أتيليه — شحن مجاني لجميع أنحاء العالم — التوصيل خلال ٢–٦ أسابيع
      Fred Roe, 1864 – 1947

      أشهر 24 لوحات لـ Fred Roe

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915) هي اللوحة التي اشتهر بها Fred Roe. The Passing of John Sargent (1947) و May the Eighth يكملان ثلاثية اللوحات الأكثر شهرة. يحتوي دليلنا على 24 من أعمال Fred Roe. إليكم 24 من أشهرها، مع ذكر سنة الإنتاج، والمتحف، والقصة وراء كل لوحة.

      تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في نوفمبر 2026. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً على قماش كتان، أو كطباعة فنية فاخرة بالمقاس الذي تختاره.

      بورتريه لـ Fred Roe
      Fred Roe · 1864 – 1947
      تاريخ الميلاد · تاريخ الوفاة
      1864 – 1947, Cambridge
      الأعمال الموجودة في كتالوجنا
      24
      الأكثر شهرة
      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915)
      أكبر عدد من الأعمال في
      Guildhall Art Gallery

      أكثر عشر لوحات محبوبية لـ Fred Roe

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915) للفنان Fred Roe
      1

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front

      1915 · Oil

      The darkness of the Western Front presses in from all sides, heavy and absolute, yet a small circle of light holds the night at bay. Around a central campfire, soldiers gather, their forms etched against the gloom by the flickering orange glow of the flames. Some men sit on the earth, their bodies slumped in exhaustion, while others stand, perhaps watching the embers or lost in thought. The fire acts…

      نسخة زيتية مرسومة يدوياً من $178 27 × 37 cm بنفس حجم العمل الأصلي $711 108 × 173 cm اطلب بالحجم الأصلي →
      The Passing of John Sargent (1947) للفنان Fred Roe
      2

      The Passing of John Sargent

      1947 · Oil On Canvas · Guildhall Art Gallery, لندن

      The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the quietude of a grand cathedral. Fred Roe, the artist behind this large-scale work, directs our gaze toward a gathering of clergymen and dignitaries. They stand assembled around an altar, their presence filling the space with a sense of formal ritual and heavy…

      نسخة زيتية مرسومة يدوياً من $453 40 × 25 cm بنفس حجم العمل الأصلي $935 163 × 104 cm اطلب بالحجم الأصلي →
      May the Eighth للفنان Fred Roe
      3

      May the Eighth

      Oil

      In this oil painting, titled May the Eighth, Fred Roe captures a moment of profound historical weight. Created about 1915, the work belongs to the artist's significant period of engagement with the realities of the Great War. It is a piece that reflects the gravity of the era through its specific focus on military movement and the human cost of conflict.

      نسخة زيتية مرسومة يدوياً من $178 37 × 27 cm بنفس حجم العمل الأصلي $447 116 × 85 cm اطلب بالحجم الأصلي →

      Fred Roe: اللوحات من 11 إلى 24 في التصنيف

      أكثر ما رسمه Fred Roe

      المواضيع الأربعة الأكثر تكراراً في هذه اللوحات، مع تقديم أفضل الأمثلة لكل منها.

      حيث تُعرض لوحات Fred Roe

      المتاحف الـ 7 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

      المتحف المدينة أعمال Fred Roe لوحات من هذه القائمة
      Guildhall Art Gallery, لندنGuildhall Art Gallery لندن 2 The Passing of John Sargent, Recruiting in the Guildhall, London, by Sir Charles Wakefield
      Victoria Art Gallery, باثVictoria Art Gallery باث 1 Nelson Leaving Portsmouth for the 'Victory', 1805
      Shakespeare Birthplace Trust, أفونShakespeare Birthplace Trust أفون 1 Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire
      Wycombe District Council Offices, High WycombeWycombe District Council Offices High Wycombe 1 West Wycombe, Buckinghamshire
      Te Whare O Rehua Sarjeant GalleryTe Whare O Rehua Sarjeant Gallery 1 The Toast is England
      Grundy Art Gallery, بلاكبولGrundy Art Gallery بلاكبول 1 S. O. S
      Doncaster Museum And Art Gallery, DoncasterDoncaster Museum And Art Gallery Doncaster 1 The News, Chelsea Pensioners

