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      Rohini II

      A serene countryside scene featuring thatched houses nestled in a lush hillside landscape by Abanindranath Tagore, capturing the peaceful essence of Indian tradition for your private collection.

      探索现代印度艺术先驱、孟加拉画派创始人阿巴宁德拉·塔戈尔(1871-1951)!欣赏他融合了莫卧儿、拉杰普特及东方主义风格的绘画作品,感受其体现民族精神(Swadeshi)与抒情之美的艺术魅力。

      手工油画复制品

      由我们的艺术家按需定制,为您提供您所选尺寸及画框的布面手工油画。 ( 切换至版画销售渠道 切换至数字图像销售渠道)

      Corner sample of the P118B picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
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      Corner sample of the P438Z picture frame: 模压聚苯乙烯, 5.5 cm wide and 3.5 cm thick
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      Corner sample of the P508JH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919BZ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P919BZ ¥10
      Corner sample of the P919G picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919XJ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P919XJ ¥10
      Corner sample of the P959ZH picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
      P959ZH ¥10
      Corner sample of the P968JZ picture frame: 模压聚苯乙烯, 6 cm wide and 4 cm thick
      P968JZ ¥12
      Corner sample of the W106C picture frame: 实木, 5 cm wide and 3 cm thick
      W106C ¥8
      Corner sample of the W218G picture frame: 实木, 5 cm wide and 3 cm thick
      W218G ¥10
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      W218JH ¥8
      Corner sample of the W218Y picture frame: 实木, 5 cm wide and 3 cm thick
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      W692G ¥12
      Corner sample of the W849H picture frame: 实木, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: 实木, 7.5 cm wide and 4.5 cm thick
      W940BG ¥15
      Corner sample of the W953PJ picture frame: 实木, 6 cm wide and 3.5 cm thick
      W953PJ ¥8

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      请输入您需要的宽度和高度,以适配您的画框或墙面。由于作品为手工绘制,若您选择不同的尺寸比例,艺术家可能会在画面边缘多画一些或稍作裁剪 —— 由您决定。在开始绘画之前,我们会为您发送一份数字效果图供您确认。本页面上展示的图片并非最终实物 —— 只有效果图才能反映真实结果。

      可定制示例:将面部替换为客户照片;添加宠物(例如,将猫替换为狗);在背景中加入隐藏信息;更改背景风景或元素。
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      总计金额

      ¥ 1810

      Rohini II

      复制品材质

      复刻品尺寸说明

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      总计金额

      ¥ 1810

      基本信息

      • Subject or theme: Peaceful countryside landscape
      • Artistic style: Indian tradition with Swadeshi values
      • Title: Rohini II
      • Artist: Abanindranath Tagore

      A Serene Vision of Rural India

      In the delicate strokes of Abanindranath Tagore’s Rohini II, we are transported to a world of profound stillness and pastoral grace. This intimate painting captures a quiet corner of the Indian countryside, where a thatched-roof house rests nestled against a verdant hillside. The composition breathes with the rhythm of nature; trees drape around the dwellings like silent guardians, their forms blending softly into the landscape. Through the artist's eyes, we do not merely see a collection of structures, but rather a sanctuary of peace. The presence of smaller cottages scattered across the scene suggests a communal harmony, a way of life deeply rooted in the earth and the seasonal cycles of the land.

      The atmosphere of the piece is one of overwhelming serenity, making it an ideal centerpiece for those looking to introduce a sense of calm into a modern living space. For the interior designer, Rohini II offers more than just a visual subject; it provides an emotional anchor. The soft, muted palette and the gentle interplay of light and shadow evoke a nostalgic longing for a simpler era, making it a sophisticated choice for collections that value understated elegance and soulful storytelling.

      The Mastery of the Bengal School

      To understand Rohini II is to understand the heart of the Bengal School of Art. Abanindranath Tagore, a titan of Indian modernism, sought to move away from the rigid academic realism of Western traditions, turning instead toward the lyrical beauty of indigenous aesthetics. In this work, one can sense the influence of Mughal and Rajput miniature traditions, blended with a delicate, almost ethereal sensitivity. His technique avoids heavy, aggressive textures, opting instead for a fluid grace that mirrors the calligraphic elegance he later adopted from Japanese and Chinese masters.

      The artist’s ability to manipulate light creates a dreamlike quality, where the boundaries between the man-made dwellings and the natural world seem to dissolve. This stylistic choice serves a greater purpose: it reflects the Swadeshi values of his era—a movement dedicated to reclaiming Indian identity through art. By focusing on the humble beauty of the rural landscape, Tagore elevates the everyday into the realm of the sublime, inviting the viewer to find divinity in the quietude of the hills and the simplicity of a thatched roof.

      An Invitation to Timelessness

      For the discerning collector, acquiring a reproduction of Rohini II is an opportunity to possess a fragment of art history. This painting is not merely a depiction of a place, but a meditation on existence itself. The way the trees frame the houses creates a sense of enclosure and safety, a visual metaphor for the protection offered by tradition and nature. It is a piece that rewards long, contemplative gazes, revealing new layers of texture and mood each time it is viewed.

