

      Egon Schiele’s “The Bridge,” painted in 1913, stands as a cornerstone of early 20th-century Expressionist art—a movement that sought to convey raw emotion and psychological intensity rather than…

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      untitled (6044) čiji je Егон Шиле
      #88

      untitled (6044)

      A man stares directly at the viewer, his expression caught in a moment of intense, perhaps even grotesque, animation. He wears a white shirt and tie, the formality…

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      Seated Couple, 1915 (1915) čiji je Егон Шиле
      #92

      Seated Couple, 1915

      1915 · Albertina

      A Moment Frozen in Time: Exploring Egon Schiele’s “Seated Couple” The painting "Seated Couple," completed in 1915 by Austrian Expressionist Egon Schiele, transcends mere depiction; it embodies a…

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      Nude Self-Portrait (1910) čiji je Егон Шиле
      #93

      Nude Self-Portrait

      1910 · Leopold Museum

      A Portrait of Vulnerability: Exploring Egon Schiele’s ‘Nude Self-Portrait’ The painting “Nude Self-Portrait” by Austrian Expressionist Egon Schiele stands as a haunting testament to the artist's preoccupation with…

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      Krumau Town Crescent I (1915) čiji je Егон Шиле
      #94

      Krumau Town Crescent I

      1915 · Izraelski muzej

      Egon Schiele's *Krumau Town Crescent I*, painted in 1915, isn’t merely a depiction of a provincial Austrian town; it’s a raw, intensely personal exploration of mortality, isolation, and…

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      untitled (1348) čiji je Егон Шиле
      #96

      untitled (1348)

      In the hauntingly beautiful monochrome sketch untitled (1348), Egon Schiele invites us into a profound confrontation with the human psyche. Created around 1918, during the twilight of his…

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      Female nude (1910) čiji je Егон Шиле
      #97

      Female nude

      1910

      Egon Schiele’s Intimate Exploration of the Human Form This captivating work on paper by Egon Schiele, created in 1910, offers a poignant glimpse into the artist's exploration of…

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      Procession (1911) čiji je Егон Шиле
      #99

      Procession

      1911

      In the hauntingly beautiful masterpiece "Procession," created in 1911, Egon Schiele invites us into a psychological landscape where the boundaries between reality and inner turmoil dissolve. This seminal…

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      Platna umetnika Егон Шиле po periodima

      Šta je Егон Шиле najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.

      Gde se nalaze platna umetnika Егон Шиле

      8 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika Егон Шиле Slike iz ovog spiska
      Leopold Museum, BečLeopold Museum Beč 46 Portret Valli, Самовидци II (Смрт и човек), Žena u žalosti
      Austrian Gallery Belvedere, BečAustrian Gallery Belvedere Beč 10 Smrt i Devica, Majka sa Dvema Decima, Porodica
      Albertina, BečAlbertina Beč 10 Girl Nude with Folded Arms, 1910, I Will Gladly Endure for Art and My Loved Ones, 1912, Seated Couple, 1915
      Kunsthistorisches Museum, BečKunsthistorisches Museum Beč 4 Schiele's Room in Neulengbach
      Wien Museum, BečWien Museum Beč 2 Густав Климт на кревету смрти
      Szépművészeti Múzeum, BudimpeštaSzépművészeti Múzeum Budimpešta 1 Two Women Embracing
      Staatsgalerie Stuttgart, ŠtutgartStaatsgalerie Stuttgart Štutgart 1 Prophets (also known as Double Self Portrait)
      Nacionalna galerija u Pragu, PragNacionalna galerija u Pragu Prag 1 Žrtva i trudnoća

      Najpoznatija platna umetnika Егон Шиле, jedno za drugim

      Između 1907 i 1918, 12 godina stvaralaštva umetnika Егон Шиле, prikazanih godinu za godinom kroz njegova najpoznatija platna.

