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      Jerusalem

      Розміри
      121.0 x 200.0 cm
      ₴ 12077

      Олійная репродукція ручної роботи

      Написана вручну олією на полотні у вашому розмірі та рамі, виготовлена на замовлення нашими художниками. ( Перейти до друку Перейти до цифрових зображень)

      Розмір

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      Стандартний розмір
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      ширина
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      Введіть необхідну ширину та висоту, щоб картина підійшла до вашої рами або стіни. Оскільки це ручний розпис, для зміни пропорцій художник може дописати трохи більше по краях або дещо обрізати композицію — вибір за вами. Перед початком роботи ми надішлемо вам цифровий макет для затвердження. Зображення, показане на цій сторінці, не є реальним результатом — лише макет відображає майбутній вигляд.

      Завершити

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      Corner sample of the WhiteWrap canvas edge finish, stretched on масив дерева bars
      Білий край ₴1
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      Corner sample of the ExtendedWrap canvas edge finish, stretched on масив дерева bars
      З розширенням ₴1
      Corner sample of the P118B picture frame: формований полістирол, 5 cm wide and 3 cm thick
      P118B ₴10
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      Corner sample of the P508JH picture frame: формований полістирол, 7 cm wide and 3.5 cm thick
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      P968JZ ₴12
      Corner sample of the W106C picture frame: масив дерева, 5 cm wide and 3 cm thick
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      Corner sample of the W316PJ picture frame: масив дерева, 6 cm wide and 3 cm thick
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      Corner sample of the H36-GOLD picture frame: різьблене дерево з левкасом, 15 cm wide and 6.5 cm thick
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      Corner sample of the H36-SILVER picture frame: різьблене дерево з левкасом, 15 cm wide and 6.5 cm thick
      H36-SILVER ₴45

      Доставляється в захисному тубусі, готовий для оформлення у вашій багетній майстерні.

      Для виробів розміром понад 105 см рама постачається у вигляді комплекту для професійного багетника — прочитайте деталі.

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      Доставка по всьому світу () за 3–4 тижні замість стандартних 5 тижнів. (8 Листопад). Без жодних компромісів у якості.

      Захисний лак

      Етикетка експоната

      Деталі гравірування на бронзовій табличці

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Деталі прозорої акрилової таблички

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Деталі чорної акрилової таблички

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Загальна вартість ₴ 12077

      Скляний варіант доступний лише для розмірів до 110 см

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      • Пропозиція на оптові замовлення

      Опис експоната

      Edward Lear's "Jerusalem" captures the beauty of the Holy Land with vibrant colors and evocative detail. A stunning watercolor from 1865, perfect for art lovers.

      Біографія митця

      Відкрийте для себе Едварда Лера (1812-1888), вікторіанського художника та поета, відомого своїми кумедними лімериками ("Сова і котик"), яскравими пейзажами та чарівливими ілюстраціями птахів. Майстер несеннитності та тонкого спостереження!

      Про картину

      Edward Lear’s “Jerusalem”: A Vision of Pilgrimage and Isolation

      Edward Lear's "Jerusalem," painted in 1865, isn't merely a landscape; it’s a carefully constructed meditation on pilgrimage, the weight of history, and the quiet solitude of an artist observing a sacred city. This oil-on-canvas work, now available as a fine art print, transports the viewer to the slopes of the Mount of Olives, offering a breathtaking vista of Jerusalem bathed in the golden light of sunset. Lear, already renowned for his whimsical poetry and delightfully peculiar illustrations, was undergoing a period of intense introspection during this journey, a time he often described as “the Morbids,” marked by bouts of melancholy and a profound sense of isolation – feelings that subtly permeate the painting’s atmosphere.

