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      Emo Eve (Two faces)

      ₴ 12124

      Олійная репродукція ручної роботи

      Написана вручну олією на полотні у вашому розмірі та рамі, виготовлена на замовлення нашими художниками. ( Перейти до друку Перейти до цифрових зображень)

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      Завершити

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      Corner sample of the WhiteWrap canvas edge finish, stretched on масив дерева bars
      Білий край ₴1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on масив дерева bars
      Розмитий край ₴1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on масив дерева bars
      З розширенням ₴1
      Corner sample of the P118B picture frame: формований полістирол, 5 cm wide and 3 cm thick
      P118B ₴10
      Corner sample of the P118H picture frame: формований полістирол, 5 cm wide and 3 cm thick
      P118H ₴10
      Corner sample of the P118W picture frame: формований полістирол, 5 cm wide and 3 cm thick
      P118W ₴10
      Corner sample of the P438Z picture frame: формований полістирол, 5.5 cm wide and 3.5 cm thick
      P438Z ₴10
      Corner sample of the P508JH picture frame: формований полістирол, 7 cm wide and 3.5 cm thick
      P508JH ₴12
      Corner sample of the P508YH picture frame: формований полістирол, 7 cm wide and 3.5 cm thick
      P508YH ₴12
      Corner sample of the P805H picture frame: формований полістирол, 5 cm wide and 3.5 cm thick
      P805H ₴10
      Corner sample of the P805Z picture frame: формований полістирол, 5 cm wide and 3.5 cm thick
      P805Z ₴10
      Corner sample of the P919BZ picture frame: формований полістирол, 7 cm wide and 3.5 cm thick
      P919BZ ₴10
      Corner sample of the P919G picture frame: формований полістирол, 7 cm wide and 3.5 cm thick
      P919G ₴10
      Corner sample of the P919XJ picture frame: формований полістирол, 7 cm wide and 3.5 cm thick
      P919XJ ₴10
      Corner sample of the P959ZH picture frame: формований полістирол, 5 cm wide and 3 cm thick
      P959ZH ₴10
      Corner sample of the P968JZ picture frame: формований полістирол, 6 cm wide and 4 cm thick
      P968JZ ₴12
      Corner sample of the W106C picture frame: масив дерева, 5 cm wide and 3 cm thick
      W106C ₴8
      Corner sample of the W218G picture frame: масив дерева, 5 cm wide and 3 cm thick
      W218G ₴10
      Corner sample of the W218JH picture frame: масив дерева, 5 cm wide and 3 cm thick
      W218JH ₴8
      Corner sample of the W218Y picture frame: масив дерева, 5 cm wide and 3 cm thick
      W218Y ₴10
      Corner sample of the W307PJ picture frame: масив дерева, 6 cm wide and 3 cm thick
      W307PJ ₴10
      Corner sample of the W316G picture frame: масив дерева, 6 cm wide and 3 cm thick
      W316G ₴10
      Corner sample of the W316PJ picture frame: масив дерева, 6 cm wide and 3 cm thick
      W316PJ ₴8
      Corner sample of the W316Y picture frame: масив дерева, 6 cm wide and 3 cm thick
      W316Y ₴10
      Corner sample of the W398PJ picture frame: масив дерева, 5 cm wide and 3 cm thick
      W398PJ ₴8
      Corner sample of the W4111J picture frame: масив дерева, 6.5 cm wide and 3.5 cm thick
      W4111J ₴10
      Corner sample of the W500HY picture frame: масив дерева, 7 cm wide and 5 cm thick
      W500HY ₴15
      Corner sample of the W500JH picture frame: масив дерева, 7 cm wide and 5 cm thick
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      Corner sample of the W692G picture frame: масив дерева, 8 cm wide and 4 cm thick
      W692G ₴12
      Corner sample of the W849H picture frame: масив дерева, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: масив дерева, 7.5 cm wide and 4.5 cm thick
      W940BG ₴15
      Corner sample of the W953PJ picture frame: масив дерева, 6 cm wide and 3.5 cm thick
      W953PJ ₴8
      Corner sample of the H24-GOLD picture frame: різьблене дерево з левкасом, 10 cm wide and 6 cm thick
      H24-GOLD ₴30
      Corner sample of the H24-SILVER picture frame: різьблене дерево з левкасом, 10 cm wide and 6 cm thick
      H24-SILVER ₴30
      Corner sample of the H36-GOLD picture frame: різьблене дерево з левкасом, 15 cm wide and 6.5 cm thick
      H36-GOLD ₴45
      Corner sample of the H36-SILVER picture frame: різьблене дерево з левкасом, 15 cm wide and 6.5 cm thick
      H36-SILVER ₴45

      Доставляється в захисному тубусі, готовий для оформлення у вашій багетній майстерні.