      1. 1907
        Portrait of Leopold Czihaczek (1907) čiji je Егон Шиле
        Platno 52 od 100

        Portrait of Leopold Czihaczek

        Godine: 17

        Egon Schiele's 1907 “Portrait of Leopold Czihaczek” is more than just a likeness; it’s a raw, intensely personal exploration of the human condition. This oil on canvas painting,…

      2. 1907
        Portrait of Leopold Czihaczek, Standing (1907) čiji je Егон Шиле
        55 od 100

        Portrait of Leopold Czihaczek, Standing

        Godine: 17

        In the hauntingly beautiful Portrait of Leopold Czihaczek, Standing, Egon Schiele invites us into a space where the boundaries between physical representation and psychological truth dissolve. Created in…

      3. 1908
        Mother and Child (Madonna) (1908) čiji je Егон Шиле
        17 od 100

        Mother and Child (Madonna)

        Godine: 18

        In the realm of early twentieth-century modernism, few works capture the raw, psychological intimacy of human connection as poignantly as Egon Schiele’s “Mother and Child (Madonna).” Created in…

      4. 1908
        Kneeling Young Man (1908) čiji je Егон Шиле
        Platno 71 od 100

        Kneeling Young Man

        Godine: 18

        Created in 1908, Kneeling Young Man is a significant work by the Austrian artist Egon Schiele. This piece emerged from the creative atmosphere of Vienna, Austria, during a…

      5. 1909
        Man with Blue Headband and Hand on Cheek (1909) čiji je Егон Шиле
        Platno 57 od 100

        Man with Blue Headband and Hand on Cheek

        Godine: 19

        A Window into the Soul: Egon Schiele’s ‘Man with Blue Headband and Hand on Cheek’ This captivating drawing by Egon Schiele, created in 1909, is a powerful example…

      6. 1909
        Autumn Tree with Fuchsias (1909) čiji je Егон Шиле
        Rangiran/a 86 od 100

        Autumn Tree with Fuchsias

        Godine: 19

        In the heart of the early twentieth century, amidst the intellectual ferment of Vienna, Egon Schiele captured a moment of profound emotional resonance in his 1909 masterpiece, Autumn…

      7. 1910
        Self Portrait with Hands on Chest (1910) čiji je Егон Шиле
        Platno 7 od 100

        Self Portrait with Hands on Chest

        Godine: 20

        A Window into the Soul: Egon Schiele’s ‘Self Portrait with Hands on Chest’ (1910) This striking self-portrait by Austrian Expressionist master Egon Schiele is more than just a…

      8. 1910
        Kompozicija sa tri muške nage (1910) čiji je Егон Шиле
        Platno 14 od 100

        Kompozicija sa tri muške nage

        Godine: 20 · Leopold Museum

        Krtki ples forme: Istraživanje Šileovog dela „Kompozicija sa tri muške nage” Egon Šileova „Kompozicija sa tri muške nage” iz 1910. godine predstavlja ključno delo koje sažima radikalni odmak…

      9. 1911
        Самовидци II (Смрт и човек) (1911) čiji je Егон Шиле
        Platno 3 od 100

        Самовидци II (Смрт и човек)

        Godine: 21 · Leopold Museum

        U mračnom i prodornom svetu umetnosti Egona Schiela, "Samoprikazivači II (Smrt i Čovek)," nastao 1911. godine, zauzima posebno mesto. Ovo nije samo portret; to je visceralna eksplozija unutrašnje…

      10. 1911
        Moa (1911) čiji je Егон Шиле
        12 od 100

        Moa

        Godine: 21 · Leopold Museum

        Portret Moa: Egon Schiele i Duh Ekspresionizma U srcima umetnosti, retki momenti se iskovanjem pretvaraju u ikone – slike koje ne samo da nas impresioniraju, već i prodorom…

