Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. ( Beställ handmålad reproduktion
Byt till digital bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver för att passa din ram eller vägg. Ett tryck kan endast beskäras, aldrig göras större än originalbilden, vilket innebär att ett format med en annan proportion leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi påbörjar tryckningen. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
Leverans över hela världen () på 2 veckor istället för standard 4/5 veckor. (1 november)
Greens Leaves
Storlek på reproduktion
Chicago-based artist John David Mooney is a singular figure in contemporary sculpture and installation art. His work transcends the purely visual, deeply engaging with themes of astronomy, science, environmentalism, and the spirit of place. From monumental public works that transform urban landscapes to intimate light pieces exploring the interplay of shadow and illumination, Mooney’s creations are both intellectually stimulating and profoundly evocative.
Born in Champaign, Illinois, in 1955, Mooney's artistic journey began with a strong fascination for the natural world and the mysteries of the cosmos. This early curiosity would become the bedrock of his creative practice, informing his approach to design and shaping his distinctive style. He received an MFA from the University of Illinois at Urbana-Champaign in 1984, laying the foundation for a career marked by innovation and a commitment to pushing artistic boundaries.
Mooney’s early work was deeply influenced by his academic studies and a lifelong interest in science. A pivotal experience occurred in 1994 when he was granted artist-in-residence at the Vatican Observatory at Castel Gandolfo, Italy. This residency provided him with unparalleled access to astronomical instruments and gardens, inspiring a series of outdoor sculptures that sought to capture the grandeur and wonder of celestial phenomena. The rooftop telescopes and Vatican Gardens became his studio, yielding works that blended scientific precision with artistic expression.
The 1996 Atlanta Olympic Games marked a significant milestone in Mooney’s career. He designed the iconic 48-story light sculpture, “Light for Atlanta,” which served as the official symbol of the games, instantly elevating his profile and establishing him as a major force in public art. Shortly after, he was commissioned to create “Malta Millennium,” a monumental sculpture that ushered in the new millennium on the island nation of Malta, further solidifying his international reputation.
Chicago has been central to Mooney’s artistic development and output. His work in the city is particularly notable for its scale, ambition, and integration with the urban environment. “Light Muse,” a transformative installation of light sculptures enveloping the Tribune Tower, celebrated the newspaper's 150th anniversary in 1997. Similarly, “Lightscape ‘89,” projected onto the IBM building, commemorated the company’s 75th anniversary and captivated audiences with its dynamic display.
Mooney’s commissions have extended far beyond Chicago, encompassing projects such as “Crystara” at the John Crerar Library, a stunning suspended sculpture of Waterford crystal and aluminum; “The Miami Wave,” a vast paving piece for the entrance to the Miami International Airport; and “Wild Ricing Moon,” a towering sculpture honoring Native American heritage on the University of Minnesota Duluth campus. These diverse projects demonstrate Mooney’s versatility and his ability to adapt his artistic vision to different contexts and audiences.
The “Art in the Park” project for Urbana, Illinois, culminating in the installation of “Spirit Tree,” a 33-foot-high light sculpture, represents a significant contribution to the city’s public art landscape. Mooney's designs for falling leaf, a mirrored fountain sculpture, and the landscaping itself demonstrate his holistic approach to creating immersive environments. His work continues to evolve, exploring new technologies and pushing the boundaries of what is possible in public art, leaving an enduring legacy as a visionary sculptor who illuminates both the physical world and our understanding of its mysteries.
To delve deeper into John Mooney’s artistic journey, explore the resources available on TopImpressionists.com: John Mooney. For a broader perspective, consider researching his work through Wikipedia: John Mooney (musician) and John Mooney. Additionally, the Royal Scottish Academy offers a detailed overview of his artistic career: John Mooney (b.1948).