      Whether placed in a sunlit study or a quiet bedroom, this artwork brings with it an aura of historical depth and spiritual tranquility. It stands as a testament to Abanindranath Tagore’s legacy—a bridge between the ancient traditions of India and the dawn of modern artistic expression. To hang this work is to invite the timeless, peaceful spirit of the Indian countryside into one's own home, creating a lasting dialogue between the past and the present.

      问答详情

      阿班因德拉·塔戈尔 的《Rohini II》 的色彩饱和度与强度如何?

      阿班因德拉·塔戈尔 的《Rohini II》 的色彩饱和度为 Subtle Color,色彩强度为 Balanced。

      "Rohini II" 与 阿班因德拉·塔戈尔 的其他作品有何共通之处?

      "Rohini II" 与 阿班因德拉·塔戈尔 的其他作品一样,都体现了 Bengal School 风格以及其一贯的主题:mughal and rajput styles, japanese calligraphic traditions, swadeshi values, indian tradition promotion, modernizing indian art。

      馆藏于 维多利亚纪念堂 的 阿班因德拉·塔戈尔 的《Rohini II》 是否可以进行合法复制?

      馆藏于 维多利亚纪念堂 的 阿班因德拉·塔戈尔 的《Rohini II》 属于 属于公有领域 —— 其版权已过期。这一状态决定了该图像是否可以进行复制。


      艺术家简介

      早年生活与背景

      • 出生:1861年5月7日,英属印度加尔各答,乔兰桑科
      • 逝世:1951年12月5日
      • 家族:显赫的泰戈尔家族成员;是罗宾德拉纳特·泰戈尔的侄子。其祖父为吉林德拉纳特·泰戈尔,父亲为古内德拉纳特·泰戈尔。
      • 教育:1880年代就读于加尔各答梵文学院,随后进入加尔各答艺术学院深造。

      艺术发展与影响

      • 早期训练:在加尔各答艺术学院师从 O. Ghilardi 学习粉彩画,并向 Charles Palmer 学习油画技法。
      • 莫卧儿与拉杰普特风格:致力于推动这些风格的现代化,并拒绝盲从西方的艺术模式。
      • 本土主义(Swadeshi)价值观:将本土主义精神融入艺术创作,弘扬印度传统文化。
      • 惠斯勒的美学主义:深受惠斯勒美学原则的影响。
      • 日本艺术的影响:在与艺术家 Tikan 和 Hesida 结识后,后期在其风格中融入了中国与日本的书法传统。

      主要作品与艺术贡献

      • 《罗希尼 II》(Rohini II):展现其卓越艺术造诣的代表作之一。
      • 《沙贾汉之逝》(Passing of Shajahan):另一幅体现其独特风格的重要绘画作品。
      • 《瓶中时令花卉》(Season Flower in a Vase):展示了他在技法与题材掌控上的大师风范。
      • 《天方夜谭》系列 (1930):
        被视为其最伟大的成就之一,通过《天方夜谭》的故事来探索殖民时期的加尔各答。
      • 《印度母亲》(Bharat Mata):
        一幅象征着“印度母亲”的具有深远意义的绘画。
      • 孟加拉画派创始人:
        在塑造现代印度绘画及推动民族主义艺术方面发挥了关键作用。
      • 印度东方艺术协会 (1907):
        创立该协会旨在推广传统的印度艺术形式。

      传承与历史意义

        现代印度绘画的先驱:
        被公认为印度现代艺术发展史上的核心人物。
      • 对后世艺术家的影响:
        曾指导过包括 Nandalal Bose、Asit Halder、Kshitindranath Majumdar 和 Jamini Roy 在内的多位著名艺术家。
      • 传统艺术形式的复兴:
        积极倡导回归传统的印度技法与风格。
      • 对孟加拉儿童文学的影响:
        创作了极具影响力的儿童读物,如 Rajkahini、Budo Angla、Nalak 和 Khirer Putul。
      • 国家艺术瑰宝:
        其作品被视为印度国家的艺术珍宝。
      阿班因德拉·塔戈尔

      阿班因德拉·塔戈尔

      1871 - 1951 , 印度

      快速概览

      • Artistic Movement Or Style: 孟加拉画派
      • Artists Or Movements Influenced By This Artist:
        • 南达拉尔·博斯
        • 克希廷德拉纳特·马朱姆达尔
        • 贾米尼·罗伊
      • Artists Who Influenced This Artist:
        • 惠斯勒
        • 莫卧儿艺术家
        • 拉杰普特艺术家
      • Date Of Birth: 1871年5月7日
      • Date Of Death: 1951年12月5日
      • Full Name: 阿班尼德拉纳特·塔戈尔
      • Nationality: 印度
      • Notable Artworks:
        • 罗希尼 II
        • 沙贾汉之死
        • 花瓶中的时令花卉
      • Place Of Birth: 印度,乔拉桑科
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