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Péchage

马奈·雷 (Mǎ Nài Léi)(1890 – 1976)

马奈(Man Ray,1890-1976)是达达主义和超现实主义摄影的先驱。他以其标志性的光线画(Rayographs)、时尚肖像以及实验电影而闻名,颠覆了传统艺术观念,对20世纪艺术产生了深远影响。

轻井泽濑宗现代美术馆 (轻井泽, 日本)

在日本轻井泽探索世宗现代美术馆的现代与当代艺术!在壮丽的自然美景与独特的建筑空间内,尽情欣赏曼·雷、野口勇等艺术家的800多件杰作。

Born Emmanuel Radnitzky in 1890 in Philadelphia, Man Ray was a leading artist of 20th century America. Man Ray awakened to the European avant-garde art at Armory Show in 1913 in New York. In 1915 he met Marcel Duchamp who came from Paris to the United States, and subsequently started the New York Dada movement around 1917. In 1921, Ray moved to Paris where he interacted with Surrealist artists and became active in various fields, including photography, filmmaking, and object creation. A number of humorous objects aiming to deviate from traditional art concepts were produced. Works of Surrealist artists including Man Ray have distinctive features such as collage, automatism, and pun. The bottom board of the box painted in blue, white, and green has three balls of cotton aligned in a horizontal orientation and three peach-shape objects to result in a landscape-like composition. The title Pechange was coined by combining “peche,” “peyasage,” and “nusage” meaning peach, landscape, and cloud respectively in French.

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