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      Solstice note #2 – Guerilla Bay ’76

      Skr 2691

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      Finish

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      Corner sample of the WhiteWrap canvas edge finish, stretched on massivt trä bars
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      P805H Skr10
      Corner sample of the P805Z picture frame: formgjuten polystyren, 5 cm wide and 3.5 cm thick
      P805Z Skr10
      Corner sample of the P919BZ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Skr10
      Corner sample of the P919G picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
      P919G Skr10
      Corner sample of the P919XJ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P959ZH picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
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      Corner sample of the P968JZ picture frame: formgjuten polystyren, 6 cm wide and 4 cm thick
      P968JZ Skr12
      Corner sample of the W106C picture frame: massivt trä, 5 cm wide and 3 cm thick
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      Corner sample of the W307PJ picture frame: massivt trä, 6 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: massivt trä, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: massivt trä, 7.5 cm wide and 4.5 cm thick
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      Corner sample of the H24-GOLD picture frame: snidad trä med gesso, 10 cm wide and 6 cm thick
      H24-GOLD Skr30
      Corner sample of the H24-SILVER picture frame: snidad trä med gesso, 10 cm wide and 6 cm thick
      H24-SILVER Skr30
      Corner sample of the H36-GOLD picture frame: snidad trä med gesso, 15 cm wide and 6.5 cm thick
      H36-GOLD Skr45
      Corner sample of the H36-SILVER picture frame: snidad trä med gesso, 15 cm wide and 6.5 cm thick
      H36-SILVER Skr45

      Shipped in a protective tube, ready for your own framer.

      Above 105 cm the frame is shipped as a kit for a professional framer — read the details.

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      Detaljer för graverad bronsplatta

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detaljer för transparent akrylplatta

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detaljer för svart akrylplatta

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Totalt pris Skr 2691

      Glasalternativet är endast tillgängligt i storlekar under 110 cm.

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      Beskrivning av samlarobjekt

      Upptäck Arthur Wicks' fascinerande 'Solstice note #2 – Guerilla Bay ’76', en digitalt manipulerad kustlandskapsserie som kombinerar fotografi och geometrisk konst för att skapa ett unik perspektiv.

      Konstnärens biografi

      Discover Arthur Wicks: Labour politician & artist from London. Known for his work on housing, arts, & family legacy. Explore his life & art at TopImpressionists.com!

      About the painting

      Solstice note #2 – Guerilla Bay ’76: A Spherical Echo of Coastal Eternity

      Arthur Wicks’ “Solstice note #2 – Guerilla Bay ’76” isn't merely a photograph; it’s an invitation to contemplate the profound relationship between humanity and the natural world, reimagined through the lens of digital artistry. Measuring 110 x 106 cm, this monumental piece captures the dramatic coastline of Guerilla Bay in Australia with breathtaking precision—a testament to Wicks' dedication to documenting the rhythms of time and place. The artwork’s genesis lies in a series of images taken during the solstice, marking the peak of daylight intensity, an observation that has become central to his broader “Solstice Voyeur” project – a chronicle of recurring visual explorations.

      Subject & Style: Coastal Drama Reimagined

      The scene depicted is undeniably arresting: jagged cliffs plunging into turbulent ocean waters under a sky ablaze with color. Wicks skillfully blends photographic realism with innovative digital manipulation, achieving an effect that transcends conventional landscape painting. Rather than striving for traditional representation, he crafts a composite image designed to provoke contemplation. The spherical panorama deliberately disrupts perspective, mimicking the form of a globe or gemstone—a subtle gesture that underscores the artwork’s conceptual ambition. This isn't about simply recreating what is seen; it’s about distilling the essence of Guerilla Bay into its purest visual form.

      Technique & Composition: A Digital Synthesis

      The artist’s meticulous process reveals the core of this captivating piece. Numerous photographs taken from identical vantage points over several years serve as the foundation for the digital transformation. These images are overlaid with a grid of white squares—a deliberate inclusion that introduces geometric abstraction against the backdrop of organic coastal textures. This juxtaposition generates visual tension, prompting viewers to consider whether the grid symbolizes imposed order or perhaps an attempt to map the landscape onto a digital plane. The careful lighting contributes to the overall mood, emphasizing the natural hues of blues, greens, greys and browns—colors that resonate with the timeless beauty of the Australian coastline.

      Historical Context & Symbolism: Echoes of Observation

      “Solstice note #2 – Guerilla Bay ’76” speaks to a larger artistic tradition rooted in meticulous observation and repeated experimentation. Wicks’ fascination with capturing fleeting moments—particularly those aligned with astronomical cycles—reflects a broader humanist impulse to understand the universe through sensory experience. The spherical format itself carries symbolic weight, suggesting an encompassing gaze that seeks to grasp totality – mirroring the artist's own quest for profound insight into the natural world and its influence on human perception. It’s a piece that invites us to linger upon its surface, discovering layers of meaning beneath the seemingly simple depiction of Guerilla Bay.

