Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. ( Beställ handmålad reproduktion
Byt till digital bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver för att passa din ram eller vägg. Ett tryck kan endast beskäras, aldrig göras större än originalbilden, vilket innebär att ett format med en annan proportion leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi påbörjar tryckningen. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
Leverans över hela världen () på 2 veckor istället för standard 4/5 veckor. (29 oktober)
Lamentation
Storlek på reproduktion
Pulisena Margherita Nelli was born into a wealthy family in Florence. Her father, Piero di Luca Nelli, was a successful fabric merchant. At the age of fourteen, she became a nun at the Dominican convent of Santa Caterina da Siena, taking on the name Suor Plautilla. The convent was managed by the Dominican friars of San Marco, led by Savonarola, whose teachings emphasized devotional painting and drawing for religious women to combat idleness. This environment fostered artistic development within the convent walls.
Despite lacking formal training, Plautilla Nelli became a prolific artist. She was heavily influenced by the teachings of Savonarola and the artwork of Fra Bartolomeo. She copied works by Agnolo Bronzino and Andrea del Sarto, but her primary inspiration came from Fra Bartolomeo’s style, reflecting the classicism promoted by Savonarola's artistic theories. After Fra Bartolomeo's death, his drawings were inherited by Plautilla Nelli, providing a valuable resource for her artistic development.
Nelli’s work is characterized by religious themes and vivid portrayals of emotion on the characters' faces. Her style is distinguished by heightened sentiment compared to her influences. Some of her notable works include:
Plautilla Nelli holds a unique place in art history as the first-known female Renaissance painter of Florence. Her ability to produce large-scale works, typically reserved for male artists, was remarkable for her time. She is one of the few women mentioned by Giorgio Vasari in his "Lives of the Most Excellent Painters, Sculptors and Architects," solidifying her recognition within the artistic community. Her work represents a daring creative endeavor for a nun-artist, challenging societal norms and expanding the possibilities for female artists during the Renaissance. The recent rediscovery and restoration of her works have brought renewed attention to her talent and contribution to Florentine art.
1524 - 1588 , Italy