Aquila 2 (2017), Davide Rivalta denince akla gelen en önemli eserdir; THAT'S CONTEMPORARY, Milan bünyesinde yer almaktadır. Bufala (2015) ve Ghepardo (2015), en sevilen üç tablonun üçlüsünü tamamlıyor. Kataloğumuzda Davide Rivalta tarafından yapılmış 7 eser bulunmaktadır. İşte her bir tuvalin yılı, müzesi ve hikayesiyle birlikte en ünlü 7 eseri.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Ekim 2026 tarihinde güncellenmiştir.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.
| Müze | Şehir | Davide Rivalta Eserleri | Bu listedeki tablolar |
|---|---|---|---|
| Milan | 6 | Aquila 2, Bufala, Ghepardo | |
| Roma | 1 | Leoni |
Davide Rivalta'in bu sayfadaki tarihli tuvalleri 2015 ile 2018 yılları arasını, yani sadece 4 yıllık bir dönemi kapsıyor: işte yıl yıl eserleri.
Aquila 2 (2017), THAT'S CONTEMPORARY, Milan. Ardından Bufala (2015) ve Ghepardo (2015) geliyor.
1974 yılında doğan Davide Rivalta, 43 yaşındayken: Aquila 2, 2017 tarihine aittir.
Davide Rivalta tarafından yapılan 7 eser, 2015 ile 2018 tarihleri arasında katalogumuzda yer almaktadır.
Çoğunlukla THAT'S CONTEMPORARY (Milan) ve Quirinale Sarayı (Roma) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.
Bu sayfadaki 7 eserin 3 tanesi 2018 dönemine aittir ve bunlar arasında Lupo bulunmaktadır.
Buradaki en eski tuval Bufala (2015); en yenisi ise Lupo (2018).
THAT'S CONTEMPORARY, Milan, bu sayfadaki eserlerden 6 tanesine ev sahipliği yapmaktadır; bunlar arasında Aquila 2, Bufala ve Ghepardo bulunmaktadır.
In the heart of Bologna, where history and contemporary thought converge, the works of Davide Rivalta breathe a silent, primal life into the modern gallery space. Born in 1974, the Italian sculptor has cultivated a practice that transcends mere representation, seeking instead to capture the very essence of the natural world. His journey began within the prestigious halls of the Academy of Fine Arts in Bologna, later expanding his artistic vocabulary through rigorous study at the Akademie der Bildenden Künste in Munich. This dual foundation in Italian tradition and German academic depth has allowed him to develop a style that is both physically grounded and spiritually evocative.
Rivalta’s artistry is defined by a profound fascination with the animal kingdom, yet he avoids the clichés of wildlife portraiture. Instead, his sculptures—ranging from the imposing Bufala (Buffalo) to the piercing gaze of the Aquila (Eagle)—explore a delicate tension between power and vulnerability. He possesses a unique ability to render creatures like wolves, lions, and cheetahs in states of docility or quiet repose. This intentional choice creates a striking contrast; by stripping away the overt violence often associated with apex predators, he reveals a majestic, almost melancholic dignity that invites the viewer into a moment of intimate connection with the wild.
The physical presence of a Rivalta sculpture is often as impactful as its subject matter. His process involves a deep engagement with texture and mass, creating works that feel as though they have emerged directly from the earth itself. Through his mastery of sculpture and installation, he builds forms that command space, using materials that evoke the ruggedness of nature. Whether it is the heavy, grounded presence of a buffalo or the sleek, predatory grace of a Ghepardo (Cheetah), each piece serves as a meditation on the weight of existence.
His work often functions within larger installations, where the placement of his animals can transform an environment into a staged, almost theatrical landscape. This approach allows him to explore themes of:
Today, Davide Rivalta stands as a significant voice in contemporary sculpture, bridging the gap between classical realism and modern conceptualism. His ability to evoke empathy for the non-human world has earned him recognition in some of the most esteemed institutions globally. From the National Gallery of Modern and Contemporary Art in Rome to the serene Château de Vullierens in Switzerland, his work resonates with a universal language of life and instinct. By teaching sculpture at the Academy of Fine Arts in his native Bologna, he also ensures that his profound respect for material and subject continues to inspire the next generation of artists.