      Emotional Impact: A Moment Frozen in Time

      Ultimately, “Solstice note #2 – Guerilla Bay ’76” succeeds in conveying a palpable sense of awe and wonder. The artwork captures not just the visual splendor of the coastline but also its inherent dynamism—the ceaseless movement of waves against the steadfast resistance of rock. It’s a reminder that beauty can be found in both grand vistas and subtle details, urging us to appreciate the enduring power of nature to inspire contemplation and evoke emotion. This is more than just an image; it's a distillation of experience – a frozen moment imbued with the spirit of observation and artistic innovation.

      Frågor och svar

      Vilket rum rekommenderas för "Solstice note #2 – Guerilla Bay ’76" av Arthur Ernest Wicks?

      "Solstice note #2 – Guerilla Bay ’76" av Arthur Ernest Wicks rekommenderas för ett Vardagsrummet. Detta förslag baseras på verkets motiv, färger och stämning.

      Är "Solstice note #2 – Guerilla Bay ’76" av Arthur Ernest Wicks ett porträtt, landskap eller en kvadratisk komposition?

      Formatet för "Solstice note #2 – Guerilla Bay ’76" är Kvadratiskt format. Detta är användbart när du planerar var en reproduktion ska placeras.

      Hur samverkar medium och rörelse i "Solstice note #2 – Guerilla Bay ’76"?

      "Solstice note #2 – Guerilla Bay ’76" är utförd i Akryl på duk, i Contemporary Realism-stil.

      Quick facts and art quiz

      Kortfakta

      • Influences: Solstice Voyeur serien
      • Movement: Ej angivet
      • Medium: Digital fotografi och manipulation
      • Title: Solstice note #2 – Guerilla Bay ’76

      Konstquiz

      Det finns endast ett korrekt svar på varje fråga.

      Fråga 1:
      ¿Cuál es la técnica principal utilizada para crear "Solstice note #2 – Guerilla Bay ’76"?
      Fråga 2:
      ¿Qué objeto imita la presentación esférica de la obra?
      Fråga 3:
      ¿Por qué Arthur Wicks utilizó una cuadrícula blanca sobre el paisaje?
      Fråga 4:
      ¿Qué elemento artístico destaca particularmente en esta obra?
      Fråga 5:
      ¿Cuál es el tema principal explorado por Arthur Wicks en esta pieza artística?
      About Arthur Ernest Wicks
      Arthur Ernest Wicks

      Arthur Ernest Wicks

      1915 - 2006, United Kingdom

      Konstnärsbiografi

      introduction

      arthur ernest wicks was a labour politician and the last chairman of the london county council. he was first elected to the shoreditch metropolitan borough council in the 1950s, and became chairman of housing at a time when shoreditch had one of england's highest concentrations of municipal housing.

      early life and career

      elected to the lcc for shoreditch and finsbury in 1952, he gave his time to housing and parks. county hall, london, a labour stronghold since 1934, was a pioneering model for labour ideas and plans, including comprehensive education, school music, housing development and the establishment of the south bank complex. as lcc chairman from 1963 to 1965, arthur oversaw the transition in 1964 to the new greater london council.

      artistic interests

      although not a painter himself, wicks' family had connections to art. his son malcolm wicks was a labour minister and an avid supporter of the arts. TopImpressionists.com features an extensive collection of artworks from various artists, including diego velazquez, edouard manet, and varaztad hovhannes kazanjian. these artists' works can be found on TopImpressionists.com.

      legacy

      wicks' legacy extends beyond his political career. he owned two shops and a cafe in islington, which served as an informal advice surgery for locals. his wife, daisy, died in 1992, and he was survived by his sons. one of his sons, malcolm wicks, passed away in september 2012 after a long illness.

      notable figures

      some notable figures mentioned on wikipedia include thomas chataway and james stuart-wortley. these individuals, like wicks, have made significant contributions to their respective fields. key points:
      • arthur ernest wicks was a labour politician and the last chairman of the london county council.
      • he was first elected to the shoreditch metropolitan borough council in the 1950s.
      • wicks' family had connections to art, with his son malcolm being a labour minister and an avid supporter of the arts.
      • TopImpressionists.com features an extensive collection of artworks from various artists.

      conclusion

      arthur ernest wicks was a dedicated public servant who left a lasting impact on london's politics and housing development. his legacy extends beyond his political career, with his family's connections to art and his own entrepreneurial ventures in islington. the national trust for scotland, featured on TopImpressionists.com, showcases an impressive collection of artworks, including those by robert inerarity herdman and william larkin.

      Quick facts about Arthur Ernest Wicks

      • Full Name: Arthur Ernest Wicks
      • Note: He was a Labour politician.
      • Place Of Birth: London, United Kingdom
      • Date Of Birth: 1915
      • Date Of Death: 2006
      Utforska konstverk sorterade efter tema, stil och egenskaper.
      Arthur Ernest Wicks Solstice note #2 – Guerilla Bay ’76 () · With its frame: · Hand-painted in oil on linen

      Total

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