An Alchemist's Laboratory (1570), Stradanus denince akla gelen en önemli eserdir; Palazzo Vecchio, Floransa bünyesinde yer almaktadır. Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596) ve Crucifixion (1569), en sevilen üç tablonun üçlüsünü tamamlıyor. Kataloğumuzda Stradanus tarafından yapılmış 22 eser bulunmaktadır. İşte her bir tuvalin yılı, müzesi ve hikayesiyle birlikte en ünlü 20 eseri.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir tablo, keten kanvas üzerine elle boyanmış bir yağlı boya reprodüksiyon olarak veya seçtiğiniz boyutta hazırlanan bir sanat baskısı olarak sipariş edilebilir.
An Alchemist's Laboratory is an oil on slate painting created by the artist Stradanus in 1570. The work depicts the laboratory of Francesco I de' Medici, who was the son of Cosimo I de' Medici and Eleonora di Toledo. This specific laboratory space was originally set up by Cosimo I between 1519 and 1574.
The print titled Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) emerges from the workshop of Jan van der Straet, known as Stradanus. This specific plate captures a moment of creation within a busy studio. It was brought into being in Antwerp, Netherlands, around 1596. The ink traces the vision of Stradanus, a Flemish artist who moved between the traditions of…
The painting titled Crucifixion was executed by Jan van der Straet, an artist also known as Stradanus or Giovanni Stradano. Created in 1569, this work originated in Firenze. The piece is located within the Basilica della Santissima Annunziata in Florence. Stradanus, who lived from 1523 to 1605, produced this oil on panel composition during his time in Italy.
In Stradanus's Lamentation of Christ, a crowded arrangement of elongated figures creates a sense of heavy, overlapping movement. The scene unfolds within a dark, nocturnal environment, illuminated by a pale moon and an unseen light source. This light strikes the musculature of Christ and the heavy folds of draped fabrics, carving deep shadows across the composition. A single ladder rises vertically in the background, providing a sharp structural contrast to…
The enlargement of the city of Florence by Stradanus presents a panoramic view of a sprawling urban landscape. The composition is split into two distinct realms. In the foreground, a crowded assembly of figures engages in various activities, their forms grounded in a detailed, immediate space. Beyond them, the scene opens into a vast, elevated background where the dense architecture of the city rises against a backdrop of rolling hills.…
The work Allegory, dated 1572, is a representation of a historic brick building's exterior. The composition centers on a large, arched black doorway. This entrance is flanked by two windows featuring dark shutters. The structure is composed of reddish-brown bricks, while light-colored stone masonry defines the window frames, the door surround, and various decorative elements. The architectural style follows Renaissance or Mannerist principles, utilizing symmetrical elements and classical ornamentation. Vertical…
A heavy, monochrome stillness settles over the scene. Inside a dim warehouse or cellar, the air feels thick with the scent of crushed fruit and damp earth. Figures move through a crowded landscape of wooden shelves and ladders, their bodies bent under the gravity of the season. It is a world of labor, where every hand is occupied. Women reach into the shadows of vines, while men empty heavy baskets…
The air within the frame feels heavy with the scent of damp earth and crushed leaves. In this monochromatic world, a greenhouse becomes a stage for the quiet labor of survival. Figures move through a crowded architecture of shelves and windows, their limbs elongated in the Mannerist style, stretching toward the light. Women bend over baskets, their hands busy with the delicate task of tending to plants, while a man…
The Discovery of America, plate 1 from the by Stradanus unfolds as a complex allegorical scene where history and symbolism collide. Created about 1590, this engraving captures a moment of profound encounter between European exploration and the landscapes of a new world. A central figure, presumably Christopher Columbus, stands upon a shore, his gaze fixed upon a reclining nude woman amidst lush, heavy vegetation. Nearby, a ship rests offshore, its…
In the quiet, dramatic shadows of the late sixteenth century, Johannes Stradanus captured a profound tension between the ephemeral beauty of life and the inevitable approach of the end. His masterpiece, “Vanity, Modesty and Death,” serves as a hauntingly beautiful allegory, inviting the viewer into a deeply personal contemplation of human nature. Created around 1569, this work is not merely a painting but a philosophical dialogue rendered in oil, where…
In the hauntingly beautiful engraving of Cavemen Chasing Elephants, we are transported back to a primordial era where the boundaries between humanity and the wild were thin and…
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The scene captures a pivotal intersection of fate and authority within the biblical narrative. A figure kneels in a gesture of profound significance, receiving a crown from Ahasuerus.…
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We are looking at Reeling of the Silk, an engraving produced by Stradanus. This work dates to about 1580, a period when the artist was deeply integrated into…
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The room is a study in stillness and heavy air. Through a single window, light enters to define the edges of a quiet drama. Two men occupy the…
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The ocean stretches out in a vast, monochromatic expanse, a restless void that swallows the horizon. Upon this liquid stage, a large vessel cuts through the swells, its…
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This sketchbook page presents a complex, two-sided narrative through its recto and verso compositions. On the front, a vessel navigates turbulent waters, its sail catching the wind as…
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Bu tuvallerde en sık rastlanan ve her biri en sevilen örneğiyle birlikte sunulan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 6 müze.