      Для виробів розміром понад 105 см рама постачається у вигляді комплекту для професійного багетника — прочитайте деталі.

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      Після оформлення замовлення команда TopImpressionists.com надішле клієнту електронний лист із запитом інструкцій та надасть попередній макет для перегляду

      Доставка по всьому світу () за 3–4 тижні замість стандартних 5 тижнів. (3 Листопад). Без жодних компромісів у якості.

      Захисний лак

      Етикетка експоната

      Деталі гравірування на бронзовій табличці

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Деталі прозорої акрилової таблички

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Деталі чорної акрилової таблички

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Загальна вартість ₴ 12124

      Скляний варіант доступний лише для розмірів до 110 см

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      • Пропозиція на оптові замовлення

      Опис експоната

      Vibrant mixed-media portrait featuring blue hair and scattered papers by Winfred Nana Amoah (2020); discover this contemporary Ghanaian exploration of identity.

      Біографія митця

      Winfred Nana Amoah is a Ghanaian artist (b. 1996) creating mixed-media art from recycled materials. His work explores identity, community & contemporary Ghana through textiles, plastics & found objects.

      Про картину

      The Language of the Face: An Encounter with Winfred Nana Amoah's Vision

      To stand before an artwork by Winfred Nana Amoah is to engage in a profound act of co-creation. His series, exemplified here by pieces like Emo Eve (Two faces), does not merely present images; it presents dialogues. The face, as the universal canvas for human expression, becomes the central preoccupation. Amoah invites us into an intimate space where smiles are questioned and stern gazes demand interpretation. He suggests that seeing a face is inherently an act of assumption—we see happiness, we assume joy—and in this very act of assumption lies the fertile ground for artistic inquiry. His work compels the viewer to become an ‘accomplice’ in deciphering the unspoken narratives etched into human features.

      Material Alchemy: Transforming Refuse into Resonance

      What elevates Amoah's practice from mere portraiture to vital commentary is his radical commitment to material transformation. He rejects the pristine confines of traditional art supplies, instead championing a powerful dialogue with waste. From discarded plastics and textiles remnants to old credit cards and newspapers, he gathers objects often relegated to refuse piles in contemporary Ghanaian life. This process is not simply recycling; it is an act of alchemy. By meticulously weaving these found materials into his mixed-media compositions, Amoah imbues the mundane with profound significance. The resulting texture—a collage of history, consumerism, and personal narrative—gives the work a palpable depth that speaks directly to the complexities of modern existence.

      A Portrait in Contemporary Ghanaian Identity

      Rooted deeply in his origins in Hohoe, Ghana, Amoah’s art is inseparable from the pulse of contemporary Ghanaian life. His exploration of identity and community belonging takes on an urgent resonance when viewed through this lens. The faces depicted are not just individuals; they are embodiments of a culture navigating rapid modernization while fiercely holding onto its heritage. When we observe the vibrant depiction—such as the striking image featuring blue hair against a backdrop of scattered papers—we see more than just aesthetic flair. We witness a dialogue between deep-seated tradition and the dazzling, sometimes chaotic, influx of global influences.

      Emotional Echoes for the Modern Collector

      For the collector or designer seeking art that transcends mere decoration, Amoah’s work offers intellectual depth alongside visual splendor. The emotional impact is immediate yet layered; it feels both intensely personal and universally relatable. Reproducing this piece allows one to bring into a space not just a painting, but a conversation starter—a meditation on what we choose to discard and what stories we choose to amplify. It possesses an undeniable energy, making any room feel charged with thoughtful contemplation and vibrant, resilient life.

      Питання та відповіді

      До якої історичної епохи належить «Emo Eve (Two faces)» роботи Winfred Nana Amoah?

      «Emo Eve (Two faces)» належить до епохи Contemporary.

      Кому варто подарувати "Emo Eve (Two faces)" і для яких цілей цей виріб підійде найкраще?

      «Emo Eve (Two faces)» роботи Winfred Nana Amoah рекомендується як ідеальний подарунок для Birthday, зокрема для Statement. Репродукція цього витвору мистецтва стане чудовим презентом.

      Чи залишився твір «Emo Eve (Two faces)» у батьківщині свого автора?

      Так — твір зберігається в країні походження митця. Winfred Nana Amoah народився/народилася в Ghana, а оригінал твору «Emo Eve (Two faces)» зберігається в музеї в Ghana.

