Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. ( Köp handmålat konstverk
Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver, för att passa din ram eller din vägg. Ett tryck kan endast beskäras, aldrig göras större än bilden, vilket innebär att ett format med en annan formform leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi trycker något. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
Leverans över hela världen () på 2 veckor istället för standard 4/5 veckor. (25 oktober)
Like to like
Reproduktionsstorlek
Jacob Jordaens' "Like to Like," painted in 1645, is more than just a group portrait; it’s a meticulously crafted visual sermon, a testament to the enduring power of proverb and social commentary within the vibrant world of Flemish Baroque art. Executed during a period when artists like Bosch and Bruegel had established the tradition of illustrating moral lessons through captivating scenes, Jordaens continues this legacy with remarkable clarity and detail. This particular work, measuring 21 x 13 cm, offers a poignant glimpse into the lives and values of a prosperous Antwerp family, inviting viewers to contemplate their own place within the social order.
At its core, “Like to Like” is an illustration of a fundamental proverb: "Stick with one’s own class." This message is powerfully conveyed through the carefully constructed groupings within the painting. Four distinct couples represent this principle – a friar and nun, an elderly married couple, young lovers, and a simple family – each pair visually reinforcing the idea of maintaining social standing and adhering to established norms. The artist's didacticism isn’t heavy-handed; rather, it’s subtly woven into the fabric of the scene, inviting contemplation rather than demanding obedience.
Beyond this central theme, the painting is rich in symbolic detail. The vase positioned near the center adds an element of decorative elegance, while the presence of a boy and dog – or girl and doll – speaks to childhood innocence and the importance of nurturing young generations. Even the clothing worn by each figure contributes to the overall narrative, reflecting their respective social roles and status.
Jordaens’ skill as a painter is immediately apparent in the meticulous rendering of textures – from the velvet upholstery of the chairs to the folds of the fabrics worn by the figures. His use of light and shadow creates a sense of depth and realism, while his brushwork is both precise and expressive. The painting demonstrates a mastery of *alla prima* technique, applying paint directly to the canvas in broad strokes, creating a vibrant and dynamic effect. This approach, favored by Rubens himself, contributes significantly to the work’s energetic feel.
"Like to Like" transcends its historical context to offer a timeless meditation on social order, family values, and the enduring wisdom of proverbs. Jordaens' ability to capture human emotion – tenderness, affection, contemplation – ensures that this painting continues to resonate with viewers centuries later. This hand-painted reproduction offers an exceptional opportunity to own a piece of art history, bringing the richness and complexity of Flemish Baroque into your home or office.
Den övergripande stämningen i "Like to like" av Jacob Jordaens är Earthy. Stämningen beskriver verkets allmänna atmosfär.
Inom Jacob Jordaenss karriär tillhör "Like to like" perioden Mature Period. Denna fas underlättar jämförelser med konstnärens övriga verk.
Jacob Jordaens var 52 år gammal när hen skapade "Like to like" år 1645. Åldern är beräknad utifrån konstnärens födelseår, 1593.
1593 - 1678 , Belgien