period

movement

1. The Mountain Ford — Thomas Cole, 1846
2. From the Top of Kaaterskill Falls — Thomas Cole, 1826
3. View from Mount Holyoke, Northamptom, Massachusetts, after a Thunderstorm (The Oxbow) — Thomas Cole, 1836
4. Landscape Mural — Robert Seldon Duncanson, 1852
5. Landscape, (painting) — Thomas Cole, 1830
6. South American Landscape — Frederic Edwin Kilise, 1856
7. On the Hudson — John George Brown, 1867
8. Landscape and River — Thomas Cole
9. Falls at Catskill — Thomas Cole, 1829
10. Ideal Landscape: Homage to Thomas Cole — Jasper Francis Cropsey, 1850

vibe

1. The Mountain Ford — Thomas Cole, 1846
2. On the Hudson — John George Brown, 1867

topics

1. Falls at Catskill — Thomas Cole, 1829
2. Ideal Landscape: Homage to Thomas Cole — Jasper Francis Cropsey, 1850
3. From the Top of Kaaterskill Falls — Thomas Cole, 1826
4. View from Mount Holyoke, Northamptom, Massachusetts, after a Thunderstorm (The Oxbow) — Thomas Cole, 1836
5. Landscape Mural — Robert Seldon Duncanson, 1852
6. South American Landscape — Frederic Edwin Kilise, 1856
7. On the Hudson — John George Brown, 1867
8. The Mountain Ford — Thomas Cole, 1846

keywords

1. View from Mount Holyoke, Northamptom, Massachusetts, after a Thunderstorm (The Oxbow) — Thomas Cole, 1836
2. The Mountain Ford — Thomas Cole, 1846
3. From the Top of Kaaterskill Falls — Thomas Cole, 1826
4. Ideal Landscape: Homage to Thomas Cole — Jasper Francis Cropsey, 1850

tone

1. The Mountain Ford — Thomas Cole, 1846
2. On the Hudson — John George Brown, 1867

main color

1. Landscape and River — Thomas Cole
2. South American Landscape — Frederic Edwin Kilise, 1856
3. Falls at Catskill — Thomas Cole, 1829
4. The Mountain Ford — Thomas Cole, 1846
5. Landscape Mural — Robert Seldon Duncanson, 1852
6. On the Hudson — John George Brown, 1867
7. Ideal Landscape: Homage to Thomas Cole — Jasper Francis Cropsey, 1850
8. View from Mount Holyoke, Northamptom, Massachusetts, after a Thunderstorm (The Oxbow) — Thomas Cole, 1836

other