Is Pigeon Crees under copyright?

Yes, this artwork is still under copyright.

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The painting Pigeon Crees by Jimmy Floyd is a remarkable piece of art that showcases the artist's skill in capturing the essence of rural life. Created in 1938, this oil on canvas piece measures 44 x 65 cm and is currently housed at the Woodhorn Museum - Northumberland Archives in Ashington, United Kingdom.

Composition and Style

The painting depicts a small town with houses, barns, and train tracks, set amidst a picturesque countryside. The scene is filled with various elements of human life and nature coexisting, including birds perched on buildings or flying around the area. The presence of an airplane flying overhead adds to the sense of movement and activity in the scene. Light and color are used effectively to create a sense of depth and atmosphere, drawing the viewer into the world of the painting.

Artist and Museum

Jimmy Floyd was a talented artist who created several notable works, including The Onsetter, which is also housed at the Woodhorn Museum - Northumberland Archives. The museum offers an extensive collection of artworks that reflect the rich cultural heritage of the region. For more information on the museum and its collections, visit Discovering the Artworks of Woodhorn Museum - Northumberland Archives.

Other notable paintings by Jimmy Floyd include The Onsetter and Pigeon Crees, both available as handmade oil painting reproductions on TopImpressionists.com.
The Woodhorn Museum - Northumberland Archives also features works by other notable artists, such as Harry Wilson and Fred Laidler, whose paintings can be found on TopImpressionists.com.

The painting Pigeon Crees by Jimmy Floyd is a captivating representation of rural life, showcasing the artist's skill in capturing the essence of the countryside. With its effective use of light and color, this piece is sure to delight art lovers and enthusiasts alike. For more information on Jimmy Floyd and his works, visit TopImpressionists.com.

Om konstnären

Jimmy Floyd (1898–1974): Northumberland’s Industrial Poet

Jimmy Floyd, born in Newcastle upon Tyne, England, in 1898, emerged as a prominent figure in British art during the early 20th century. His artistic journey was deeply intertwined with the industrial landscape of Northumberland, where he resided for much of his life and drew inspiration from the region’s mining communities and burgeoning factories. Floyd's distinctive style—characterized by meticulous detail and tonal subtlety—earned him recognition as a master of realism painting, particularly in depicting scenes of working-class life and the transformative impact of industrialization on rural landscapes.

Early Life and Artistic Training

Floyd received his initial artistic education at Newcastle Art School, honing his skills in watercolor and drawing before transitioning to oil paint. His formative years coincided with a period of significant social change in Britain, marked by rapid urbanization and technological advancements. These influences profoundly shaped Floyd’s worldview and fueled his desire to capture the essence of everyday life—the grit and beauty—within Northumberland's industrial heartland. He was particularly drawn to portraying miners and their families, conveying both hardship and resilience with remarkable sensitivity.

The Style of Northumberland

Floyd’s artistic vision centered on translating the atmosphere of Northumberland into visual form. Unlike Impressionists who sought fleeting moments of light and color, Floyd meticulously rendered textures—the rough stone of mineshafts, the weathered faces of laborers—and employed a muted palette to convey the solemn dignity of industrial labor. His canvases often depicted expansive landscapes dominated by coal pits and railways, subtly infused with human presence. This approach wasn’t merely observational; it was imbued with empathy for those whose lives were shaped by these forces.

Notable Works: Reflections of Northumberland

Floyd's oeuvre includes several celebrated paintings that exemplify his distinctive style. “Pigeon Crees,” a haunting depiction of a Northumberland village, captures the quiet dignity of rural life against a backdrop of bleak moorland. Similarly, "The Onsetter," portrays a solitary miner contemplating the vastness of the industrial landscape—a poignant meditation on human vulnerability within a monumental setting. And “Vase of Flowers”, showcases Floyd’s ability to infuse even seemingly simple subjects with emotional depth and artistic finesse. These artworks stand as testament to his unwavering commitment to portraying Northumberland's realities with unflinching honesty and profound artistic vision.

Legacy and Influence

Jimmy Floyd’s contribution to British art extends beyond his individual paintings. He championed a realist aesthetic that prioritized accuracy and psychological insight—a stance that resonated with artists of subsequent generations. His meticulous technique and evocative compositions continue to inspire admiration for their ability to convey both the grandeur and melancholy inherent in industrial society. Floyd's legacy resides not only in his artistic output but also in his role as a chronicler of Northumberland’s social history, securing his place as one of Britain’s most enduring voices of realism painting.

jimmy floyd

1898 - 1974

Snabbfakta

Artistic Movement Or Style: Realism
Date Of Death: 1974
Full Name: Jimmy Floyd
Nationality: British
Notable Artworks:
- Pigeon Crees
- The Onsetter
- Vase of Flowers
Place Of Birth: Newcastle upon Tyne, England

Pigeon Crees

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Composition and Style

Artist and Museum

Om konstnären