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      Tetanus

      尺寸
      114.0 x 176.0 cm

      A haunting watercolor of decaying aircraft nestled within a lush jungle scene by ex de medici captures the layers of colonial intervention in the Solomon Islands, inviting you to explore this evocative 2009 masterpiece.

      An Australian contemporary artist known for her provocative use of symbolism and tattooing techniques, eX de Medici explores themes of power and violence through intricate watercolours that invite a deeper look at society.

      本页面展示的作品受版权法保护,这意味着我们无法合法地制作或销售与其完全相同的复制品。此项保护依据包括以下国际协议等: 伯尔尼公约 以及各国法律,包括下文所述的法律: 美国版权法第17编。

      这种方法完全符合版权法规,因为它并不涉及对受保护艺术品的复制或翻录。相反,它是一种富有创意的重新诠释——是一件受原作启发、但与原作并不相同的全新绘画作品。

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      总计金额

      ¥ 470

      Tetanus

      艺术微喷/版画

      复刻品尺寸

      -

      最终结算价

      ¥ 470

      作品详情

      • Dimensions: 114 x 176 cm
      • Year: 2009
      • Title: Tetanus
      • Notable elements or techniques: Jungle scene with scattered airplanes
      In 2009 eX de Medici was sent to interpret Australian involvement in peacekeeping operations in the Solomon Islands. Central to the body of work de Medici produced was the theme of colonisation. She saw several distinct layers of intervention; from the era when the Solomon Islands was a British protectorate to when invading forces arrived during the Second World War, and from foreign investment in the islands’ natural resources to the arrival of RAMSI (Regional Assistance Mission to Solomon Islands).

      常见问题与解答

      Ex De Medici 的《Tetanus》 是否收藏于艺术家的原籍国?

      不,该作品目前存放于海外。Ex De Medici的出生国是Australia,而收藏有《Tetanus》原件的博物馆则位于澳大利亚。

      Contemporary Art 流派的作品 "Tetanus" 传达了怎样的情感?

      "Tetanus" 在 Contemporary Art 运动中蕴含着 Melancholic 的情感基调。

      馆藏于 澳大利亚战争纪念馆 的 Ex De Medici 的《Tetanus》 是否可以进行合法复制?

      馆藏于 澳大利亚战争纪念馆 的 Ex De Medici 的《Tetanus》 属于 仍受版权保护。这一状态决定了该图像是否可以进行复制。


      艺术家简介

      The Visceral Language of eX de Medici

      Born in the rural township of Coolamon, Australia, eX de Medici has cultivated a practice that serves as a profound mirror to the complexities of human existence. Growing up largely in Canberra, her artistic journey began with a focus on performance, installation, and photography at the Canberra School of Art. However, it was her immersion in the world of tattooing—a craft she pursued through an apprenticeship in Los Angeles—that would fundamentally reshape her visual vocabulary. This unique intersection of fine art and the permanent mark of the needle allowed her to develop a style where the delicate precision of line work meets the heavy, often unsettling themes of mortality and political upheaval.

      Her work is characterized by a striking duality, often juxtaposing the fragile beauty of the natural world with the brutal emblems of human conflict. In her expansive watercolours and drawings, one might find the intricate detail of Australian flora or the delicate wings of a moth resting upon the cold, hard surfaces of helmets, guns, and skulls. This layering of imagery creates a vanitas tradition for the modern age, where the ephemeral nature of life is constantly confronted by the enduring symbols of violence and power. Through this method, she explores the insidious ways in which systems of injustice and corruption permeate our daily lives.

      Symbolism and Social Critique

      The iconography within de Medici’s oeuvre is rarely mere decoration; it is a deliberate tool for social and political interrogation. Her motifs—ranging from the swastika to machine guns—are used to destabilize the viewer's sense of security, forcing an encounter with the realities of global disputes, capitalism, and patriarchal structures. She has often utilized her art to protest the endemic violence and political hypocrisy she perceives in the world, using the beauty of her medium to draw the eye toward uncomfortable truths.

      This commitment to documenting the human condition led her to significant roles, including serving as an official war artist for the Regional Assistance Mission to Solomon Islands. During her time there, she interpreted the layers of colonization and intervention, capturing the historical weight of the islands' pasts through her lens. Her ability to weave together personal observation with broader historical narratives has solidified her reputation as an artist of immense fortitude and intellectual depth.

      Legacy and Recognition

      Throughout her career, eX de Medici has been a vital force in the Australian arts community, contributing to the establishment of contemporary art spaces and participating in collaborative collectives. Her work has moved through various stages of medium, from early experiments with photocopy and performance to the sophisticated, large-scale watercolours that have become a mainstay of her practice for decades.

      The significance of her contribution is reflected in the prestigious institutions that house her work. Her pieces are held in several esteemed collections, including:

      • The National Gallery of Australia (NGA)
      • The Canberra Museum and Gallery
      • Various Australian state galleries
      • Private collections worldwide

      By bridging the gap between the ephemeral art of tattooing and the permanent archives of national galleries, eX de Medici continues to challenge the status quo, ensuring that the themes of power, conflict, and the fragility of life remain at the forefront of contemporary artistic discourse.

      Ex De Medici

      Ex De Medici

      1959 - , Australia

      艺术家简介

      • Artistic Movement Or Style: Installation, painting, photography, drawing
      • Full Name: eX de Medici
      • Nationality: Australian
      • Notable Artworks:
        • Tetanus
        • Eutelsat Has Turned You Off
        • Godscience V (Stars)
      • Place Of Birth: Coolamon, Australia
      • Date Of Birth: 1959