布面丙烯
墙面艺术品
Impressionism
1867
73.0 x 91.0 cm
大都会艺术博物馆从与原作比例一致的预设尺寸中进行选择。
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The Funeral
复制品尺寸
Édouard Manet’s “The Funeral,” completed in 1867, stands as a poignant emblem of the burgeoning Impressionist movement and its rejection of academic conventions. More than just a depiction of a somber occasion—the funeral of writer Charles Baudelaire—it's an ambitious exploration of space, light, and emotion that cemented Manet’s position as one of the pioneers of modern art.
Beyond its immediate subject, “The Funeral” is rich in symbolic references. The elevated cityscape—featuring landmarks such as Notre Dame Cathedral, the Panthéon, and the Observatoire de Paris—represents intellectual and spiritual grandeur juxtaposed against the earthly reality of grief. Notably, Manet deliberately brought the domes of the Observatoire and Notre Dame closer together, a compositional decision that subtly elevates the visual importance of faith and contemplation.
"The Funeral" was conceived as a memorial to Baudelaire, whose death profoundly affected Manet’s artistic sensibilities. The painting reflects the anxieties and uncertainties of the era—the decline of aristocratic values, the rise of materialism, and the questioning of established norms.
A reproduction of “The Funeral” offers an exceptional opportunity to experience Manet's groundbreaking vision—a testament to his ability to transform a simple funeral procession into a profound meditation on life, death, and the passage of time.
1832 - 1883 , 法国
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