Ательє — Безкоштовна доставка по всьому світу — Доставка: 2–6 тижнів
      Переглянути в інтер'єрі Перегляд в AR Замовити картину ручної роботи Перейти до цифрових зображень Надіслати як листівку
      Деталі витвору Посібник Додати до улюблених Завантажити Схожі екземпляри Рентгенівське дослідження Слайд-шоу Питання та відповіді Статистика

      Lunchtime

      Дональд Джонсон (1824-1906) – американський художник, відомий жанровими та портретними полотнами, що відтворюють життя Америки в епоху реалізму. Його твори – це вікно у минуле.

      Гікле / Художній принт

      Друк جيкле або на полотні музейної якості з оперативним виготовленням та різноманітними варіантами фінішної обробки. ( Замовити картину ручної роботи Перейти до цифрових зображень)

      Стандартний розмір
      індивідуальний розмір
      CM
      INCH

      Обирайте з наших стандартних розмірів, що відповідають оригінальним пропорціям твору мистецтва.

      ширина
      висота

      Введіть необхідну ширину та висоту, щоб принт ідеально підійшов до вашої рами або стіни. Принт можна лише обрізати, але не можна зробити більшим за оригінал, тому при зміні пропорцій частина зображення буде втрачена. Перед друком ми надсилаємо вам цифровий макет для затвердження. Зображення на цій сторінці не відображає реальну обрізку — її можна побачити лише на макеті.

      Доставка по всьому світу () за 2 тижні замість стандартних 4/5 тижнів. (8 Листопад)

      Безкоштовна експрес-доставка по всьому світу
      Високоякісне лляне полотно
      Повне страхове покриття доставки
      Гарантія повернення митних зборів
      Гарантія точного відтворення кольорів
      Політика повернення протягом 100 днів (лише у разі виявлення дефектів)
      Гарантія повернення 100% коштів
      Пропозиція на оптові замовлення

      Загальна вартість

      ₴ 3143

      Lunchtime

      Гікле / Художній принт

      Розмір репродукції

      -

      Підсумкова вартість

      ₴ 3143

      The painting Lunchtime by Jonathan Eastman Johnson is a beautiful depiction of two children sitting in a room with a chair between them. Created in 1865, this oil on panel piece is now housed at the Colby College Museum of Art (United States). The museum, located in Waterville, Maine, is a renowned institution that houses an impressive collection of artworks from various periods and movements.

      Artistic Elements

      In addition to the main subjects, there are several other elements in the painting that add depth and interest. A dining table can be seen in the background, with a bowl placed on it. There are also two books located near the children, one closer to the boy and the other nearer to the girl. The room is furnished with a couch situated behind the chair where the children are seated. A vase can be spotted in the background as well, adding an artistic touch to the scene. Key Features of the painting include:
      • The use of warm colors to create a cozy atmosphere
      • The attention to detail in the depiction of the children's clothing and accessories
      • The sense of tranquility and intimacy conveyed by the scene
      For more information on Jonathan Eastman Johnson and his works, visit /art/list/?Filter=8YDELY-Jonathan-Eastman-Johnson-Lunchtime. To learn more about the Colby College Museum of Art (United States), check out /art/list/?Filter=A@D3BSK7-Colby-College-Museum-of-Art-(United-States)-A-Comprehensive-Overview.
      The Lunchtime painting is a great example of Jonathan Eastman Johnson's ability to capture the essence of everyday life. His other works, such as Union Soldiers Accepting a Drink and In the Fields, also showcase his talent for depicting scenes from daily life. To explore more of his paintings, visit /art/list/?Filter=jonathan+eastman+johnson,jonathan,eastman,johnson&.

      Питання та відповіді

      Яка яскравість у «Lunchtime» роботи Jonathan Eastman Johnson?

      «Lunchtime» роботи Jonathan Eastman Johnson має рівень яскравості Темний. Яскравість описує, скільки світла відбивають кольори.

      Чи доступний попередній перегляд «Lunchtime» у доповненій реальності?

      Сторінка Перегляд в AR для твору «Lunchtime» роботи Jonathan Eastman Johnson використовує технологію доповненої реальності, щоб показати витвір у вашому власному просторі за допомогою сумісного пристрою.

      Який домінантний відтінок у «Lunchtime» роботи Jonathan Eastman Johnson?

      Переважаючий відтінок твору «Lunchtime» роботи Jonathan Eastman Johnson — Від бурштинового до шафранового. Цей колір є основою всієї палітри.


      Біографія митця

      Jonathan Eastman Johnson: The American Rembrandt

      Jonathan Eastman Johnson, a name that echoes with the quiet dignity of 19th-century America, was more than just a painter; he was a visual storyteller, meticulously documenting his era through a lens of honesty, nuance, and a subtle melancholy. Born in Lovell, Maine, in 1824, his artistic journey wasn’t one of immediate fanfare but rather a gradual unfolding shaped by familial connections, rigorous training, and an unwavering commitment to portraying the world as he truly saw it – with a profound respect for everyday life and its inherent beauty. His father, Philip Carrigan Johnson, held positions in business and fraternal organizations, instilling in young Eastman a deep sense of community engagement, a value that would profoundly influence his artistic subjects. Early experiences in Fryeburg and Augusta, Maine, provided the foundational bedrock upon which he built his understanding of American existence – an understanding he translated onto canvas with remarkable sensitivity and detail. His formal training began as an apprenticeship with a Boston lithographer in 1840, marking the initial step on a path defined by meticulous observation and technical mastery. This early experience honed his skills in capturing precise details and rendering textures, laying the groundwork for his later success.

