Atölye — Dünya çapında ücretsiz gönderim — 2–6 hafta içinde teslimat
      John Mare, 1739 – 1803

      John Mare'in En Ünlü 3 Tablosu

      Dr. Benjamin Youngs Prime (1733-1791) (1774), John Mare denince akla gelen en önemli eserdir; New York Historical Society, New York City bünyesinde yer almaktadır. John Keteltas (1739-1766) (1767) ve Jeremiah Platt (1767), en sevilen üç tablonun üçlüsünü tamamlıyor. Kataloğumuzda John Mare tarafından yapılmış 3 eser bulunmaktadır. İşte her bir tuvalin yılı, müzesi ve hikayesiyle birlikte en ünlü 3 eseri.

      Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir tablo, keten kanvas üzerine elle boyanmış bir yağlı boya reprodüksiyon olarak veya seçtiğiniz boyutta hazırlanan bir sanat baskısı olarak sipariş edilebilir.

      John Mare portresi
      John Mare · 1739 – 1803
      Doğum · ölüm
      1739 – 1803, New York City
      Kataloğumuzdaki eserler
      3
      En ünlüları
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      En çok eser şu müzede
      New York Historical Society

      John Mare tarafından yapılmış en sevilen on tablo

      Dr. Benjamin Youngs Prime (1733-1791) (1774) tarafından John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, New York City

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      El boyaması yağlı boya reprodüksiyon fiyatları $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) tarafından John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, New York City

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      El boyaması yağlı boya reprodüksiyon fiyatları $178 29 × 35 cm
      Jeremiah Platt (1767) tarafından John Mare
      3

      Jeremiah Platt

      1767 · Metropolitan Sanat Müzesi, New York

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      El boyaması yağlı boya reprodüksiyon fiyatları $178 28 × 36 cm Orijinal boyutunda $513 98 × 123 cm Orijinal boyutunda sipariş verin →

      John Mare tarafından en çok boyananlar

      Bu tuvallerde en sık rastlanan ve her biri en sevilen örneğiyle birlikte sunulan dört konu.

      John Mare'in tuvallerinin sergilendiği yer

      Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.

      Müze Şehir John Mare Eserleri Bu listedeki tablolar
      New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      Metropolitan Sanat Müzesi, New YorkMetropolitan Sanat Müzesi New York 1 Jeremiah Platt

      John Mare'in en ünlü tuvalleri, yıllar içinde

      Şövalenin başında geçen yaklaşık on yıl, 1767'ten 1774'e: John Mare'in yıl yıl tarihlenmiş tuvalleri.

      1. 1767
        John Keteltas (1739-1766) (1767) tarafından John Mare
        3 içinde 2

        John Keteltas (1739-1766)

        Yaş 28 · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) tarafından John Mare
        3 tablo arasından 3. tuval

        Jeremiah Platt

        Yaş 28 · Metropolitan Sanat Müzesi

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) tarafından John Mare
        3 tablo arasından 1. tuval

        Dr. Benjamin Youngs Prime (1733-1791)

        Yaş 35 · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      John Mare'in tuvalleri, soru soru

      John Mare en çok hangi tuval çalışmasıyla hatırlanır?Yanıtı oku

      Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. Ardından John Keteltas (1739-1766) (1767) ve Jeremiah Platt (1767) geliyor.

      Dr. Benjamin Youngs Prime (1733-1791): John Mare bu eseri yaptığında kaç yaşındaydı?Yanıtı oku

      1739 yılında doğan John Mare, 35 yaşındayken: Dr. Benjamin Youngs Prime (1733-1791), 1774 tarihine aittir.

      John Mare kaç tablo yaptı?Yanıtı oku

      John Mare tarafından yapılan 3 eser, 1767 ile 1774 tarihleri arasında katalogumuzda yer almaktadır.

      John Mare'in en ünlü tabloları bugün nerede sergileniyor?Yanıtı oku

      Çoğunlukla New York Historical Society (New York City) ve Metropolitan Sanat Müzesi (New York) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.

      John Mare en ünlü tablolarını ne zaman yaptı?Yanıtı oku

      Bu sayfadaki 3 eserin 2 tanesi 1767 dönemine aittir ve bunlar arasında John Keteltas (1739-1766) bulunmaktadır.

      Hangi ünlü John Mare tuvali ilk olarak yapıldı ve hangisi en son yapıldı?Yanıtı oku

      Buradaki en eski tuval John Keteltas (1739-1766) (1767); en yenisi ise Dr. Benjamin Youngs Prime (1733-1791) (1774).

      John Mare en çok hangi konuları resmetmiştir?Yanıtı oku

      Man (2), Wig (2) ve Cravat (2), bu sayfadaki 3 eser genelinde.

      John Mare tarafından yapılan hangi tablolar New York Historical Society koleksiyonunda yer almaktadır?Yanıtı oku

      New York Historical Society, New York City, bu sayfadaki eserlerden 2 tanesine ev sahipliği yapmaktadır; bunlar arasında Dr. Benjamin Youngs Prime (1733-1791) ve John Keteltas (1739-1766) bulunmaktadır.

      John Mare tablosunun bir reprodüksiyonunu nereden satın alabilirim?Yanıtı oku

      Evet. Bu sayfadaki her tablo, kendi sayfasından seçtiğiniz boyutta, elle boyanmış bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

      Ressamla tanışın: John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.