David Martin'in tüm tabloları arasında en ünlüsü Self-portrait (1760)'dir; bu eser Edinburgh, Scottish National Gallery bünyesinde sergilenmektedir. Hemen ardından David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) ve Alexander Udney, older brother to George (1757) geliyor. Katalogumuzdaki David Martin imzalı 38 eser arasından en çok ses getiren bu 37 eser; tarihleri, sergilendikleri müzeler ve hikayeleriyle birlikte sunulmaktadır.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Ekim 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir tablo, keten kanvas üzerine elle boyanmış bir yağlı boya reprodüksiyon olarak veya seçtiğiniz boyutta hazırlanan bir sanat baskısı olarak sipariş edilebilir.
The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.
Bu tuvallerde en sık rastlanan ve her biri en sevilen örneğiyle birlikte sunulan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 6 müze.
| Müze | Şehir | David Martin Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 İskoç Ulusal Portre Galerisi |
Edinburgh | 15 | David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian |
 Scottish National Gallery |
Edinburgh | 3 | Self-portrait, Lilias Seton, Lady Steuart of Allanton (died 1821), Mary Martin, Mrs Alexander Gowan (1716 - 1795) |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 1 | Benjamin Franklin |
 Balliol College |
Oxford | 1 | Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) |
 Basildon Park |
1 | Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813) | |
 National Portrait Gallery |
Londra | 1 | Sir Hector Munro |
The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who…
Self-portrait (1760), Scottish National Gallery, Edinburgh. Ardından David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) ve Alexander Udney, older brother to George (1757) geliyor.
1737 yılında doğan David Martin, 23 yaşındayken: Self-portrait, 1760 tarihine aittir.
Self-portrait, David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian, Elizabeth Rannie, Viscountess Melville, 1751 - 1843. Wife of 1st Viscount Melville., Henry Dundas, 1st Viscount Melville, 1742 - 1811. Statesman, James Russell, d. 1773. Professor of Natural Philosophy at Edinburgh) University (With his son James Russell, 1754 - 1836. President of the Royal College of Surgeons of Edinburgh), Benjamin Franklin, Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) ve Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813). Yukarıdaki sıralamadaki her tuval, yapıldığı yıl ve sergilendiği müze bilgisiyle birlikte sunulmaktadır.
David Martin tarafından yapılan 38 eser, 1757 ile 1794 tarihleri arasında katalogumuzda yer almaktadır.
Çoğunlukla İskoç Ulusal Portre Galerisi (Edinburgh), Scottish National Gallery (Edinburgh) ve Pennsylvania Academy of Fine Arts (Philadelphia) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.
Bu sayfadaki 37 eserin 8 tanesi 1770s dönemine aittir ve bunlar arasında Rev. Robert Henry, 1718 - 1790. Historian bulunmaktadır.
Buradaki en eski tuval Alexander Udney, older brother to George (1757); en yenisi ise Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794).
İskoç Ulusal Portre Galerisi, Edinburgh, bu sayfadaki eserlerden 15 tanesine ev sahipliği yapmaktadır; bunlar arasında David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George ve Rev. Robert Henry, 1718 - 1790. Historian bulunmaktadır.
Evet. Bu sayfadaki her tablo, kendi sayfasından seçtiğiniz boyutta, elle boyanmış bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.
François Nicolas Martinet, a name perhaps less familiar than those of his contemporaries in 18th-century French art, nevertheless holds a profound and quietly significant place within the history of ornithological illustration. Born in Paris around 1731, Martinet’s journey wasn't one of grand artistic ambition initially; he began his career as an engineer and draftsman, skills honed within the meticulous framework of the Royal Workshops. Yet, it was through his engagement with the burgeoning field of natural history that he discovered his true calling – capturing the exquisite detail and vibrant beauty of birds in a way that transcended mere documentation.
His early life remains somewhat shrouded in obscurity, details scarce beyond his formal training. However, around 1756, Martinet transitioned into engraving for the King’s cabinet, a position that provided him with access to influential figures and projects within the scientific community. This shift marked a turning point, as he began dedicating himself increasingly to producing illustrations for books – specifically, those focused on the natural world. His son, Alexandre, would later assist him in this endeavor, continuing the legacy of meticulous detail and artistic observation.
What distinguishes Martinet’s work is not simply his technical proficiency – though he was undoubtedly a skilled engraver – but rather his remarkable ability to imbue his bird illustrations with a sense of life. Prior to his time, many attempts at depicting birds in books were hampered by the limitations of the printing process and a lack of understanding of avian anatomy. Early engravings often resulted in distorted proportions, awkward poses, and an overall impression of stiffness. Martinet recognized this deficiency and painstakingly developed a method that prioritized accurate observation and realistic representation.
He meticulously studied birds in their natural habitats, paying close attention to their movements, plumage variations, and subtle behavioral cues. This dedication translated directly into his engravings, which are characterized by an astonishing level of detail – from the intricate patterns on feathers to the delicate structure of beaks and talons. Martinet’s illustrations weren't merely static representations; they conveyed a sense of dynamism and immediacy, as if capturing a fleeting moment in a bird’s life. His use of light and shadow further enhanced this effect, creating depth and volume within each image.
Martinet's most significant contribution to the world of ornithological illustration came through his extensive work with Georges-Louis Leclerc, Comte de Buffon, a leading French naturalist and encyclopedist. For Buffon’s monumental *Histoire Naturelle des Oiseaux* (Natural History of Birds), Martinet produced over 1000 engravings – a staggering number that underscored the scale and ambition of Buffon's project.
His work extended beyond Buffon’s encyclopedia, contributing illustrations to other important natural history publications, including those by Mathurin Jacques Brisson. These collaborations cemented Martinet’s reputation as a leading ornithological artist and ensured that his images would reach a wide audience of scholars, collectors, and enthusiasts.
Notable Works:François Nicolas Martinet's legacy extends far beyond his individual illustrations. He played a crucial role in shaping the visual representation of birds during a period when scientific illustration was still evolving. His commitment to accuracy, combined with his artistic sensibility, set a new standard for ornithological art – one that continues to inspire artists and researchers today.
His work is particularly significant because it demonstrates how observation, meticulous study, and technical skill can be combined to create images that are both scientifically informative and aesthetically compelling. Martinet’s legacy lies not only in the beauty of his illustrations but also in their contribution to our understanding of the natural world.