      From European Masters to American Landscapes

      Johnson’s artistic development was a fascinating synthesis of influences. Initially drawn to portraiture, he quickly expanded his repertoire to encompass genre painting – scenes depicting the vibrant tapestry of everyday American life. This wasn't merely about creating representations; it was about capturing the *essence* of American society, offering glimpses into the lives of ordinary people often overlooked by grand historical narratives. A pivotal moment arrived during the 1850s when Johnson embarked on a transformative journey to The Hague and immersed himself in the works of 17th-century Dutch masters. This encounter proved profoundly influential. He absorbed their mastery of composition, lighting, and realism – particularly their ability to convey atmosphere and emotion through subtle brushstrokes – earning him the affectionate moniker “The American Rembrandt.” This influence is strikingly evident in his paintings: a subdued palette, dramatic chiaroscuro (the use of strong contrasts between light and dark), and an almost photographic attention to detail characterize his mature style. However, Johnson didn’t simply imitate; he synthesized these European techniques with his uniquely American sensibility, creating works that were both technically brilliant and deeply rooted in the social fabric of his time. He aligned himself with the burgeoning Realist movement, rejecting idealized representations in favor of accurate depictions of everyday life – a commitment that would define his artistic legacy and set him apart from many of his contemporaries.

      Witnessing an Era: Civil War and Beyond

      Johnson’s oeuvre is remarkably diverse, encompassing portraits of prominent figures like Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow alongside intimate scenes of domesticity and rural life. Yet, certain works stand out as particularly significant for their social commentary and artistic innovation. *Negro Life at the South* (1859), a painting that sparked intense debate and controversy, remains one of his most celebrated – and challenging – pieces. Depicting African Americans enjoying leisure time in a carefully constructed tableau, it offered a glimpse into a world rarely portrayed with such dignity and complexity. The ambiguity inherent in the scene—was it a romanticized portrayal or a subtle critique?—fueled discussions that resonated far beyond the art world, forcing viewers to confront uncomfortable truths about race relations and slavery. His response to the Civil War was equally poignant. Rather than focusing on battlefield heroics – a common theme in many war paintings of the era – Johnson turned his attention to the impact of conflict on civilian life, creating haunting images of anxious families, displaced communities, and scenes far removed from the front lines. *Ride For Liberty* (1862), depicting an enslaved family escaping to freedom, is a powerful testament to his commitment to social justice and his willingness to use art as a tool for advocacy. Furthermore, Johnson’s depictions of New England rural life – the rhythmic movements of maple sugar harvesting, the vibrant colors of cranberry picking – celebrated traditional American values and craftsmanship with a quiet reverence, capturing a sense of timelessness and connection to the land.

      A Legacy Etched in Stone: The Metropolitan Museum and Beyond

      Beyond his artistic achievements, Jonathan Eastman Johnson played a crucial role in shaping the American art landscape. His dedication to genre painting elevated it as a respected form of artistic expression, challenging prevailing notions of what constituted “high art.” He wasn’t merely an artist; he was a cultural advocate, deeply invested in promoting and preserving American artistic heritage. His commitment extended beyond his own practice, culminating in his co-founding of the Metropolitan Museum of Art in New York City – a testament to his belief in the power of art to educate, inspire, and foster a shared sense of national identity. His name is inscribed at its entrance, a permanent recognition of his significant contribution to the nation’s artistic heritage. Johnson's influence on American Realism is undeniable; his dedication to depicting everyday life with honesty and detail paved the way for future generations of artists who sought to capture the complexities of the human experience. He died in New York City in 1906, leaving behind a body of work that continues to captivate and inspire, ensuring his enduring recognition as a significant figure in American art history. His legacy lies not just in the beauty of his paintings but also in their ability to provoke thought, spark dialogue, and offer a poignant reflection on the human condition.

      Enduring Significance

      Johnson’s artistic journey is a remarkable story of synthesis – blending European techniques with uniquely American subject matter. His ability to imbue ordinary scenes with profound meaning, his willingness to engage with complex social issues, and his unwavering commitment to realism cemented his place as a pivotal figure in 19th-century American art. He wasn’t simply recording life; he was interpreting it, prompting viewers to reflect on their own values and beliefs. His work serves as a powerful reminder that true artistry lies not just in technical skill but also in the ability to connect with the human spirit and illuminate the world around us.
      Jonathan Eastman Johnson

      Jonathan Eastman Johnson

      1824 - 1906 , Великобританія

      Короткі факти

      • Artistic Movement Or Style: Реалізм, Жанр
      • Artists Or Movements Influenced By This Artist: ['Американський реалізм']
      • Artists Who Influenced This Artist:
        • Голландські майстри
        • Джон Ф. Мілет
      • Date Of Birth: 29 лип 1824
      • Date Of Death: 5 квв 1906
      • Full Name: Jonathan Eastman Johnson
      • Nationality: Американський
      • Notable Artworks:
        • Негровий життя на півдні
        • Подорож за свободою
      • Place Of Birth: Ловелл, Великобританія