تُعد Along the River Front, New York (1912) اللوحة التي اشتهر بها Everett Warner؛ وهي محفوظة في متحف توليدو للفنون، طليطلة. يحتوي دليلنا على 5 من أعمال Everett Warner. إليكم 2 من أشهرها، مع ذكر سنة الإنتاج، والمتحف، والقصة وراء كل لوحة.
تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في نوفمبر 2026.
المتاحف 2 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Everett Warner | لوحات من هذه القائمة |
|---|---|---|---|
| طليطلة | 1 | Along the River Front, New York | |
| مدينة نيويورك | 1 | "Manhattan Contrasts," New York City |
تتراوح لوحات Everett Warner المؤرخة في هذه الصفحة من 1912 إلى 1917، على مدار 6 عاماً فقط: إليكم إياها، عاماً تلو الآخر.
Along the River Front, New York (1912)
ولد Everett Warner في 1877 وكان عمره 35 عاماً: يعود تاريخ Along the River Front, New York إلى 1912.
يوجد في كتالوجنا 5 من أعمال Everett Warner، وتتراوح تواريخها من 1912 إلى 1917.
توجد معظمها في متحف توليدو للفنون (طليطلة) و New York Historical Society (مدينة نيويورك)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.
أقدم لوحة قماشية هنا هي Along the River Front, New York (1912)؛ وأحدثها هي "Manhattan Contrasts," New York City (1917).
Born in Vinton, United States, Everett Warner was an American Impressionist painter and printmaker. His early education included studies at the Corcoran Museum and the Washington Art Students League, followed by training at the Art Students League in New York under George Bridgman and Walter Clark. Warner's work gained recognition through selection for prestigious competitions at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design. He also served as an art critic for the Evening Star in Washington, D.C.
Warner's career was marked by significant contributions to maritime history. During World War I, he developed the Warner System, a ship camouflage method designed to break up a vessel's silhouette to make it difficult for enemies to obtain a range. He served as a lieutenant in the US Naval Reserves, managing a design-based subdivision in Washington, D.C. He later returned to serve as Chief Civilian Aid to Commander Charles Bittinger during World War II to assist in the design of ship camouflage.
Beyond his maritime work, Warner explored unique perspectives through aerial painting. Following the end of World War I, he utilized military seaplanes to observe New York City and the Eastern seaboard from above, becoming one of the first artists to sketch and paint from an aerial view. He even experimented with anamorphosis, displaying his large-scale paintings flat on the floor to be viewed from an oblique angle to enhance the sense of depth.
In his later professional life, Warner held a position as an associate professor of painting and design at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania, for eighteen years. After retiring from teaching, he settled in Westmoreland, New Hampshire. He eventually transitioned from painting to writing articles for publication before his death in 1963.