      11. 1912
        Portret Valli (1912) čiji je Егон Шиле
        Platno 1 od 100

        Portret Valli

        Godine: 22 · Leopold Museum

        „Portret Vale Neuzil“ Egona Šijela, nastao 1912. godine, nije samo slika žene; to je produbljeno istraživanje ljudske pshe i uznemirenosti vremena koja se menja. Ovaj remek-delo austrijskog ekspresionizma,…

      12. 1912
        Žena u žalosti (1912) čiji je Егон Шиле
        Platno 9 od 100

        Žena u žalosti

        Godine: 22 · Leopold Museum

        Zakoračite bliže i možda ćete se naći zarobljeni u teškim, suznim očima ove žene. Ovde vlada duboka tišina, mada ona nipošto nije mirna. Lice je bledo, gotovo skeletno,…

      13. 1912
        Portrait of a Woman (1912) čiji je Егон Шиле
        Rangiran/a 11 od 100

        Portrait of a Woman

        Godine: 22

        Egon Schiele's Portrait of a Woman, painted in 1912, stands as a cornerstone of Austrian Expressionism and a poignant exploration of psychological depth. More than just a depiction…

      14. 1913
        The truth unveiled - - (1913) čiji je Егон Шиле
        Rangiran/a 43 od 100

        The truth unveiled - -

        Godine: 23

        Egon Schiele's "The Truth Unveiled," painted in 1913, isn’t merely a depiction of figures; it’s an excavation of the human psyche, a raw and unsettling exploration of mortality,…

      15. 1913
        Wally with a Red Blouse (1913) čiji je Егон Шиле
        Platno 46 od 100

        Wally with a Red Blouse

        Godine: 23

        In the turbulent landscape of early 20th-century Vienna, few images capture the fractured psyche of an era as poignantly as Egon Schiele’s “Wally with a Red Blouse.” Painted…

      16. 1914
        Lovers: Man and Woman I (1914) čiji je Егон Шиле
        Platno 6 od 100

        Lovers: Man and Woman I

        Godine: 24

        Egon Schiele's 1914 painting, *Lovers: Man and Woman I*, isn’t merely a depiction of two figures; it’s a visceral exploration of human connection, vulnerability, and the unsettling beauty…

      17. 1914
        Autoportret kao Sveti Sebastian (poster) (1914) čiji je Егон Шиле
        10 od 100

        Autoportret kao Sveti Sebastian (poster)

        Godine: 24

        Ovo umetničko delo je nedvosmisleno ukorenjeno u pokretu ekspresionizma. Karakterišan izobličenim oblicima, živopisnim, ali uznemirujućim bojama i odvažnim linijama, Šileov stil daje prednost subjektivnom emocionalnom iskustvu u odnosu…

      18. 1915
        Smrt i Devica (1915) čiji je Егон Шиле
        2 od 100

        Smrt i Devica

        Godine: 25 · Austrian Gallery Belvedere

        Egon Schiele i "Smrt i Devica": Utisak Apokalipse na Paleti Emocija Egon Schieleova “Smrt i Devica” nije samo slika; ona je iskripljenje duše, izraz najdubljih ljudskih strahova i…

      19. 1915
        Two Women Embracing (1915) čiji je Егон Шиле
        Rangiran/a 18 od 100

        Two Women Embracing

        Godine: 25 · Szépművészeti Múzeum

        In the hauntingly beautiful realm of Austrian Expressionism, few works capture the raw, pulsating essence of human intimacy quite like Egon Schiele’s Two Women Embracing. This masterpiece serves…

      20. 1916
        Portrait of an Old Man (also known as Johann Harms) (1916) čiji je Егон Шиле
        Platno 48 od 100

        Portrait of an Old Man (also known as Johann Harms)

        Godine: 26 · Solomon R. Guggenheim Museum

        Egon Schiele's “Portrait of an Old Man (also known as Johann Harms),” painted in 1916, is not merely a likeness; it’s a profound meditation on aging, mortality, and…

