Atölye — Dünya çapında ücretsiz gönderim — 2–6 hafta içinde teslimat
      Daniel Saint, 1778 – 1847

      Daniel Saint'in En Ünlü 6 Tablosu

      Daniel Saint denince akla gelen en önemli eser Portrait de Mme Savary, duchesse de Rovigo (1840)'dir. Portrait of Lodewijk Napoleon Bonaparte (1810) ve Portrait of the duchess of berry, en sevilen üç tablonun üçlüsünü tamamlıyor. Kataloğumuzda Daniel Saint tarafından yapılmış 7 eser bulunmaktadır. İşte her bir tuvalin yılı, müzesi ve hikayesiyle birlikte en ünlü 6 eseri.

      Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir tablo, keten kanvas üzerine elle boyanmış bir yağlı boya reprodüksiyon olarak veya seçtiğiniz boyutta hazırlanan bir sanat baskısı olarak sipariş edilebilir.

      Daniel Saint portresi
      Daniel Saint · 1778 – 1847
      Doğum · ölüm
      1778 – 1847, Saint-Lô
      Kataloğumuzdaki eserler
      7
      En ünlüları
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      En çok eser şu müzede
      Nationalmuseum

      Daniel Saint tarafından yapılmış en sevilen on tablo

      Portrait of Lodewijk Napoleon Bonaparte (1810) tarafından Daniel Saint
      2

      Portrait of Lodewijk Napoleon Bonaparte

      1810 · Wallace Collection, Londra

      Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the likeness of the King of Holland, rendered with the precision required for such a small scale. The figure is presented with a sense of quiet dignity, emerging from a dark, atmospheric background that focuses all attention on the sitter. Every detail of…

      El boyaması yağlı boya reprodüksiyon fiyatları $178 32 × 32 cm
      Lady with a Greyhound (1842) tarafından Daniel Saint
      6

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      El boyaması yağlı boya reprodüksiyon fiyatları $178 24 × 41 cm

      Daniel Saint'in tuvallerinin sergilendiği yer

      Bu sayfadaki tabloların çoğuna ev sahipliği yapan 3 müze.

      Müze Şehir Daniel Saint Eserleri Bu listedeki tablolar
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
      Wallace Collection, LondraWallace Collection Londra 1 Portrait of Lodewijk Napoleon Bonaparte
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      Daniel Saint'in en ünlü tuvalleri, yıllar içinde

      Daniel Saint'ın ışık ve renklerinin 33 yılı, 1810'den 1842'e: her yılın en ünlü tuvalleri, birbiri ardına.

      1. 1810
        Portrait of Lodewijk Napoleon Bonaparte (1810) tarafından Daniel Saint
        6 içinde 2

        Portrait of Lodewijk Napoleon Bonaparte

        Yaş 32 · Wallace Collection

        Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the…

      2. 1840
      3. 1842
        Lady with a Greyhound (1842) tarafından Daniel Saint
        6 tablo arasından 6. tuval

        Lady with a Greyhound

        Yaş 64

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Daniel Saint'in tuvalleri, soru soru

      Daniel Saint en çok hangi tuval çalışmasıyla hatırlanır?Yanıtı oku

      Portrait de Mme Savary, duchesse de Rovigo (1840), ardından Portrait of Lodewijk Napoleon Bonaparte (1810) ve Portrait of the duchess of berry.

      Portrait de Mme Savary, duchesse de Rovigo: Daniel Saint bu eseri yaptığında kaç yaşındaydı?Yanıtı oku

      1778 yılında doğan Daniel Saint, 62 yaşındayken: Portrait de Mme Savary, duchesse de Rovigo, 1840 tarihine aittir.

      Daniel Saint kaç tablo yaptı?Yanıtı oku

      Daniel Saint tarafından yapılan 7 eser, 1810 ile 1842 tarihleri arasında katalogumuzda yer almaktadır.

      Daniel Saint'in en ünlü tabloları bugün nerede sergileniyor?Yanıtı oku

      Çoğunlukla Nationalmuseum (Stockholm), Wallace Collection (Londra) ve Château de Chambord (Chambord) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.

      Hangi ünlü Daniel Saint tuvali ilk olarak yapıldı ve hangisi en son yapıldı?Yanıtı oku

      Buradaki en eski tuval Portrait of Lodewijk Napoleon Bonaparte (1810); en yenisi ise Lady with a Greyhound (1842).

      Daniel Saint tarafından yapılan hangi tablolar Nationalmuseum koleksiyonunda yer almaktadır?Yanıtı oku

      Nationalmuseum, Stockholm, bu sayfadaki eserlerden 2 tanesine ev sahipliği yapmaktadır; bunlar arasında Unknown Man ve Charles X, King of France and Navarre bulunmaktadır.

      Daniel Saint tablosunun bir reprodüksiyonunu nereden satın alabilirim?Yanıtı oku

      Evet. Bu sayfadaki her tablo, kendi sayfasından seçtiğiniz boyutta, elle boyanmış bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

      Ressamla tanışın: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.