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统计数据Orange dot
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艺术微喷/版画
博物馆级艺术微喷或帆布版画，制作高效，并提供多种饰面选择。 (
订购纯手工绘制画作 切换至数字图像销售渠道)
P118B ¥10
P118H ¥10
P118W ¥10
P438Z ¥10
P508JH ¥12
P508YH ¥12
P805H ¥10
P805Z ¥10
P919BZ ¥10
P919G ¥10
P919XJ ¥10
P959ZH ¥10
P968JZ ¥12
W106C ¥8
W218G ¥10
W218JH ¥8
W218Y ¥10
W307PJ ¥10
W316G ¥10
W316PJ ¥8
W316Y ¥10
W398PJ ¥8
W4111J ¥10
W500HY ¥15
W500JH ¥15
W692G ¥12
W849H ¥8
W940BG ¥15
W953PJ ¥8
标准尺寸
定制
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INCH
您可以从与原作比例一致的预设尺寸中进行选择。
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宽度
高度
请输入您所需的宽度和高度，以适配您的画框或墙面。由于印刷品只能进行裁剪，无法超出原图尺寸，因此若比例不一致，画面的一部分将会被裁切。在正式印刷之前，我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。
玻璃选项仅适用于110厘米以下的尺寸。
Orange dot
艺术微喷/版画
复刻品尺寸
-
最终结算价
¥ 468
The Composition of Form and Color
The work, titled Orange dot, is an oil painting executed on hardboard. It was completed in 1953. The composition centers on a singular, circular form set against a background of varied tones. This central element is characterized by a specific orange hue that contrasts with the surrounding field. The surface of the painting exhibits the physical properties of oil paint, where the application of pigment creates a tangible presence on the hardboard substrate. The arrangement of shapes and the distribution of color define the visual structure of the piece.
Technical Execution and Materiality
The artist utilized oil on hardboard to achieve the specific textures present in the work. The interaction between the medium and the support influences the way light hits the surface. The following details characterize the physical nature of the object:
- Medium: Oil on hardboard
- Dimensions: 50.8 x 61.0 cm board
- Frame dimensions: 60.5 x 70.5 x 6.3 cm
The application of the paint suggests a controlled hand, focusing on the relationship between the central orange shape and the negative space that surrounds it. The edges of the dot are defined by the transition of color, creating a clear boundary between the subject and the background.
Historical Context and Provenance
This painting is held within the collection of the Art Gallery of NSW. It was acquired by the institution in 1953. The work is categorized as a painting and is currently not on display. The piece exists as a part of the permanent record of the gallery, having been identified by the accession number 8732. Its presence in the collection links it to the mid-twentieth-century period of Australian art history.
常见问题与解答
针对 John Passmore 的《Orange dot》，建议采用怎样的打印尺寸与方向？
建议打印尺寸为 Medium，构图采用 Square：这是为 John Passmore 的《Orange dot》 推荐的打印设置。
John Passmore 的《Orange dot》 中哪些颜色占据主导地位？
John Passmore 的《Orange dot》 的色彩特征：Earthy 色调，以 Walnut (#6f4426) 为主导。
建议将"Orange dot"用于何处及何种用途？
John Passmore 的《Orange dot》 推荐用于 Conversation，理想的摆放空间为 Living Room。结合使用场景与空间布局，可以更好地确定复制品的陈列位置。
艺术家简介
The Life and Artistic Journey of John Passmore
Born in Redfern, Australia, John Richard Passmore began his professional life as a signwriter's assistant after leaving school at thirteen. He pursued formal training at the Julian Ashton Art School, where he studied alongside Jean Bellette and Paul Haefliger. Seeking further education, he traveled to England to study at the Westminster School of Art under Bernard Meninsky and Mark Gertler. During his time in England, which included service as a conscript in the Royal Air Force, he worked as a layout artist with Lintas. While staying in a cottage in Suffolk, he produced landscape compositions that were strongly influenced by Paul Cézanne.
Upon returning to Australia in 1951, Passmore became a significant educator, teaching at the Julian Ashton School, the Newcastle Technical College, and the East Sydney Technical College. His teaching philosophy encouraged students to view subjects through a lens of mathematical shapes, facets, and a connection of rods, emphasizing tone and structure. His own body of work occupied a space between expressionism and abstraction.
Legacy and Final Years
Passmore's later years were marked by a period of reclusive painting following a heart attack in the early 1960s. His final weeks were spent in a home for the destitute near his birthplace. In a notable turn regarding his estate, Passmore left his collection of 270 paintings to an acquaintance, Elinor Wrobel, while his son was left £70,000. This bequest was subject to an out-of-court settlement, after which Wrobel retained control of the estate, eventually leading to the opening of a museum displaying over forty of his works.
His artistic legacy is preserved in several major institutions, including:
John Passmore
1904 - 1984 , Australia
艺术家简介
- Artistic Movement Or Style: Abstract impressionist
- Artists Or Movements Influenced By This Artist:
- John Olsen
- Keith Looby
- Colin Lanceley
- Artists Who Influenced This Artist: ['Paul Cézanne']
- Full Name: John Richard Passmore
- Nationality: Australia
- Notable Artworks: ['Poppies, fruit and skull']
- Place Of Birth: Redfern, Australia
- Date Of Birth: 1904
- Date Of Death: 1984
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