Forest Landscape with Bathing Children (1867), Carl Ebert denince akla gelen en önemli eserdir; Bavarian State Painting Collections, Münih bünyesinde yer almaktadır. Evening Landscape (1875) ve Landscape society in a park, en sevilen üç tablonun üçlüsünü tamamlıyor. Kataloğumuzda Carl Ebert tarafından yapılmış 5 eser bulunmaktadır. İşte her bir tuvalin yılı, müzesi ve hikayesiyle birlikte en ünlü 5 eseri.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Ekim 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir tablo, keten kanvas üzerine elle boyanmış bir yağlı boya reprodüksiyon olarak veya seçtiğiniz boyutta hazırlanan bir sanat baskısı olarak sipariş edilebilir.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.
| Müze | Şehir | Carl Ebert Eserleri | Bu listedeki tablolar |
|---|---|---|---|
| Münih | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| Münih | 1 | Isar Landscape |
Şövalenin başında geçen yaklaşık on yıl, 1867'ten 1875'e: Carl Ebert'in yıl yıl tarihlenmiş tuvalleri.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, Münih. Ardından Evening Landscape (1875) ve Landscape society in a park geliyor.
1821 yılında doğan Carl Ebert, 46 yaşındayken: Forest Landscape with Bathing Children, 1867 tarihine aittir.
Carl Ebert tarafından yapılan 5 eser, 1867 ile 1875 tarihleri arasında katalogumuzda yer almaktadır.
Çoğunlukla Bavarian State Painting Collections (Münih) ve Lenbachhaus (Münih) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.
Buradaki en eski tuval Forest Landscape with Bathing Children (1867); en yenisi ise Evening Landscape (1875).
Bavarian State Painting Collections, Münih, bu sayfadaki eserlerden 2 tanesine ev sahipliği yapmaktadır; bunlar arasında Forest Landscape with Bathing Children ve Evening Landscape bulunmaktadır.
Evet. Bu sayfadaki her tablo, kendi sayfasından seçtiğiniz boyutta, elle boyanmış bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.