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      Adèle Romany, 1769 – 1846

      Adèle Romany'in En Ünlü 37 Tablosu

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany denince akla gelen en önemli eserdir; National Museum of Women in the Arts, Washington, D.C. bünyesinde yer almaktadır. Madame Coury, Duhamel Widow (1811) ve Portrait of a Young Woman (1804), en sevilen üç tablonun üçlüsünü tamamlıyor. Kataloğumuzda Adèle Romany tarafından yapılmış 39 eser bulunmaktadır. İşte her bir tuvalin yılı, müzesi ve hikayesiyle birlikte en ünlü 37 eseri.

      Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Ekim 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir tablo, keten kanvas üzerine elle boyanmış bir yağlı boya reprodüksiyon olarak veya seçtiğiniz boyutta hazırlanan bir sanat baskısı olarak sipariş edilebilir.

      Adèle Romany portresi
      Adèle Romany · 1769 – 1846
      Doğum · ölüm
      1769 – 1846, Paris
      Akım
      Neoclassicism
      Kataloğumuzdaki eserler
      39
      En ünlüları
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      En çok eser şu müzede
      Library-museum of the Comédie-Française

      Adèle Romany tarafından yapılmış en sevilen on tablo

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) tarafından Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      El boyaması yağlı boya reprodüksiyon fiyatları $178 27 × 36 cm Orijinal boyutunda $522 97 × 128 cm Orijinal boyutunda sipariş verin →
      El ile boyanmış halini isteyin Tablonun hikayesi
      Madame Coury, Duhamel Widow (1811) tarafından Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Stockholm

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      El boyaması yağlı boya reprodüksiyon fiyatları $178 28 × 36 cm Orijinal boyutunda $467 90 × 117 cm Orijinal boyutunda sipariş verin →
      El ile boyanmış halini isteyin Tablonun hikayesi
      Portrait of a Young Woman (1804) tarafından Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Paris

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      El boyaması yağlı boya reprodüksiyon fiyatları $178 29 × 35 cm Orijinal boyutunda $242 51 × 61 cm Orijinal boyutunda sipariş verin →
      Bu kanvası sipariş edin Bu tuval hakkında bilgi edinin
      Portrait of Julie Candeille (1791) tarafından Adèle Romany
      4

      Portrait of Julie Candeille

      1791 · Oil On Canvas

      In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

      El boyaması yağlı boya reprodüksiyon fiyatları $178 29 × 34 cm
      Bu kanvası sipariş edin Bu tuval hakkında bilgi edinin
      Portrait of a Young Harpist (1795) tarafından Adèle Romany
      5

      Portrait of a Young Harpist

      1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

      The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

      El boyaması yağlı boya reprodüksiyon fiyatları $178 28 × 35 cm Orijinal boyutunda $351 73 × 92 cm Orijinal boyutunda sipariş verin →
      Bu kanvası sipariş edin Bu tuval hakkında bilgi edinin
      Portrait of a woman (1795) tarafından Adèle Romany
      6

      Portrait of a woman

      1795 · Oil On Canvas · Musée Jacquemart-André, Paris

      The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

      El boyaması yağlı boya reprodüksiyon fiyatları $178 29 × 35 cm Orijinal boyutunda $291 62 × 76 cm Orijinal boyutunda sipariş verin →
      Bu ışığı evinize taşıyın Yakından inceleyin
      Portrait of Amélie-Justine Pontois (1795) tarafından Adèle Romany
      7

      Portrait of Amélie-Justine Pontois

      1795 · Oil

      In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

      El boyaması yağlı boya reprodüksiyon fiyatları $178 28 × 36 cm Orijinal boyutunda $240 49 × 61 cm Orijinal boyutunda sipariş verin →
      El ile boyanmış halini isteyin Tablonun hikayesi
      Charles-Antoine d'Artenay (1792) tarafından Adèle Romany
      8

      Charles-Antoine d'Artenay

      1792 · Oil On Canvas · Versay Sarayı, Versay

      The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

      El boyaması yağlı boya reprodüksiyon fiyatları $178 29 × 35 cm Orijinal boyutunda $253 53 × 65 cm Orijinal boyutunda sipariş verin →
      El ile boyanmış halini isteyin Tablonun hikayesi

      Adèle Romany: sıralamadaki 11 ile 37 arası tablolar

      Adèle Romany'in dönem dönem tuvalleri

      Early Period

      1791 – 1798 · 7 eser bu listede
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

      Mature Period

      1799 – 1811 · 7 eser bu listede
      Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Portrait of Jeanne-Marie Mercier, the artist's mother (1799), Adèle Romany #13 Portrait of Jeanne-Marie Mercier, the artist's mother 1799 · Musee Baron Martin

      Adèle Romany tarafından en çok boyananlar

      Bu tuvallerde en sık rastlanan ve her biri en sevilen örneğiyle birlikte sunulan dört konu.