      أشهر لوحات Fred Roe القماشية، عبر العقود المتعاقبة

      1. 1890s
      2. 1900s
      3. 1910s
      4. 1920s
      5. 1930s
        A. Gordon Bird (1930) للفنان Fred Roe
        الترتيب 14 من أصل 24

        A. Gordon Bird

        العمر 66 – 75
      6. 1940s
        The Passing of John Sargent (1947) للفنان Fred Roe
        المركز 2 من أصل 24

        The Passing of John Sargent

        العمر 76 – 83 · Guildhall Art Gallery

        The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the…

      لوحات Fred Roe، سؤالاً تلو الآخر

      ما هي اللوحة التي يشتهر بها Fred Roe أكثر من غيرها؟اقرأ الإجابة

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915)، يليه The Passing of John Sargent (1947) وMay the Eighth.

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front: كم كان عمر Fred Roe عندما رُسمت هذه اللوحة؟اقرأ الإجابة

      ولد Fred Roe في 1864 وكان عمره 51 عاماً: يعود تاريخ Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front إلى 1915.

      ما هي أشهر عشر لوحات لـ Fred Roe؟اقرأ الإجابة

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front, The Passing of John Sargent, May the Eighth, Nelson Leaving Portsmouth for the 'Victory', 1805, The Tap Room of the 'Baptist's Head Inn', Clerkenwell, London, Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire, West Wycombe, Buckinghamshire, The Toast is England, The Return of the Hero (Lord Nelson) و Nathaniel Louis Cohen. ترفق مع كل لوحة في التصنيف أعلاه سنة رسمها والمتحف الذي تنتمي إليه.

      كم عدد اللوحات التي أبدعها Fred Roe؟اقرأ الإجابة

      يوجد في كتالوجنا 24 من أعمال Fred Roe، وتتراوح تواريخها من 1890 إلى 1947.

      أين تُعرض أشهر لوحات Fred Roe اليوم؟اقرأ الإجابة

      توجد معظمها في Guildhall Art Gallery (لندن), Victoria Art Gallery (باث) و Shakespeare Birthplace Trust (أفون)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.

      متى رسم Fred Roe أشهر لوحاته؟اقرأ الإجابة

      في 1920s، التي قدمت 5 من أصل 24 من الأعمال في هذه الصفحة، كان هناك Recruiting in the Guildhall, London, by Sir Charles Wakefield من بينها.

      أي من لوحات Fred Roe الشهيرة كانت الأولى، وأيها كانت الأخيرة؟اقرأ الإجابة

      أقدم لوحة قماشية هنا هي Nelson Leaving Portsmouth for the 'Victory', 1805 (1890)؛ وأحدثها هي The Passing of John Sargent (1947).

      ما هي الوسيط الفني الأكثر ظهوراً في لوحات Fred Roe؟اقرأ الإجابة

      Oil، مستخدم في 2 من أصل 24 من الأعمال في هذه الصفحة.

      ما هي اللوحات التي يمتلكها Guildhall Art Gallery من أعمال Fred Roe؟اقرأ الإجابة

      يضم Guildhall Art Gallery, لندن عدد 2 من الأعمال المعروضة في هذه الصفحة، من بينها The Passing of John Sargent و Recruiting in the Guildhall, London, by Sir Charles Wakefield.

      أين يمكنني شراء نسخة من لوحة لـ Fred Roe؟اقرأ الإجابة

      نعم. يمكن طلب كل لوحة في هذه الصفحة من صفحتها الخاصة، سواء كنسخة زيتية مرسومة يدوياً، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.

