Early Life and Professional Training

Born in Vienna on 15 July 1895, Ernst Huber began his path through the disciplined world of print and ink. His early years were shaped by the meticulous labor of a typesetter, a craft he pursued through an apprenticeship from 1910 to 1914. During these formative years, he worked at the Genossenschafts-Buchdruckerei, a cooperative book printer in Vienna. It was under the guidance of Otto Prutscher that he learned the precision required of the trade, a foundation that would later inform the distinct graphic quality of his visual compositions.

The pull toward fine art led him beyond the confines of the printing house. While mastering the technicalities of his trade, he sought to refine his eye through formal study. He attended evening classes for ornamental drawing at the Vienna School of Applied Arts, balancing the demands of his apprenticeship with the pursuit of artistic expression. This dual education provided him with a unique perspective, blending the structured discipline of a graphic professional with the fluid sensibilities of a painter.

Artistic Career and Exhibitions

The momentum of his creative life gained significant weight early on, when his talent caught the attention of influential figures in the Viennese art scene. Following a recommendation from the sculptor Gustinus Ambrosi, he received an invitation to contribute to the 1920 Vienna Kunstschau. This was a momentous occasion, placing his work alongside established names of the era. His presence in such a prominent national display marked a definitive transition from his early training into the professional sphere of a painter and graphic artist.

As his career progressed, he found a sense of community and belonging within the Zinkenbacher Malerkolonie. This affiliation spoke to his connection with the landscapes and light of the region. His output during these years was diverse, ranging from the precise hand of a graphic artist to the more fluid expressions of a painter. He moved between the structured world of print and the spontaneous nature of color, often finding his most immediate successes in the way he captured the essence of the Austrian countryside.

In the years following the hardships of the war, his work took on new dimensions through his travels. By 1955, he brought these international impressions back to his home soil, holding an exhibition at the Amerika-Haus in Salzburg. This gathering featured a collection of his new watercolors and oil paintings, many of which were born from his long excursions to distant lands. These works offered a window into the places he had visited, from the reaches of North Africa to the vast landscapes of South America and the United States.

• 1920 Vienna Kunstschau
• 1955 Exhibition at Amerika-Haus, Salzburg

Travels and Artistic Style

Huber possessed a restless spirit that drove him far beyond the borders of his native Austria. He was a passionate traveler, seeking out the light and landscapes of Europe and North Africa, and eventually crossing the oceans to reach South America and the United States. These excursions provided him with a vast treasury of visual impressions. While his roots remained firmly planted in the scenery of Lower and Upper Austria and the Salzkammergut, his eyes were often fixed on the horizons of distant lands. He sought to capture the essence of these places, translating the movement of foreign light into his art.

His technical approach evolved alongside his wanderings. In the middle of the 1930s, he turned his focus increasingly toward the medium of watercolor. This choice was born of necessity and desire; the watercolor allowed him to record his travel impressions with a spontaneity and speed that oil could not provide. He needed to catch the fleeting quality of a moment before it vanished. While he remained a skilled practitioner of oil painting and graphic art, the lightness of watercolor became a vital tool for his observations of the world.

• House in Orebic in Dalmatia (1923)
• Winter Landscape near Bad Gastein
• Madonna

Later Life and Death

The later years of Huber's life were marked by profound personal hardship and the physical upheaval of war. In 1943, the devastation of the conflict reached his private life when his son fell in the war and his apartment in Vienna was destroyed. These losses prompted a significant change in his surroundings. At the urging of a friend, he left the ruins of the city to find refuge in Wagrain, where he and his wife lived for several years.

During this period of resettlement, his creative output continued to reflect the impressions gathered from his travels. By 1955, his recent works, including watercolors and oil paintings brought back from his long trips to America, were exhibited in Salzburg. This period of life in the countryside provided a different atmosphere for his practice before he eventually returned to his roots. In 1956, Huber and his wife moved back to Vienna, returning to the city of his birth. He remained there until his death on 26 September 1960.