      Woman 12 eser

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

      Dark background 3 eser

      Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum

      Man 3 eser

      Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · Versay Sarayı Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

      White dress 2 eser

      Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet

      Adèle Romany'in tuvallerinin sergilendiği yer

      Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.

      Müze Şehir Adèle Romany Eserleri Bu listedeki tablolar
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Versay Sarayı, VersayVersay Sarayı Versay 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
      Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

      Adèle Romany'in on yıllar boyunca en ünlü tuvali

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) tarafından Adèle Romany
        37 içinde 3

        Portrait of a Young Woman

        Yaş 31 – 40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) tarafından Adèle Romany
        37 tablo arasından 2. tuval

        Madame Coury, Duhamel Widow

        Yaş 41 – 50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s

      Adèle Romany'in tuvalleri, soru soru

      Adèle Romany en çok hangi tuval çalışmasıyla hatırlanır?Yanıtı oku

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Ardından Madame Coury, Duhamel Widow (1811) ve Portrait of a Young Woman (1804) geliyor.

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: Adèle Romany bu eseri yaptığında kaç yaşındaydı?Yanıtı oku

      1769 yılında doğan Adèle Romany, 26 yaşındayken: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, 1795 tarihine aittir.

      Adèle Romany isimli sanatçının en ünlü on tablosu hangileridir?Yanıtı oku

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ve A young person hesitating to play the piano in front of her family. Yukarıdaki sıralamadaki her tuval, yapıldığı yıl ve sergilendiği müze bilgisiyle birlikte sunulmaktadır.

      Adèle Romany kaç tablo yaptı?Yanıtı oku

      Adèle Romany tarafından yapılan 39 eser, 1791 ile 1836 tarihleri arasında katalogumuzda yer almaktadır.

      Adèle Romany'in en ünlü tabloları bugün nerede sergileniyor?Yanıtı oku

      Çoğunlukla Library-museum of the Comédie-Française (Paris), Versay Sarayı (Versay) ve Museum of Fine Arts (Boston) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.

      Adèle Romany en ünlü tablolarını ne zaman yaptı?Yanıtı oku

      Bu sayfadaki 37 eserin 13 tanesi 1800s dönemine aittir ve bunlar arasında Portrait of a Young Woman bulunmaktadır.

      Hangi ünlü Adèle Romany tuvali ilk olarak yapıldı ve hangisi en son yapıldı?Yanıtı oku

      Buradaki en eski tuval Portrait of Julie Candeille (1791); en yenisi ise Portrait of Voltaire (1836).

      Adèle Romany en çok hangi konuları resmetmiştir?Yanıtı oku

      Woman (12), Dark background (3) ve Man (3), bu sayfadaki 37 eser genelinde.

      Adèle Romany'in tablolarında en çok hangi teknik kullanılmıştır?Yanıtı oku

      Bu sayfadaki 37 eserin 11 tanesinde Oil On Canvas kullanılmıştır.

      Adèle Romany hangi akımla ilişkilendiriliyor?Yanıtı oku

      bu sayfadaki tabloların da gösterdiği gibi Neoclassicism.

      Adèle Romany tarafından yapılan hangi tablolar Library-museum of the Comédie-Française koleksiyonunda yer almaktadır?Yanıtı oku

      Library-museum of the Comédie-Française, Paris, bu sayfadaki eserlerden 5 tanesine ev sahipliği yapmaktadır; bunlar arasında Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ve Portrait of Fleury bulunmaktadır.

      Adèle Romany tablosunun bir reprodüksiyonunu nereden satın alabilirim?Yanıtı oku

      Evet. Bu sayfadaki her tablo, kendi sayfasından seçtiğiniz boyutta, elle boyanmış bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

      Ressamla tanışın: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

      Adèle Romany tarafından yapılan tüm 39 eser → Adèle Romany tabloları, fiyatlarıyla birlikte →