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      Self-Portrait

      尺寸
      164.0 x 122.0 cm
      ¥ 1806

      手工油画复制品

      由我们的艺术家按需定制,为您提供您所选尺寸及画框的布面手工油画。 ( 切换至版画销售渠道 切换至数字图像销售渠道)

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      Corner sample of the WhiteWrap canvas edge finish, stretched on 实木 bars
      白色边缘 ¥1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on 实木 bars
      边缘晕染效果 ¥1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on 实木 bars
      延展式 ¥1
      Corner sample of the P118B picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
      P118B ¥10
      Corner sample of the P118H picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
      P118H ¥10
      Corner sample of the P118W picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
      P118W ¥10
      Corner sample of the P438Z picture frame: 模压聚苯乙烯, 5.5 cm wide and 3.5 cm thick
      P438Z ¥10
      Corner sample of the P508JH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P508JH ¥12
      Corner sample of the P508YH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P508YH ¥12
      Corner sample of the P805H picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
      P805H ¥10
      Corner sample of the P805Z picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
      P805Z ¥10
      Corner sample of the P919BZ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P919BZ ¥10
      Corner sample of the P919G picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P919G ¥10
      Corner sample of the P919XJ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P919XJ ¥10
      Corner sample of the P959ZH picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
      P959ZH ¥10
      Corner sample of the P968JZ picture frame: 模压聚苯乙烯, 6 cm wide and 4 cm thick
      P968JZ ¥12
      Corner sample of the W106C picture frame: 实木, 5 cm wide and 3 cm thick
      W106C ¥8
      Corner sample of the W218G picture frame: 实木, 5 cm wide and 3 cm thick
      W218G ¥10
      Corner sample of the W218JH picture frame: 实木, 5 cm wide and 3 cm thick
      W218JH ¥8
      Corner sample of the W218Y picture frame: 实木, 5 cm wide and 3 cm thick
      W218Y ¥10
      Corner sample of the W307PJ picture frame: 实木, 6 cm wide and 3 cm thick
      W307PJ ¥10
      Corner sample of the W316G picture frame: 实木, 6 cm wide and 3 cm thick
      W316G ¥10
      Corner sample of the W316PJ picture frame: 实木, 6 cm wide and 3 cm thick
      W316PJ ¥8
      Corner sample of the W316Y picture frame: 实木, 6 cm wide and 3 cm thick
      W316Y ¥10
      Corner sample of the W398PJ picture frame: 实木, 5 cm wide and 3 cm thick
      W398PJ ¥8
      Corner sample of the W4111J picture frame: 实木, 6.5 cm wide and 3.5 cm thick
      W4111J ¥10
      Corner sample of the W500HY picture frame: 实木, 7 cm wide and 5 cm thick
      W500HY ¥15
      Corner sample of the W500JH picture frame: 实木, 7 cm wide and 5 cm thick
      W500JH ¥15
      Corner sample of the W692G picture frame: 实木, 8 cm wide and 4 cm thick
      W692G ¥12
      Corner sample of the W849H picture frame: 实木, 5 cm wide and 3 cm thick
      W849H ¥8
      Corner sample of the W940BG picture frame: 实木, 7.5 cm wide and 4.5 cm thick
      W940BG ¥15
      Corner sample of the W953PJ picture frame: 实木, 6 cm wide and 3.5 cm thick
      W953PJ ¥8
      Corner sample of the H24-GOLD picture frame: 木雕贴金石膏底, 10 cm wide and 6 cm thick
      H24-GOLD ¥30
      Corner sample of the H24-SILVER picture frame: 木雕贴金石膏底, 10 cm wide and 6 cm thick
      H24-SILVER ¥30
      Corner sample of the H36-GOLD picture frame: 木雕贴金石膏底, 15 cm wide and 6.5 cm thick
      H36-GOLD ¥45
      Corner sample of the H36-SILVER picture frame: 木雕贴金石膏底, 15 cm wide and 6.5 cm thick
      H36-SILVER ¥45

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      展品铭牌

      青铜铭牌雕刻详情

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      透明亚克力铭牌详情

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      黑色亚克力铭牌详情

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      总计金额 ¥ 1806

      玻璃选项仅适用于110厘米以下的尺寸。

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      藏品详情

      Experience David Bailly's 'Self-Portrait' (1625), a captivating Baroque masterpiece showcasing the artist’s realism and introspective nature. Explore its vanitas symbolism & rich details of 17th-century Dutch art.

      艺术家简介

      David Bailly (1584-1657): Dutch Golden Age painter of realistic portraits, still lifes & poignant vanitas works exploring life's transience. Explore his art!

      关于作品

      A Gaze Through Time: The Introspective Mastery of David Bailly

      In the quiet, shadowed depths of the Dutch Golden Age, few works capture the profound weight of human existence as poignantly as David Bailly’s Self-Portrait. Painted in 1625, this masterpiece serves as more than a mere likeness; it is a window into the soul of a man navigating the complexities of his own mortality and legacy. As the viewer approaches this canvas, they are met with an arresting, direct gaze that seems to bridge the centuries, pulling us into a silent dialogue with the artist himself. The composition is masterfully balanced, centering a middle-aged Bailly against a dark, indeterminate void that pushes his features forward, demanding our undivided attention.

      The technique employed by Bailly is a testament to the rigorous training of the Leiden school. Through a sophisticated use of chiaroscuro, he orchestrates a dramatic interplay between light and shadow. A soft, directional light source from the upper left illuminates the contours of his face, highlighting the weathered texture of his skin and the thoughtful furrow of his brow. Every detail—from the crisp, white folds of his period collar to the meticulously rendered strands of his beard—is executed with a breathtaking realism that speaks to the artist's profound command over oil paint. This tactile quality does not merely replicate reality; it breathes life into the canvas, making the subject feel palpably present.

