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      Adèle Romany, 1769 – 1846

      أشهر 37 لوحات لـ Adèle Romany

      تُعد Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) اللوحة التي اشتهر بها Adèle Romany؛ وهي محفوظة في National Museum of Women in the Arts، واشنطن دي سي. Madame Coury, Duhamel Widow (1811) و Portrait of a Young Woman (1804) يكملان ثلاثية اللوحات الأكثر شهرة. يحتوي دليلنا على 39 من أعمال Adèle Romany. إليكم 37 من أشهرها، مع ذكر سنة الإنتاج، والمتحف، والقصة وراء كل لوحة.

      تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في أكتوبر 2026. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً على قماش كتان، أو كطباعة فنية فاخرة بالمقاس الذي تختاره.

      بورتريه لـ Adèle Romany
      Adèle Romany · 1769 – 1846
      تاريخ الميلاد · تاريخ الوفاة
      1769 – 1846, Paris
      حركة
      Neoclassicism
      الأعمال الموجودة في كتالوجنا
      39
      الأكثر شهرة
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      أكبر عدد من الأعمال في
      Library-museum of the Comédie-Française

      أكثر عشر لوحات محبوبية لـ Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) للفنان Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, واشنطن دي سي

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      نسخة زيتية مرسومة يدوياً من $178 27 × 36 cm بنفس حجم العمل الأصلي $522 97 × 128 cm اطلب بالحجم الأصلي →
      اطلبها مرسومة يدوياً قصة اللوحة
      Madame Coury, Duhamel Widow (1811) للفنان Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · المتحف الوطني, ستوكهولم

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      نسخة زيتية مرسومة يدوياً من $178 28 × 36 cm بنفس حجم العمل الأصلي $467 90 × 117 cm اطلب بالحجم الأصلي →
      اطلبها مرسومة يدوياً قصة اللوحة
      Portrait of a Young Woman (1804) للفنان Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, باريس

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      نسخة زيتية مرسومة يدوياً من $178 29 × 35 cm بنفس حجم العمل الأصلي $242 51 × 61 cm اطلب بالحجم الأصلي →
      اطلب هذه اللوحة اقرأ المزيد عن هذه اللوحة
      Portrait of Julie Candeille (1791) للفنان Adèle Romany
      4

      Portrait of Julie Candeille

      1791 · Oil On Canvas

      In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

      نسخة زيتية مرسومة يدوياً من $178 29 × 34 cm
      اطلب هذه اللوحة اقرأ المزيد عن هذه اللوحة
      Portrait of a Young Harpist (1795) للفنان Adèle Romany
      5

      Portrait of a Young Harpist

      1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, ليل

      The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

      نسخة زيتية مرسومة يدوياً من $178 28 × 35 cm بنفس حجم العمل الأصلي $351 73 × 92 cm اطلب بالحجم الأصلي →
      اطلب هذه اللوحة اقرأ المزيد عن هذه اللوحة
      Portrait of a woman (1795) للفنان Adèle Romany
      6

      Portrait of a woman

      1795 · Oil On Canvas · Musée Jacquemart-André, باريس

      The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

      نسخة زيتية مرسومة يدوياً من $178 29 × 35 cm بنفس حجم العمل الأصلي $291 62 × 76 cm اطلب بالحجم الأصلي →
      اجعل هذا الضوء جزءاً من منزلك تأمل عن كثب
      Portrait of Amélie-Justine Pontois (1795) للفنان Adèle Romany
      7

      Portrait of Amélie-Justine Pontois

      1795 · Oil

      In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

      نسخة زيتية مرسومة يدوياً من $178 28 × 36 cm بنفس حجم العمل الأصلي $240 49 × 61 cm اطلب بالحجم الأصلي →
      اطلبها مرسومة يدوياً قصة اللوحة
      Charles-Antoine d'Artenay (1792) للفنان Adèle Romany
      8

      Charles-Antoine d'Artenay

      1792 · Oil On Canvas · قصر فرساي, فرساي

      The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

      نسخة زيتية مرسومة يدوياً من $178 29 × 35 cm بنفس حجم العمل الأصلي $253 53 × 65 cm اطلب بالحجم الأصلي →
      اطلبها مرسومة يدوياً قصة اللوحة
      Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) للفنان Adèle Romany
      9

      Portrait of Amélie-Justine and Charles-Édouard Pontois

      1800 · Oil

      The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

      نسخة زيتية مرسومة يدوياً من $203 28 × 35 cm بنفس حجم العمل الأصلي $377 73 × 92 cm اطلب بالحجم الأصلي →
      اجعل هذا الضوء جزءاً من منزلك تأمل عن كثب
      A young person hesitating to play the piano in front of her family (1804) للفنان Adèle Romany
      10

      A young person hesitating to play the piano in front of her family

      1804 · Oil On Canvas · Frances Lehman Loeb Art Center

      The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

      نسخة زيتية مرسومة يدوياً من $278 36 × 28 cm بنفس حجم العمل الأصلي $746 146 × 113 cm اطلب بالحجم الأصلي →
      اجعل هذا الضوء جزءاً من منزلك تأمل عن كثب

      Adèle Romany: اللوحات من 11 إلى 37 في التصنيف

      لوحات Adèle Romany عبر العصور

      Early Period

      1791 – 1798 · 7 أعمال في هذه القائمة
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

      Mature Period

      1799 – 1833 · 28 أعمال في هذه القائمة
      Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · المتحف الوطني Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen

      أكثر ما رسمه Adèle Romany

      المواضيع الأربعة الأكثر تكراراً في هذه اللوحات، مع تقديم أفضل الأمثلة لكل منها.

