博物馆级艺术微喷或帆布版画,制作高效,并提供多种饰面选择。 ( 订购此收藏品的纯手工复刻画作
切换至数字图像销售渠道)
您可以从与原作比例一致的预设尺寸中进行选择。
请输入您所需的宽度和高度,以适配您的画框或墙面。由于印刷品只能进行裁剪,无法超出原图尺寸,因此若比例不一致,画面的一部分将会被裁切。在正式印刷之前,我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。
Evening Prayer
复刻品尺寸说明
Born in Berlin to a goldsmith from Zagreb, Franz Skarbina spent his early years absorbing the textures of his surroundings. His formal training began at the Prussian Academy of Arts between 1865 and 1869. After these studies, he took on a role as a tutor for the daughters of Count Friedrich von Perponcher-Sedlnitzky. This position allowed him to move through Dresden, Vienna, Venice, Munich, Nuremberg, and Merano. These travels brought him into contact with different landscapes and light.
In 1877, he used his savings for a year-long study trip through the Netherlands, Belgium, and France. It was during these months that the influence of impressionism began to settle into his work. He later returned to Paris in 1882 and again in 1885, spending significant time observing the streets and the atmosphere of the city. His hands learned the loose brushwork and the muted tones found in the coastal towns and urban centers he visited.
Skarbina’s career was deeply tied to the institutions of Berlin. He served as an assistant teacher at the Prussian Academy in 1878 and later taught anatomical drawing at the Kunstgewerbemuseum Berlin in 1881. By 1888, he had reached the position of professor at the Prussian Academy. His technical focus often rested on anatomy and proportion studies, skills he passed on to his students.
However, his time within the academy was marked by friction. In 1893, he resigned from his teaching post following disagreements with the Director, Anton von Werner. This tension arose from his involvement with the Group of Eleven, a collection of artists seeking to exhibit work that moved away from traditional academic influence. This path eventually led him to become a founding member of the Berlin Secession in 1898.
His paintings often captured the quiet rhythms of daily life. While he was a city dweller for much of his career, focusing on the streets of Berlin and Paris, he found particular inspiration in seaside resorts during the summer. He documented scenes such as the beach at Marina Piccola in Capri, using watercolor to catch the light on the water and the figures on the sand.
The variety in his output reflected a wide range of technical interests:
His work earned him recognition through various medals, including a bronze medal at the Exposition Universelle in 1900 and a gold medal for his painting Promenade in Karlsbad at the Internationalen Kunstaustellung in Berlin. He died in Berlin in 1910, leaving behind a body of work held in museums across Germany, from Dresden to Munich.
1849 - 1910