      Symbolism and the Vanitas Tradition

      Beyond its technical brilliance, the painting is steeped in the rich symbolic language of the 17th-century vanitas tradition. During this era, Dutch artists frequently used portraiture to meditate on the fleeting nature of life, the inevitability of death, and the vanity of earthly pursuits. In Bailly’s self-portrait, the somber palette of earth tones and the stark contrast of light against darkness evoke a sense of contemplative melancholy. The artist uses his own likeness as a vessel for these larger philosophical inquiries, inviting collectors and observers to reflect on the passage of time.

      For the discerning art lover or interior designer, this piece offers a profound emotional resonance that transcends simple decoration. It is an artwork of substance, providing a focal point of intellectual and aesthetic depth. Whether placed in a curated gallery setting or as a commanding centerpiece in a sophisticated study, the Self-Portrait brings with it an atmosphere of timeless wisdom and quiet dignity. To possess a reproduction of this work is to invite a piece of history into one's space—a piece that celebrates the enduring power of human introspection and the exquisite artistry of the Dutch masters.

      常见问题与解答

      建议将 "Self-Portrait" 的 Portrait 格式作品陈列在什么位置?

      David Bailly 的《Self-Portrait》 的 Portrait 格式推荐用于 Living Room。画幅与空间的结合,将为您提供复制品摆放的指引。

      David Bailly 的《Self-Portrait》 的色彩是如何与其情感表达相联系的?

      David Bailly 的《Self-Portrait》 的 Neutrals 色调与其 Reflective 的情感基调相得益彰。色彩是作品传达情感的表达方式之一。

      "Self-Portrait" 的材质是什么,采用了哪种风格?

      在“Self-Portrait”中,Oil技法与Baroque运动交相辉映。

      艺术速览与艺术小测验

      作品详情

      • Year: 1625
      • Notable elements or techniques: Chiaroscuro, realistic detail, vanitas
      • Subject or theme: Introspection and vanitas symbolism
      • Artist: David Bailly
      关于 David Bailly
      David Bailly

      David Bailly

      1584 - 1657, Netherlands

      艺术家简介

      David Bailly: A Life in Dutch Golden Age Art

      Early Life and Training (1584-1608)

      • Birth and Family: David Bailly was born in Leiden, Netherlands, in 1584. His father, Peter Bailly, was a Flemish immigrant who worked as a calligrapher and fencing master.
      • Early Artistic Education: He initially received drawing instruction from his father and the copper engraver Jacques de Gheyn. This foundational training instilled in him a strong draftsmanship.
      • Apprenticeships: Bailly further honed his skills through apprenticeships with Adriaan Verburg, a surgeon-painter in Leiden, and Cornelius van der Voort, a portrait painter in Amsterdam. These experiences exposed him to different artistic techniques and subject matter.

      The Grand Tour and Early Career (1608-1613)

      • Continental Travels: In the winter of 1608, Bailly embarked on a ‘Grand Tour,’ traveling through Frankfurt, Nuremberg, Augsburg, Hamburg, Tyrol, and Venice before reaching Rome. This journey was crucial for his artistic development.
      • Italian Influence: He spent five months in Venice working as a journeyman, absorbing the influences of Italian Renaissance and Venetian art. His return voyage included commissions from German princes, including the Duke of Brunswick.

      Artistic Development and Style (1613-1657)

      • Diverse Subject Matter: Upon returning to the Netherlands in 1613, Bailly began painting a variety of subjects, including still lifes and portraits. He became known for his self-portraits and depictions of students and professors at the University of Leiden.
      • Vanitas Paintings: A significant portion of his oeuvre consists of *vanitas* paintings – symbolic works that reflect on the transience of life, often featuring flowers, candles, and other ephemeral objects. These paintings demonstrate a philosophical depth alongside artistic skill.
      • Portraiture Style: His portrait style is characterized by realism and attention to detail, capturing the likenesses and personalities of his sitters with sensitivity.

      Major Achievements and Guild Membership

      • Guild Leadership: In 1648, Bailly was elected headman of the Leiden Guild of St. Luke, a testament to his standing within the artistic community.
      • Teaching Legacy: He served as a teacher and mentor to his nephews, Harmen and Pieter Steenwijck, passing on his knowledge and skills to the next generation.

      Influences and Historical Significance

      • Artistic Influences: Bailly was influenced by the Italian masters he encountered during his Grand Tour, as well as by Dutch predecessors in portraiture and still life painting.
      • Impact on Dutch Art: He contributed to the flourishing of art during the Dutch Golden Age, particularly through his insightful *vanitas* paintings that reflected the era’s preoccupation with mortality and spirituality.
      • Legacy: While not as widely recognized today as some of his contemporaries, David Bailly remains an important figure in the history of Dutch art, representing a blend of technical skill, intellectual depth, and artistic innovation.

      关于 David Bailly 的简介

      • Name: David Bailly
      • Movement: Dutch Golden Age painting
      • Birth Date: 1584
      • Death Date: 1657
      • Influenced:
        • Harmen Steenwijck
        • Pieter Steenwijck
      • Birth Place: Leiden, Netherlands
      • Nationality: Dutch
      • Date Of Birth: 1584
      • Date Of Death: 1657
      • Influenced By:
        • Adriaan Verburg
        • Cornelius van der Voort
        • Jacques de Gheyn
      • Notable Works:
        • Self-Portrait with Vanitas Symbols
        • Portrait of Anthony de Wale
      • Place Of Birth: Leiden, Netherlands
      David Bailly Self-Portrait () · 含框总尺寸: · 亚麻布油画手绘

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