      The composition is remarkably controlled, yet imbued with an almost dreamlike quality. The foreground is dominated by a modest olive grove, its gnarled trees rendered in meticulous detail, hinting at centuries of weathering and silent witness to countless prayers and processions. Beyond lies the city itself – the Dome of the Rock and the Al-Aqsa Mosque rising majestically against the deepening blue of the sky. Lear’s use of color is masterful; he employs a rich palette of ochres, browns, and golds to capture the warmth of the setting sun, casting long shadows that emphasize the depth and scale of the landscape. The brushstrokes are loose and expressive, suggesting movement and light rather than precise representation – a characteristic of his later work where observation was secondary to emotional response.

      The Artist’s Journey and the Shadow of Melancholy

      Lear's decision to paint "Jerusalem" during this period of personal struggle is significant. He had recently concluded a lengthy sojourn in Italy, documenting its landscapes and people with his characteristic blend of observation and imaginative embellishment. However, returning to Jerusalem brought him face-to-face with the weight of history – the layers of faith, conflict, and loss that have shaped this ancient city for millennia. As he himself noted, “every step bringing fresh beauty to the city uprising behind.” This sentiment reflects a desire to find solace and perspective amidst his own internal turmoil.

      The painting’s emotional core lies in its quiet contemplation of solitude. Lear wasn't seeking to depict a bustling scene of religious fervor; instead, he captured a moment of serene detachment – an artist observing the sacred from a distance, perhaps wrestling with his own place within the grand narrative of faith and history. The small figures scattered across the foreground—shepherds tending their flocks, pilgrims making their way towards the city—suggest the ongoing human drama unfolding beneath the vast expanse of the sky, yet Lear remains largely detached, an almost spectral presence absorbed in his artistic endeavor.

      Symbolism and Historical Context

      “Jerusalem” is deeply rooted in its historical context. The painting directly references the biblical narrative of Jesus’s ascension to heaven from the Mount of Olives, a pivotal event in Christian theology. The inclusion of landmarks like the Dome of the Rock – a site sacred to both Judaism and Islam – subtly acknowledges the complex religious landscape of the city. Lear's choice to depict the scene at sunset—a time often associated with reflection and transition—further reinforces this sense of contemplation and spiritual yearning.

      Beyond its religious significance, the painting also speaks to the broader theme of pilgrimage. The act of traveling to a sacred site, seeking solace or enlightenment, is a universal human experience. Lear’s depiction captures not just the physical journey but also the internal one—the process of confronting one's own doubts and searching for meaning in a world filled with both beauty and suffering. The painting can be interpreted as an allegory for the artist’s own personal quest for understanding, mirroring the spiritual journeys undertaken by countless pilgrims throughout history.

      A Timeless Vision: Reproduction and Artistic Legacy

      Today, “Jerusalem” remains a powerfully evocative work of art, offering a glimpse into the mind of one of Victorian England's most eccentric and insightful artists. The availability of high-quality reproductions allows viewers to experience Lear’s vision firsthand, bringing this serene landscape—and its underlying themes of pilgrimage and isolation—into their own homes or studios. Whether displayed as a statement piece in a contemporary setting or cherished as a historical artifact, “Jerusalem” continues to resonate with audiences who appreciate the beauty of observation, the power of symbolism, and the enduring allure of the sacred.

      Питання та відповіді

      Який розмір друку рекомендується для «Jerusalem»?

      Рекомендований розмір друку для «Jerusalem» роботи Едвард Лер — Medium.

      До якого етапу кар'єри Едвард Лер належить твір "Jerusalem" (1865)?

      Дата 1865 дозволяє віднести «Jerusalem» до Late Period творчого розвитку Едвард Лер.

      Які псевдоніми або інші імена має Едвард Лер?

      Едвард Лер також відомий/відома під іменами Edward Lear, Містер Лер.

      Короткі факти та вікторина про мистецтво

      Основна інформація

      • Location: Ashmolean Museum
      • Influences: Lear's travels
      • Artist: Edward Lear
      • Medium: Oil on canvas
      • Subject or theme: Holy Land landscape
      • Title: Jerusalem

      Квіз про мистецтво

      У кожному запитанні лише одна правильна відповідь.

