Along the River Front, New York (1912), Everett Warner denince akla gelen en önemli eserdir; Toledo Sanat Müzesi, Toledo bünyesinde yer almaktadır. Kataloğumuzda Everett Warner tarafından yapılmış 5 eser bulunmaktadır. İşte her bir tuvalin yılı, müzesi ve hikayesiyle birlikte en ünlü 2 eseri.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.
| Müze | Şehir | Everett Warner Eserleri | Bu listedeki tablolar |
|---|---|---|---|
| Toledo | 1 | Along the River Front, New York | |
| New York City | 1 | "Manhattan Contrasts," New York City |
Everett Warner'in bu sayfadaki tarihli tuvalleri 1912 ile 1917 yılları arasını, yani sadece 6 yıllık bir dönemi kapsıyor: işte yıl yıl eserleri.
Along the River Front, New York (1912)
1877 yılında doğan Everett Warner, 35 yaşındayken: Along the River Front, New York, 1912 tarihine aittir.
Everett Warner tarafından yapılan 5 eser, 1912 ile 1917 tarihleri arasında katalogumuzda yer almaktadır.
Çoğunlukla Toledo Sanat Müzesi (Toledo) ve New York Historical Society (New York City) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.
Buradaki en eski tuval Along the River Front, New York (1912); en yenisi ise "Manhattan Contrasts," New York City (1917).
Born in Vinton, United States, Everett Warner was an American Impressionist painter and printmaker. His early education included studies at the Corcoran Museum and the Washington Art Students League, followed by training at the Art Students League in New York under George Bridgman and Walter Clark. Warner's work gained recognition through selection for prestigious competitions at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design. He also served as an art critic for the Evening Star in Washington, D.C.
Warner's career was marked by significant contributions to maritime history. During World War I, he developed the Warner System, a ship camouflage method designed to break up a vessel's silhouette to make it difficult for enemies to obtain a range. He served as a lieutenant in the US Naval Reserves, managing a design-based subdivision in Washington, D.C. He later returned to serve as Chief Civilian Aid to Commander Charles Bittinger during World War II to assist in the design of ship camouflage.
Beyond his maritime work, Warner explored unique perspectives through aerial painting. Following the end of World War I, he utilized military seaplanes to observe New York City and the Eastern seaboard from above, becoming one of the first artists to sketch and paint from an aerial view. He even experimented with anamorphosis, displaying his large-scale paintings flat on the floor to be viewed from an oblique angle to enhance the sense of depth.
In his later professional life, Warner held a position as an associate professor of painting and design at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania, for eighteen years. After retiring from teaching, he settled in Westmoreland, New Hampshire. He eventually transitioned from painting to writing articles for publication before his death in 1963.