Ali Liebert'in tüm tabloları arasında en ünlüsü Portrait of Alexis Lavigne, 1878 (1978)'dir; bu eser Paris, ESMOD INTERNATIONAL bünyesinde sergilenmektedir. Katalogumuzdaki Ali Liebert imzalı 1 eser arasından en çok ses getiren bu 1 eser; tarihleri, sergilendikleri müzeler ve hikayeleriyle birlikte sunulmaktadır.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir.
Bu sayfadaki tabloların en büyük kısmına ev sahipliği yapan müze.
| Müze | Şehir | Ali Liebert Eserleri | Bu listedeki tablolar |
|---|---|---|---|
| Paris | 1 | Portrait of Alexis Lavigne, 1878 |
Portrait of Alexis Lavigne, 1878 (1978)
Ali Liebert tarafından yapılmış 1 eser kataloğumuzda yer almaktadır.
Çoğunlukla ESMOD INTERNATIONAL (Paris) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.
Ali Liebert operates within the realms of acting, directing, and producing. Born in Surrey, Canada, in 1981, her path moved from the stage to the screen through a focused pursuit of dramatic craft. After two years of study at the Canadian College of Performing Arts in Victoria, she relocated to Vancouver to establish herself in the television and film industry.
Her presence on stage was marked by early roles such as Veronica in the musical A Flask of Bourbon. This foundation in performance eventually transitioned into a career defined by both acting and the creation of content. As a founder of Sociable Films, she has moved behind the camera to shape narratives, often focusing on queer representation to ensure diverse stories find a place in the cinematic landscape.
Liebert's professional trajectory is defined by several key contributions to Canadian media and independent production:
The work of Ali Liebert is inseparable from her identity as a queer artist. She uses her platform as an actress and producer to address the necessity of representation. This commitment is not a secondary interest but a core component of her professional output, influencing the types of stories she chooses to tell and the production companies she helps build.