      Короткі факти та вікторина про мистецтво

      Основна інформація

      • Artistic style: Contemporary Ghanaian art
      • Title: Emo Eve (Two faces)
      • Artist: Winfred Nana Amoah
      • Subject or theme: Personal identities and community belonging

      Квіз про мистецтво

      У кожному запитанні лише одна правильна відповідь.

      Запитання 1:
      What is the primary medium used by Winfred Nana Amoah in his artwork?
      Запитання 2:
      The series 'Emo Eve (Two faces)' primarily depicts what subject matter?
      Запитання 3:
      According to the photo description, what distinctive feature is noted about the woman in the painting?
      Запитання 4:
      What concept does the artist explore through the faces depicted in his work?
      Запитання 5:
      What is the geographical origin of the artist, Winfred Nana Amoah?
      Про Winfred Nana Amoah
      Winfred Nana Amoah

      Winfred Nana Amoah

      1996 - , Ghana

      Біографія митця

      Winfred Nana Amoah: Transforming Waste into Vision

      Winfred Nana Amoah’s artistic journey began in Hohoe, Ghana, a region steeped in tradition and increasingly shaped by the complexities of modern life. Born in 1996, he possesses an innate understanding of both heritage and contemporary concerns—a duality that profoundly informs his distinctive approach to artmaking. Rather than relying on conventional mediums like paintbrushes and canvases, Amoah champions a radical reimagining of artistic expression through repurposed materials. He meticulously gathers discarded plastics, textiles remnants, old credit cards, research articles, and newspapers – objects often overlooked as refuse – transforming them into sculptural forms that resonate with layered meanings.
      • Early Influences: Amoah’s formative years were marked by exposure to the vibrant cultural landscape of Ghana, fostering a deep appreciation for storytelling and visual representation within indigenous traditions.
      • Material Exploration: His fascination with recycled materials stems from a desire to confront issues of sustainability and resource consumption while simultaneously honoring the beauty inherent in discarded objects. He sees potential where others perceive waste.
      • Technique & Process: Amoah’s technique is characterized by painstaking assemblage and manipulation, combining sculptural carving with textile weaving and collage methods. This deliberate process underscores his commitment to transforming ordinary items into extraordinary artworks.
      His artistic output centers around exploring themes of identity and belonging—particularly within the context of contemporary Ghana. Pieces like “Emo Eve (Two faces)” and “Dumevi (A native of the town)” exemplify this preoccupation, presenting fragmented figures constructed from plastic and textile fragments that simultaneously convey vulnerability and resilience. These artworks aren’t merely decorative; they are statements about cultural heritage and personal experience interwoven into a broader critique of societal narratives. Amoah's work speaks to the challenges faced by individuals navigating shifting social landscapes while retaining connection to their roots.

      Notable Achievements & Recognition

      Though relatively young, Amoah’s artistic endeavors have garnered considerable attention within Ghana’s burgeoning art scene. Exhibitions showcasing his sculptures and textile installations have been praised for their conceptual depth and skillful execution. Furthermore, collaborations with local organizations promoting environmental awareness demonstrate Amoah's commitment to using his art as a vehicle for social commentary.

      Symbolism & Conceptual Depth

      Amoah’s artistic vision transcends mere aesthetic appeal; it operates on multiple levels of symbolic significance. The selection of recycled materials isn’t arbitrary but deliberate—a conscious act of reclaiming discarded objects and repurposing them to communicate powerful ideas about consumption, memory, and transformation. Each piece embodies a narrative that invites contemplation regarding our relationship with the environment and the stories embedded within everyday life.

      Historical Significance & Future Directions

      Winfred Nana Amoah’s contribution to Ghanaian art is significant in its refusal of established conventions and its embrace of innovative approaches rooted in ecological consciousness. He represents a new generation of artists actively engaging with pressing social issues while simultaneously honoring artistic traditions. As he continues to develop his practice, Amoah promises to further enrich the dialogue surrounding identity, sustainability, and visual storytelling—solidifying his place as a compelling voice within the evolving landscape of contemporary African art.

      Короткі факти про Winfred Nana Amoah

      • Full Name: Winfred Nana Amoah
      • Nationality: Ghanaian
      • Date Of Birth: 1996
      • Place Of Birth: Hohoe, Ghana
      • Notable Artworks:
        • Emo Eve (Two faces)
        • Dumevi (A native of the town)
      • Artistic Movement Or Style: Mixed media
      Winfred Nana Amoah Emo Eve (Two faces) () · Разом із рамою: · Написано олією на льоні вручну

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