This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
透明亚克力铭牌详情
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
黑色亚克力铭牌详情
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
李昂五(Lee Ungno),亦被称为Yi Eungro,是一位出生于韩国首尔的法籍韩裔画家及版画家。1904年,他降生于这个充满历史底蕴的城市。他的早年求学经历在鸿城普通学校(홍성보통학교)留下了短暂却重要的印记,而真正的艺术灵魂是在1920年开始,通过师从 염재 송태호(Yeomjae Song Tae-hoe),全身心地投入于绘画的学习之中。
**在韩国与日本的艺术探索**
1922年移居首尔,标志着李昂五艺术生涯的正式开启。彼时,他成为了一位著名的书法家、画家兼摄影师海江金圭进(Haegang Kim Gyu-jin)的弟子。在他的研习过程中,他主要学习了以“海江风格”表现“四君子”的技法。值得一提的是,他那幅笔触灵动的墨竹画——墨竹(Mukjuk),曾在第三届朝鲜美术展中荣获殊荣。在殖民时期,李昂五凭借卓越的才华,接连在朝鲜美术展中斩获奖项。然而,他并未止步于传统,而是深信东方水墨画家应当推动风格的现代化。到了20世纪30年代初期,李昂五开始创作受现代东方水墨新风尚以及西方绘画自然主义表现手法影响的水墨山水画,展现出一种跨越文化的艺术视野。