      21. 1917
        Majka sa Dvema Decima (1917) čiji je Егон Шиле
        Platno 4 od 100

        Majka sa Dvema Decima

        Godine: 27 · Austrian Gallery Belvedere

        Egon Schieleova *Majka sa Dve Deče­sti* (1917) nije samo portret; to je duboko emotivno iskušenje, izraz umetnickog genijuśa ovog pesimisticnog i inovativnog umetnika. Umetnicki rad se nalazi u…

      22. 1917
        Porodica (1917) čiji je Егон Шиле
        5 od 100

        Porodica

        Godine: 27 · Austrian Gallery Belvedere

        Egon Šilejev "Porodični" portret, nastao 1917. godine, predstavlja duboko resonujući rad koji prevazilazi jednostavnu sliku porodičnih veza. To je emotivno surovo i psihološki prodirajuća eksploracija povezanosti, ranjivosti i…

      23. 1917
        Zagrljaj (Seos-II) - - , (1917) čiji je Егон Шиле
        Platno 8 od 100

        Zagrljaj (Seos-II) - - ,

        Godine: 27

        Zasnočen zagrljaj: Dekodiranje Šileovog „Zagrljaja II” Egon Šileov „Zagrljaj (Seos-II)” (1917) nije samo prikaz intimnosti; to je visceralno istraživanje čovekovog stanja, izraženo sirovom emocionalnošću koja definiše ekspresionizam. Ovo…

      24. 1918
        Secession 49. Exhibition (1918) čiji je Егон Шиле
        Rangiran/a 23 od 100

        Secession 49. Exhibition

        Godine: 28

        In the hauntingly beautiful Secession 49. Exhibition, Egon Schiele invites us into a moment of profound stillness amidst the social currents of 1918 Vienna. This evocative work serves…

      25. 1918
        Planinski torrent (1918) čiji je Егон Шиле
        Platno 31 od 100

        Planinski torrent

        Godine: 28

        Slika Egona Šilea iz 1918. godine, Planinski torrent, nije samo puki prikaz brze reke; to je visceralni izliv duboko proživljenih umetnikovih anksioznosti i njegovog snažnog susreta sa smrtnošću.…

      Platna umetnika Егон Шиле, odgovor po odgovor

      Po kojem platnu je Егон Шиле najpoznatiji?Pročitajte odgovor

      Portret Valli (1912), Leopold Museum, Beč. Prate ih Smrt i Devica (1915) i Самовидци II (Смрт и човек) (1911).

      Portret Valli: koliko je godina imao/la Егон Шиле kada je ovo delo nastalo?Pročitajte odgovor

      Егон Шиле, rođen/a 1890, imao/la je 22 godina: Portret Valli datira iz 1912.

      Koja su deset najpoznatijih platna umetnika Егон Шиле?Pročitajte odgovor

      Portret Valli, Smrt i Devica, Самовидци II (Смрт и човек), Majka sa Dvema Decima, Porodica, Lovers: Man and Woman I, Self Portrait with Hands on Chest, Zagrljaj (Seos-II) - - ,, Žena u žalosti i Autoportret kao Sveti Sebastian (poster). Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je slika stvorio/la Егон Шиле?Pročitajte odgovor

      U našem katalogu se nalazi 649 dela umetnika Егон Шиле, datiranih od 1907 do 1918.

      Gde se danas nalaze najpoznatija platna umetnika Егон Шиле?Pročitajte odgovor

      Većinom u Leopold Museum (Beč), Austrian Gallery Belvedere (Beč) i Albertina (Beč); gornja lista navodi svaki muzej i njegova platna.

      Kada je Егон Шиле naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1911, koji obuhvata 13 od 100 dela na ovoj stranici, među njima je i Самовидци II (Смрт и човек).

      Koje je čuveno platno umetnika Егон Шиле nastalo prvo, a koje poslednje?Pročitajte odgovor

      Najstarije platno ovde je iz Portrait of Leopold Czihaczek (1907) godine; najnovije je iz Secession 49. Exhibition (1918) godine.

