تُعد Self-Portrait with Cigarette (1909) اللوحة التي اشتهر بها Hans Sutter؛ وهي محفوظة في Staatliche Kunsthalle Karlsruhe، كارلسروه. Self-Portrait (1910) و Coast near St. Tropez (1911) يكملان ثلاثية اللوحات الأكثر شهرة. يحتوي دليلنا على 4 من أعمال Hans Sutter. إليكم 4 من أشهرها، مع ذكر سنة الإنتاج، والمتحف، والقصة وراء كل لوحة.
تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في نوفمبر 2026. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً على قماش كتان، أو كطباعة فنية فاخرة بالمقاس الذي تختاره.
المتاحف 2 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Hans Sutter | لوحات من هذه القائمة |
|---|---|---|---|
| كارلسروه | 3 | Self-Portrait with Cigarette, Self-Portrait, Landscape near St.Tropez | |
| ميونخ | 1 | Coast near St. Tropez |
تغطي اللوحات المؤرخة لـ Hans Sutter هنا فترة زمنية تمتد لـ 3 سنوات فقط، من 1909 إلى 1911: عاماً تلو الآخر.
Self-Portrait with Cigarette (1909)، Staatliche Kunsthalle Karlsruhe, كارلسروه. يليهما Self-Portrait (1910) وCoast near St. Tropez (1911).
ولد Hans Sutter في 1887 وكان عمره 22 عاماً: يعود تاريخ Self-Portrait with Cigarette إلى 1909.
يوجد في كتالوجنا 4 من أعمال Hans Sutter، وتتراوح تواريخها من 1909 إلى 1911.
توجد معظمها في Staatliche Kunsthalle Karlsruhe (كارلسروه) و مجموعات بافاريا الحكومية للرسم (ميونخ)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.
في 1911، التي قدمت 2 من أصل 4 من الأعمال في هذه الصفحة، كان هناك Coast near St. Tropez من بينها.
أقدم لوحة قماشية هنا هي Self-Portrait with Cigarette (1909)؛ وأحدثها هي Coast near St. Tropez (1911).
يضم Staatliche Kunsthalle Karlsruhe, كارلسروه عدد 3 من الأعمال المعروضة في هذه الصفحة، من بينها Self-Portrait with Cigarette, Self-Portrait و Landscape near St.Tropez.
نعم. يمكن طلب كل لوحة في هذه الصفحة من صفحتها الخاصة، سواء كنسخة زيتية مرسومة يدوياً، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.
Hans Sutter arrived in the world in 1887 in Mainz, Germany. His early years in the Rhineland-Palatinate region laid the foundation for a life dedicated to the visual arts. By 1905, his talent led him to the Karlsruhe Academy, where he studied under the guidance of Wilhelm Trübner. This period of formal training shaped his ability to work across various mediums, from the delicate precision of draughtsmanship to the more fluid applications of painting and lithography.
His path was one of movement and discovery. In 1907, a study trip to Lake Garda offered him new perspectives on landscape and light. Later, in 1911, his travels took him to Paris and southern France. It was during these years that he encountered Pierre Bonnard, an encounter that surely left its mark on his approach to color and composition. By 1913, Sutter had moved to Frankfurt am Main, continuing his work as a painter, graphic artist, and commercial artist.
Sutter’s output was diverse, reflecting a man comfortable with both the fine arts and the practical demands of commercial design. He possessed a keen eye for the natural world, often turning his attention to the coastal beauty of France. His sketches and paintings from this era capture specific moments in time, such as:
In his self-portraits, one finds a more intimate side of the artist. These works, including his 1910 portrait held in the Staatliche Kunsthalle Karlsruhe, reveal a person deeply engaged with his own identity and the act of seeing. His ability to transition between the structured world of lithography and the expressive nature of painting allowed him to explore many different facets of the human experience.
The trajectory of Sutter's life was cut short far too soon. He passed away on 31 August 1916, in Maurepas, France. His death occurred during a period of immense global upheaval, leaving behind a body of work that remains a quiet record of his travels and his observations. Though his career was brief, the traces of his time in Germany and France live on through his drawings and paintings, capturing the light of the Mediterranean and the quiet reflections of a man at work.