Bush landscape with rocks (1952), Jean Appleton denince akla gelen en önemli eserdir; Art Gallery of New South Wales, Sidney bünyesinde yer almaktadır. Landscape ve Red house, Cowan (1945), en sevilen üç tablonun üçlüsünü tamamlıyor. Kataloğumuzda Jean Appleton tarafından yapılmış 7 eser bulunmaktadır. İşte her bir tuvalin yılı, müzesi ve hikayesiyle birlikte en ünlü 6 eseri.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir.
Bu sayfadaki tabloların en büyük kısmına ev sahipliği yapan müze.
| Müze | Şehir | Jean Appleton Eserleri | Bu listedeki tablolar |
|---|---|---|---|
| Sidney | 6 | Bush landscape with rocks, Landscape, Red house, Cowan |
Şövalenin başında geçen yaklaşık on yıl, 1945'ten 1953'e: Jean Appleton'in yıl yıl tarihlenmiş tuvalleri.
Bush landscape with rocks (1952), Art Gallery of New South Wales, Sidney. Ardından Landscape ve Red house, Cowan (1945) geliyor.
1911 yılında doğan Jean Appleton, 41 yaşındayken: Bush landscape with rocks, 1952 tarihine aittir.
Jean Appleton tarafından yapılan 7 eser, 1945 ile 1953 tarihleri arasında katalogumuzda yer almaktadır.
Çoğunlukla Art Gallery of New South Wales (Sidney) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.
Buradaki en eski tuval Red house, Cowan (1945); en yenisi ise Hillside (1953).
Art Gallery of New South Wales, Sidney, bu sayfadaki eserlerden 6 tanesine ev sahipliği yapmaktadır; bunlar arasında Bush landscape with rocks, Landscape ve Red house, Cowan bulunmaktadır.
Born in the Sydney suburb of Ashfield, Jean Appleton was a painter, art teacher, and printmaker who demonstrated a lifelong passion for the arts. After earning an intermediate certificate in arts in 1928, she enrolled in a five-year diploma course in drawing and illustration at the East Sydney Technical College. Her formal education continued in England at the Westminster School of Art, where she studied under Bernard Meninsky and Mark Gertler. During her time in London, she produced Australia's two earliest cubist paintings, titled Still Life 1937 and Painting IX 1937.
Appleton's technical repertoire was diverse, as she worked with a variety of media including:
Throughout her career, Appleton's work evolved from the rounded geometric forms she learned in London toward an increasingly decorative and schematic cubist style characterized by a lighter colour scheme. She often found inspiration in subjects such as bottles, describing painting as a "love affair." Her professional achievements were marked by several prestigious accolades, including:
In addition to her painting, she became interested in printmaking, which she practiced until 1980. Her life and work were celebrated through various solo exhibitions and a retrospective held at the Campbelltown City Bicentennial Art Gallery.