| Müze | Şehir | Stradanus Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Palazzo Vecchio |
Floransa | 4 | An Alchemist's Laboratory, The enlargement of the city of Florence, Esther Receiving the Crown from Ahasuerus |
 Royal Collection |
Londra | 3 | Silkworm Farm, Silkworm Farm, Reeling of the Silk |
 Santissima Annunziata |
Floransa | 1 | Crucifixion |
 Bavarian State Painting Collections |
Münih | 1 | Lamentation of Christ |
 Art Museum |
Seattle | 1 | Allegory |
 Louvre Müzesi |
Paris | 1 | Vanity, Modesty and Death |
The painting titled Crucifixion was executed by Jan van der Straet, an artist also known as Stradanus or Giovanni Stradano. Created in 1569, this work originated in Firenze.…
An Alchemist's Laboratory is an oil on slate painting created by the artist Stradanus in 1570. The work depicts the laboratory of Francesco I de' Medici, who was…
A heavy, monochrome stillness settles over the scene. Inside a dim warehouse or cellar, the air feels thick with the scent of crushed fruit and damp earth. Figures…
The print titled Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) emerges from the workshop of Jan van der…
An Alchemist's Laboratory (1570), Palazzo Vecchio, Floransa. Ardından Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596) ve Crucifixion (1569) geliyor.
1523 yılında doğan Stradanus, 47 yaşındayken: An Alchemist's Laboratory, 1570 tarihine aittir.
An Alchemist's Laboratory, Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times), Crucifixion, Lamentation of Christ, The enlargement of the city of Florence, Allegory, Silkworm Farm, Silkworm Farm, The Discovery of America, plate 1 from the ve Vanity, Modesty and Death. Yukarıdaki sıralamadaki her tuval, yapıldığı yıl ve sergilendiği müze bilgisiyle birlikte sunulmaktadır.
Stradanus tarafından yapılan 22 eser, 1561 ile 1596 tarihleri arasında katalogumuzda yer almaktadır.
Çoğunlukla Palazzo Vecchio (Floransa), Royal Collection (Londra) ve Santissima Annunziata (Floransa) bünyesinde yer alan; yukarıdaki liste her bir müzeyi ve o müzedeki tabloları belirtmektedir.
Bu sayfadaki 20 eserin 5 tanesi 1560s dönemine aittir ve bunlar arasında Crucifixion bulunmaktadır.
Buradaki en eski tuval Esther Receiving the Crown from Ahasuerus (1561); en yenisi ise Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596).
People (9), Figures (4) ve Buildings (3), bu sayfadaki 20 eser genelinde.
Bu sayfadaki 20 eserin 5 tanesinde Engraving kullanılmıştır.
bu sayfadaki tabloların da gösterdiği gibi Mannerism.
Palazzo Vecchio, Floransa, bu sayfadaki eserlerden 4 tanesine ev sahipliği yapmaktadır; bunlar arasında An Alchemist's Laboratory, The enlargement of the city of Florence ve Esther Receiving the Crown from Ahasuerus bulunmaktadır.
Evet. Bu sayfadaki her tablo, kendi sayfasından seçtiğiniz boyutta, elle boyanmış bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.
