A Quiet Presence in Strasbourg The name Upper Rhenish Master belongs to an anonymous hand, an artist active around 1410–20. While the person remains unknown, the work suggests a life spent in or around Strasbourg. There is a specific way the brush moves across oakwood, a method of layering mixed techniques that speaks of a steady, practiced hand. The work does not shout; instead, it invites a closer look at the small, deliberate detail…