      Koje je motive Егон Шиле najčešće slikao?Pročitajte odgovor

      Mortality (25), Vienna (16) i Anxiety (14), kroz svih 100 dela na ovoj stranici.

      Koji se medij najčešće pojavljuje u delima umetnika Егон Шиле?Pročitajte odgovor

      Acrylic On Canvas, korišćeno u 29 od 100 dela na ovoj stranici.

      Sa kojim umetničkim pravcem je Егон Шиле povezan/a?Pročitajte odgovor

      Ekspresionizam, kao što pokazuju platna na ovoj stranici.

      Koja dela Егон Шиле se nalaze u kolekciji Leopold Museum?Pročitajte odgovor

      Muzej Leopold Museum, Beč čuva 17 dela sa ove stranice, među kojima su i Portret Valli, Самовидци II (Смрт и човек) i Žena u žalosti.

      Gde mogu kupiti reprodukciju slike od Егон Шиле?Pročitajte odgovor

      Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.

      Upoznajte umetnika: Егон Шиле

      A Life Forged in Expression

      Born in 1890 in the Austrian town of Tulln an der Donau, Egon Schiele’s life was a tempestuous journey marked by both extraordinary artistic vision and profound personal hardship. His early years were shadowed by illness and loss; his father succumbed to syphilis when Egon was just fourteen, a tragedy that would deeply resonate within his work, fueling an obsession with mortality and the fragility of existence. Raised initially by his mother and then under the somewhat controlling guardianship of his uncle Leopold Czihaczek, Schiele’s childhood lacked conventional stability but fostered a fiercely independent spirit. Even as a boy, he displayed an intense fascination with trains—a motif that subtly reappeared in later paintings—and a burgeoning talent for drawing, though this was initially met with disapproval from his father who saw it as a distraction from more practical pursuits. The early death of his sister Elvira also cast a long shadow over the young artist’s psyche. These formative experiences instilled within him a sensitivity and an emotional rawness that would become hallmarks of his artistic expression, a constant grappling with themes of life, death, and the human condition.

      The Crucible of Vienna: Artistic Development

      Schiele's formal artistic training began at the Kunstgewerbeschule (School of Arts and Crafts) in Vienna, but he quickly found himself stifled by its conservative approach. He transferred to the Akademie der bildenden Künste (Academy of Fine Arts), only to become further disillusioned with its rigid academic traditions. This dissatisfaction led him to abandon formal training altogether, choosing instead to forge his own path, a testament to his unwavering artistic conviction. The influence of Gustav Klimt was pivotal during these early years; Schiele admired Klimt’s decorative style and exploration of symbolism, even receiving mentorship from the established artist. However, Schiele soon diverged from Klimt's aesthetic, developing a distinctly individual voice characterized by its stark honesty and psychological intensity. He co-founded the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, aligning himself with other progressive artists who challenged the prevailing artistic norms. His early works, often unsettling portraits and self-portraits, began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings were not merely representations of physical form but explorations of the inner landscape—the anxieties, desires, and fears that haunted the human psyche.

      Raw Emotion and Unflinching Truth

      Egon Schiele’s art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. His landscapes, while less central to his work than his figurative paintings, demonstrate his mastery of form and color, often reflecting the same emotional intensity as his portraits. The use of line is particularly striking in Schiele’s work; it's not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension. Recurring motifs like the *Physalis plant* – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality.

      A Legacy Cut Short: Achievements & Significance

      Despite facing censorship and legal challenges – including a brief imprisonment for allegedly corrupting minors with his art – Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

      • Key Themes: Mortality, sexuality, isolation, psychological turmoil.
      • Influences: Gustav Klimt, Viennese Secession, personal trauma.
      • Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

      Sva 649 dela umetnika Егон Шиле →