      Woman 24 أعمال

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · المتحف الوطني Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

      Man 14 أعمال

      Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · قصر فرساي Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

      White dress 6 أعمال

      Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

      White cravat 6 أعمال

      Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808), Adèle Romany #20 Joseph-Dominique Fabry Garat Playing a Lyre Guitar 1808 · متحف الفنون الجميلة Portrait of Antoine Valedau (1809), Adèle Romany #25 Portrait of Antoine Valedau 1809 · Musée Fabre The Marquis de Romance Mesmon's snack (1815), Adèle Romany #29 The Marquis de Romance Mesmon's snack 1815 · قصر فرساي Portrait of Voltaire (1836), Adèle Romany #35 Portrait of Voltaire 1836 · Library-museum of the Comédie-Française

      حيث تُعرض لوحات Adèle Romany

      المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

      المتحف المدينة أعمال Adèle Romany لوحات من هذه القائمة
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      قصر فرساي, فرسايقصر فرساي فرساي 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      متحف الفنون الجميلة, بوسطنمتحف الفنون الجميلة بوسطن 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, واشنطن دي سيNational Museum of Women in the Arts واشنطن دي سي 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      المتحف الوطني, ستوكهولمالمتحف الوطني ستوكهولم 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, باريسMusée Marmottan Monet باريس 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, ليلPalais des Beaux-Arts de Lille ليل 1 Portrait of a Young Harpist
      Musée Jacquemart-André, باريسMusée Jacquemart-André باريس 1 Portrait of a woman

      أشهر لوحات Adèle Romany القماشية، عبر العقود المتعاقبة

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) للفنان Adèle Romany
        المركز 3 من أصل 37

        Portrait of a Young Woman

        العمر 31 – 40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) للفنان Adèle Romany
        لوحة 2 من أصل 37

        Madame Coury, Duhamel Widow

        العمر 41 – 50 · المتحف الوطني

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s
        Portrait de Zoé Prévost, de l'Opéra-Comique (1830) للفنان Adèle Romany
        الترتيب 32 من أصل 37

        Portrait de Zoé Prévost, de l'Opéra-Comique

        العمر 61 – 70 · Musée Magnin

        The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

      لوحات Adèle Romany، سؤالاً تلو الآخر

      ما هي اللوحة التي يشتهر بها Adèle Romany أكثر من غيرها؟اقرأ الإجابة

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)، National Museum of Women in the Arts, واشنطن دي سي. يليهما Madame Coury, Duhamel Widow (1811) وPortrait of a Young Woman (1804).

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: كم كان عمر Adèle Romany عندما رُسمت هذه اللوحة؟اقرأ الإجابة

      ولد Adèle Romany في 1769 وكان عمره 26 عاماً: يعود تاريخ Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou إلى 1795.

      ما هي أشهر عشر لوحات لـ Adèle Romany؟اقرأ الإجابة

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois و A young person hesitating to play the piano in front of her family. ترفق مع كل لوحة في التصنيف أعلاه سنة رسمها والمتحف الذي تنتمي إليه.

      كم عدد اللوحات التي أبدعها Adèle Romany؟اقرأ الإجابة

      يوجد في كتالوجنا 39 من أعمال Adèle Romany، وتتراوح تواريخها من 1791 إلى 1836.

      أين تُعرض أشهر لوحات Adèle Romany اليوم؟اقرأ الإجابة

      توجد معظمها في Library-museum of the Comédie-Française (Paris), قصر فرساي (فرساي) و متحف الفنون الجميلة (بوسطن)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.

      متى رسم Adèle Romany أشهر لوحاته؟اقرأ الإجابة

      في 1800s، التي قدمت 13 من أصل 37 من الأعمال في هذه الصفحة، كان هناك Portrait of a Young Woman من بينها.

      أي من لوحات Adèle Romany الشهيرة كانت الأولى، وأيها كانت الأخيرة؟اقرأ الإجابة

      أقدم لوحة قماشية هنا هي Portrait of Julie Candeille (1791)؛ وأحدثها هي Portrait of Voltaire (1836).

      ما هي أكثر المواضيع التي رسمها Adèle Romany؟اقرأ الإجابة

      Woman (24), Man (14) و White dress (6)، عبر 37 من الأعمال في هذه الصفحة.

      ما هي الوسيط الفني الأكثر ظهوراً في لوحات Adèle Romany؟اقرأ الإجابة

      Oil On Canvas، مستخدم في 29 من أصل 37 من الأعمال في هذه الصفحة.

      ما هي المدرسة الفنية التي ينتمي إليها Adèle Romany؟اقرأ الإجابة

      Neoclassicism، كما تظهر اللوحات في هذه الصفحة.

      ما هي اللوحات التي يمتلكها Library-museum of the Comédie-Française من أعمال Adèle Romany؟اقرأ الإجابة

      يضم Library-museum of the Comédie-Française, Paris عدد 5 من الأعمال المعروضة في هذه الصفحة، من بينها Portrait of Emilie Leverd, Mlle Raucourt as Agrippine و Portrait of Fleury.

      أين يمكنني شراء نسخة من لوحة لـ Adèle Romany؟اقرأ الإجابة

      نعم. يمكن طلب كل لوحة في هذه الصفحة من صفحتها الخاصة، سواء كنسخة زيتية مرسومة يدوياً، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.

      تعرف على الفنان: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

      جميع أعمال 39 لـ Adèle Romany → Adèle Romany لوحات فنية مطبوعة، مع الأسعار →