      تعرف على الفنان: Fred Roe

      The Visionary Brush of Fred Roe

      To step into the world of Fred Roe is to wander through a tapestry of historical grandeur and rugged frontier beauty. A master of both the intimate portrait and the sweeping landscape, Roe possessed a rare ability to breathe life into the past and the wild. While his name may evoke the dusty trails of the American West for some, his roots and much of his technical mastery were deeply entwared with the classical traditions of Europe. Born in 1864, Roe’s artistic identity was shaped by a dual heritage of meticulous academic training and an unquenchable thirst for exploration. Whether he was capturing the solemnity of a religious ceremony or the atmospheric mist rising over a Wyoming valley, his work remains a testament to a life spent observing the profound beauty in both the historical and the natural worlds.

      The foundations of Roe’s technique were laid in the prestigious art schools of England. As the son of the painter and engraver Robert Henry Roe, the language of art was his first tongue. He refined his skills at the Heatherley School of Fine Art under the guidance of Seymour Lucas, a period that instilled in him a rigorous command over light, shadow, and anatomical precision. This academic discipline allowed him to achieve early success, exhibiting at the prestigious Royal Academy as early as 1877. His early career was marked by an impressive ascent through the ranks of the British art establishment, earning elections to the Royal Society of British Artists and the Royal Institute of British Painters. During these years, his focus often drifted toward historical genre subjects, where he utilized large-scale compositions and period costumes to recreate scenes of English history, including poignant depictions of Joan of Arc and naval incidents involving Lord Nelson.

      From London Studios to the American Frontier

      A pivotal shift occurred when Roe’s artistic gaze turned toward the vast, untamed landscapes of the Americas. His journey to Wyoming in 1893 served as a transformative expedition that expanded his repertoire from historical narrative to environmental storytelling. This period of exploration allowed him to document the topography and culture of the American West with the eye of both an artist and a chronicler. The rugged majesty of Yellowstone National Park became a central character in his work, providing him with a canvas of dramatic sunsets, stormy afternoons, and the quiet, misty mornings of the frontier. In these landscapes, Roe moved beyond mere documentation; he utilized expressive brushwork and a sophisticated understanding of tonal harmony to convey the palpable sense of place that defines the American spirit.

      This versatility—the ability to pivot from the structured elegance of London’s high society to the raw, unscripted life of Wyoming ranchers and cowboys—is what makes his oeuvre so uniquely captivating. His talent for illustration further bridged these two worlds, as he secured prestigious commissions for Harper's Weekly and The Century Magazine. Through these publications, Roe brought the essence of Western life to a global audience, using visual storytelling to render scenes from historical narratives and contemporary frontier life with equal emotional weight. His work during this era was not merely about what could be seen, but about the feeling of the wind across the plains and the heavy silence of a historical moment frozen in time.

      A Legacy of Detail and Discovery

      Beyond the canvas, Fred Roe was a man of profound intellectual curiosity. His passion for history extended into the realm of material culture, where he became a leading expert and collector of antique furniture. His scholarly contributions, such as Ancient Coffers and Cupboards and A History of Oak Furniture, reveal an artist who sought to understand the structural soul of the eras he painted. This deep appreciation for craftsmanship and historical authenticity is mirrored in his paintings, where every detail—from the texture of a period garment to the light hitting a piece of weathered wood—is rendered with meticulous care.

      As we reflect on the life of Fred Roe, we see an artist who refused to be confined by geography or genre. His legacy is found in the intersection of several profound artistic achievements:

      • Mastery of Genre: The seamless transition between historical narrative painting and contemporary landscape art.
      • Atmospheric Realism: An unparalleled ability to capture transient weather conditions and the emotional weight of light.
      • Cultural Documentation: His role as a visual historian for both the English past and the American frontier.
      • Scholarly Depth: The integration of historical research and antique expertise into his visual aesthetic.

      Today, Roe’s works continue to resonate with collectors who seek more than just a beautiful image; they seek a window into a vanished world. His paintings remain vibrant, breathing with the energy of the landscapes he traversed and the histories he so lovingly reconstructed.