طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. ( شراء لوحة مرسومة يدويًا
الانتقال إلى الصورة الرقمية)
اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.
أدخل العرض والارتفاع المطلوبين ليتناسب المقاس مع إطارك أو جدارك. يرجى الملاحظة أن المطبوعة يمكن قصها فقط ولا يمكن تكبيرها لتتجاوز أبعاد الصورة الأصلية، لذا فإن اختيار مقاس بأبعاد مختلفة سيؤدي إلى فقدان جزء من الصورة. سنرسل لك نموذجاً رقمياً تجريبياً لاعتماده قبل البدء في عملية الطباعة. الصورة المعروضة في هذه الصفحة لا توضح شكل القص الفعلي — النموذج التجريبي فقط هو ما يظهر ذلك بدقة.
تُشحن في أنبوب واقٍ، لتكون جاهزة للتأطير لدى فني الإطارات الخاص بك.
للقطع التي يتجاوز طولها ١٠٥ سم، يتم شحن الإطار كمجموعة مخصصة لخبراء التأطير — اقرأ التفاصيل.
توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. (22 نوفمبر)
This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
A master enamel painter known for royal portraits. Discover the exquisite artistry of Jean Petitot today.
1607 - 1691, Switzerland
Born in Geneva, Switzerland, Jean Petitot was an enamel painter who dedicated much of his career to the royal courts of France and England. After apprenticing under a jeweler goldsmith named Pierre Bordier, Petitot traveled to France and eventually to England. There, he received letters of introduction to Turquet de Mayerne, the physician to Charles I, who presented him to the king. During this period, Petitot carried out various commissions, including portraits such as those of Rachel de Ruvigny, countess of Southampton, and Mary Villiers, duchess of Richmond and Lennox.
Following the execution of the king, Petitot moved to Paris with the royal household. In Paris, he entered into a long-standing partnership with the goldsmith Jacques Bordier. While Petitot was responsible for the actual drawing, Bordier was primarily responsible for the enamel process. The two were granted apartments in the Louvre and received numerous commissions from Louis XIV, painting portraits of many important figures within the brilliant court.
Petitot's life was marked by significant religious and political shifts. Following the revocation of the Edict of Nantes in 1685, he faced pressure to change his religion. After a period of imprisonment and a subsequent act of abjuration, he eventually returned to Geneva in 1687. There, he was absolved by the church of St Gervais and received a major commission from John Sobieski, king of Poland, to paint portraits of himself and his queen.
Petitot died in Vevey while in the act of painting an enamel portrait of his wife. His works are preserved in several notable collections, including:
الإجمالي