      Запитання 1:
      What is the primary subject depicted in Edward Lear’s painting ‘Jerusalem’?
      Запитання 2:
      In what year was Edward Lear’s painting ‘Jerusalem’ created?
      Запитання 3:
      Edward Lear was known for his work in which of the following fields besides painting?
      Запитання 4:
      The painting ‘Jerusalem’ is considered part of which artistic movement?
      Запитання 5:
      What specific vantage point does Lear utilize in ‘Jerusalem’ to create the depicted landscape?
      Про Едвард Лер
      Едвард Лер

      Едвард Лер

      1812 - 1888, Великобританія

      Біографія митця

      A Life Painted in Nonsense and Light

      Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the creator of limericks and fantastical creatures. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a chaotic yet vibrant backdrop to his formative years – Lear’s early life was shaped by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This early necessity, however, ignited within him a lifelong passion that would propel him across continents, capturing the world in a kaleidoscope of vibrant hues and playful lines. The shadow of familial difficulty, coupled with recurring health challenges – including episodes of epilepsy and periods of melancholia he himself termed “the Morbids” – instilled within Lear a gentle sense of solitude and an inclination towards imaginative escape; qualities that profoundly resonated throughout his art and writing.

      From Ornithological Precision to Landscape’s Embrace

      Lear's artistic journey commenced with a remarkable degree of precision. Initially employed by the Zoological Society, he honed his skills meticulously illustrating birds and animals, demonstrating an extraordinary eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent in close proximity to lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep and abiding connection with the natural world – a bond that would become a cornerstone of his later landscape paintings. However, the demanding nature of ornithological illustration, coupled with increasingly debilitating eyesight and respiratory issues, eventually led him away from this exacting field. He turned instead to landscape painting, embarking on extensive and transformative travels throughout Europe and beyond. Italy became a particularly cherished haven, offering not only respite for his ailing health but also an abundance of inspiring vistas – the dramatic cliffs of Amalfi, the rolling hills of Tuscany, and the serene beauty of Lake Como all found their way onto his canvases. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity; he masterfully captured the subtle nuances of light and shadow, creating works that exuded both realism and an ethereal quality.

      The Poet of Nonsense: A World Unbound

      While celebrated primarily as a painter, it is perhaps for his literary contributions that Edward Lear remains most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. *The Owl and the Pussy-Cat*, arguably his most enduring poem, remains a beloved classic, its lyrical rhythm and evocative imagery continuing to enchant generations. Lear’s limericks often explored themes of loneliness, longing, and the inherent absurdity of existence – subjects cloaked within a veneer of whimsicality. He skillfully blended humor with poignant introspection, creating works that resonated deeply with readers on multiple levels.

      Influences and Artistic Development

      • Early Influences: Lear’s initial artistic training was rooted in scientific illustration, demanding meticulous observation and an unwavering commitment to accuracy. This foundation shaped his precise draftsmanship and his ability to render intricate details, even as he later embraced more expressive styles.
      • Travel & Landscape Painting: His extensive travels throughout Europe – Italy, Greece, Egypt, and beyond – profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.
      • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier traditions of nonsense verse. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
      • Personal Experiences: Lear’s lifelong struggles with health issues and periods of melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences – a vulnerability he skillfully channeled into his art.

      A Legacy of Innovation and Enduring Charm

      Edward Lear's influence extends far beyond the realm of children’s literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections such as The Ashmolean Museum in Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

      Короткі факти про Едвард Лер

      • Artistic Movement Or Style: Нісентяйство, Вікторіанство
      • Date Of Birth: 12 травня 1812
      • Date Of Death: 29 січня 1888
      • Full Name: Edward Lear
      • Nationality: Британський
      • Notable Artworks:
        • «Лисиця та назаліс»
        • «Сова та лисиця»
      • Place Of Birth: Лондон, Великобританія
      Досліджуйте твори мистецтва, впорядковані за темами, стилями та характеристиками.
      Едвард Лер Jerusalem () · Разом із рамою: · Написано олією на льоні вручну

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